Letters from Spain #2: Autumn in Madrid

Letters from Spain #2: Autumn in Madrid

Here is episode two of my podcast:

https://podcasts.apple.com/us/podcast/letters-from-spain-2-autumn-in-madrid/id1469809686?i=1000454646534

For the transcript, see below:


October in Madrid has pretty well run its course, and by now I know what that means. The weather has turned on a dime from gorgeous sunny days to bitterly cold rain, and the trees look more decrepit by the hour. Nature is preparing to hibernate, and yet my year is just beginning.

For the fifth time, I made my way to the Mercado Cervantino in Alcalá de Henares. Alcalá de Henares, by the way, is a smallish historical city on the outskirts of Madrid. This was the very first trip I took inside Spain. I had just barely arrived to the country, and I was still in a constant state of mild panic. Not counting university, my move to Spain was my first move away from home. I was convinced that disaster loomed everywhere. Specifically, I had a paranoid fear that somebody was going to steal my wallet, and I would end up homeless on the Spanish streets.

Anyways, I passed the short train ride to Alcalá obsessively checking my pockets and scanning everyone around me, afraid of the strangers, afraid of missing my stop, afraid of everything. But when I got off the train, all the fear left me. Now, I need to preface this description by admitting that my first impressions of Madrid were slightly disappointing. Madrid is a modern city; and to a person trying to escape New York, this is not a mark in its favor. But Alcalá—now here was the true old Spain, the Europe I had been looking for.

The city is home to one of Spain’s most historically important universities, and so it is filled with beautiful old buildings. Soon I noticed the big bushy nests of storks atop these old buildings, which struck me as almost unbelievably quaint and attractive. I elbowed my way through the thick crowds, my hands stuck into my pockets, until I arrived at my goal: the childhood home of Miguel de Cervantes, which is now a museum right in the center of the city.

Standing there, in that admittedly unremarkable piece of architecture, I felt for the first time what I later came to call “European Travel syndrome.” This is the uncanny feeling that something absolutely remote and perhaps even mythical is actually as real as you and me. Cervantes, for example, has been just real in my mind as his creation, Don Quijote. But when you visit the house where he was raised, and imagine him in diapers, crying for milk, being rocked to sleep, the amazing author of the world’s first novel becomes quite a different sort of creature in your mind.

This is one of the great differences between Americans, even cultured Americans, and Europeans. On this side of the Atlantic, history is tangible, visible, and as omnipresent as air, while for Americans learning solely through books and pictures, history is inevitably something quite fantastic, impossibly distant, and irretrievably dead.

Not that Spaniards are immune from the kind of historical romanticizing that we practice at home in Renaissance Fairs, as the Medieval Market of Alcalá proves. Here the vendors wear pseudo-medieval costumes and sell plastic swords and toy shields. Imaginary knights do battle while unlookers eat grilled meat. And so on. The main difference, in fact, is that here the festival takes place in a genuinely medieval city.

This celebration begins around October 9th, the day Cervantes was baptized in 1547. Three days later comes another October fixture, the Día de la Hispanidad, or the national day of Spain. This takes place on October 12, which you may recognize as the day Christopher Columbus landed in the New World. This historical event marked the beginning of the Spanish Golden Age, during which Spain became the most powerful country in the world, dominating half the globe. Interestingly, however, all reference to Columbus has been deliberately removed from the holiday’s official name; and, in my experience, hardly anyone talks about Columbus, positively or negatively, during this holiday. 

Rather, the focus is on a grand military parade through the center of Madrid. Military aircraft fly overhead, trailing colorful smoke, while columns of troops march past followed by rolling tanks. Presiding over this (largely empty) show of military might is the king, Felipe VI, attended by dozens of generals and politicians. The whole thing has a stuffy, conservative air, only lightened by the rather farcical nature of the military demonstration. This year, for example, the parachutist who was supposed to grandly descend from the sky, trailing an enormous Spanish flag, got caught on a streetlight and was knocked unconscious. Two years ago, a fighter pilot crashed and died in Albacete.

Like so many European countries—and, indeed, maybe every country—Spain is caught uncomfortably between is past and its future. It celebrates on Columbus Day, but does not mention Columbus. The country has not been a major military power since God knows when, but they must have a military parade. And though the king has very little real power in the government, he is the central focus of the event. In my experience, most Spaniards gladly accept the holiday and pay little attention to the history, the parade, or the king.

But Spaniards (and tourists) do care about the next event: Tapapiés. This is an annual food festival held every October in one of Madrid’s liveliest neighborhoods, Lavapiés. This year the event goes from the 17th to the 27th, and every year it is the same deal. A restaurant prepares a special tapa—a small plate of food, typically only a few bites—and sells it with a beer for two euros fifty. The streets and bars are usually packed, with a mostly young crowd, and musicians set up here and there to perform. As the night progresses, the results are predictable: you eat too little, drink too much, and spend more money than you ought But it is a good time.

This year, however, was slightly pathetic. For one, nobody could accompany me except my brother, and he’s my roommate. Then, when we arrived, it immediately began to rain—hard. As the weather got worse, we ducked for cover inside a mostly empty Turkish restaurant that was not participating in the event. Just then, we heard a kind of muffled bang, and a crowd of people began running away from the plaza. It didn’t sound anything like a gunshot to me, but several people mentioned a gun and a gunshot as they fled the scene. Meanwhile, I stood in the doorway of the restaurant, and watched.

After the street cleared out, a few men wearing hoods and bandannas around their faces ran up. I recognized them as being rioters. You see, some politicians in Catalonia had just been sentenced to prison for organizing an illegal referendum on the region’s independence, two years ago. Independence movements are one of Spain’s eternal problems, you see, flaring up repeatedly throughout its history, as I am sure I will discuss in another podcast. Here I only wish to say that these men were among the same demographic as the football hooligans who beat up fans of opposing teams, and with about as much brains.

The man in front of me overturned garbage cans into the road, trying vainly to slow down the police, and then ran off. A minute later, he was followed by a column of police in riot gear—with truncheons and clear plastic shields—who paved the way for an entire convoy of armored police vehicles. I assume they were making their way towards Callao, the plaza which was the epicenter of the rioting. I later learned that three officers were injured that night, one of them stabbed. Considering the rain and all this commotion, my brother and I decided to stay in the restaurant and eat a kebab.

The next morning I saw something I had never seen before: the Fiesta de la Transhumancia, or the Transhumance Festival. This is a yearly event. Shepherds take their flocks of sheep and goats down from Asturias on the historical paths set aside by King Alfonso the tenth (so-called “the wise”) in 1273 for their use. One of these paths (called cañadas reales) cuts right through Madrid, and so the shepherds enter in grand array, wearing their traditional garb, singing songs, dancing, playing bagpipes, and leading their sheep from Casa de Campo to the Plaza de Cibeles. The shepherds were charming, but their sheep were exhilerating—a swarming ocean of white fleece. The whole scene could not have looked more out of place in the normally busy intersection.

This, in a nutshell, has been my October in Madrid. Certainly it lacks much of what makes Autumn in New York so charming. This time of year, I particularly miss the extraordinary fall foliage of my home state. But it must be admitted that Madrid has some compensating joys.

New Podcast: Letters from Spain #1

New Podcast: Letters from Spain #1

I recently started on a new podcast project, Letters from Spain, where I hope to document my life in Madrid, and to reflect on some of the differences between Spain and the United States.

To listen to the first episode, click here.

Below is the text of the podcast:


Letter #1: Beginning

I am here to talk about Spain.

But I should begin with some reservations. Talking about other cultures is a dangerous enterprise. A major risk is exoticizing the culture—making it seem altogether unusual and even nonsensical. From there, it is a short step to dismissing the culture completely, treating it as an illogical accident of humankind, a bizarro land where nothing is as it should be. On the other extreme we may normalize the culture by focusing exclusively on the ways in which it is not so very different. This way we treat the other culture as we treat ourselves, which is partly good; however, this way we may fail to recognize how a culture is genuinely special.

This is only the beginning of our troubles. To talk about something, we must ourselves have a point of view; and that is formed, of course, by our own culture. For me that culture is American, specifically from New York, specifically from Westchester County, specifically from the town of Sleepy Hollow. For me, that is ‘normal,’ and this sense of normality shapes my perspective. I cannot help but compare Spain to this culture, my culture, and to see everything Spanish as, in a sense, a deviation. Is it possible to talk about a culture in purely objective terms? I doubt it; and even if it were possible, I doubt that it would be worth listening to. Culture is, among other things, a system of values, and you cannot understand it without having values of your own.

I am going on, listing difficulties, and yet there are still more risks. An obvious one is the use of stereotypes. Now, what is a stereotype? It is not merely a generalization, but a widely known and popularly believed generalization, usually with positive or negative ramifications. Each country has its share of stereotypes—the Spanish dance flamenco, go to bullfights, and sleep siestas, while Americans eat hamburgers and live in big houses. And so on. Now, some people say that stereotypes are problematic because they are generalizations. I don’t think that’s true. All knowledge consists of generalizations. And some generalizations are perfectly true. It is true, for example, that Spanish people tend to eat dinner later than Americans.

The problem with stereotypes, then, is not that they are generalizations, but that they are misapplied or untrue generalizations. Most Spanish people don’t like flamenco, or go to bullfights, or have time in the middle of the day for a nap. And, besides, these stereotypes are troublesome because they project a kind of fantasy version of Spain, where the people are living passionate, dangerous lives under the scorching Mediterranean sun. Don’t get me wrong, these things do exist in Spain, and they are interesting facets of Spanish culture. But to characterize the whole country that way is highly inaccurate, to say the least.

Considering all of these risks, then, what am I here to do? In this podcast, I hope to use my own experience in Spain to consider some of the subtler differences between life here and life back in the United States. To tell you something about myself, my name is Roy. I am a 28-year-old English teacher, living in Madrid. I decided to move here over four years ago, when I was working in Manhattan in an office job that, shall we say, did not fulfill my dreams of post-college life. I wanted an escape, to see the wider world, to go on an adventure; and Europe seemed to be the answer. I had been reading about European history for years. In undergrad, I studied cultural anthropology, and my advisor did his research in the south of Spain. Dreams of castles and philosophers’ graves beguiled me, and soon I found myself on a plane to Madrid.

You may ask, why Spain? Well, the answer is not very inspiring. Simply, Spain is one of the easiest countries to legally work in for Americans. It was an entirely opportunistic move. But, it was a fortunate one, since I became enamored of the country within months. My backstory explains my own bias. Like many people, I suspect, I came to Spain seeking an escape from the dreary world of American adulthood, and I found one. Thus, for me, Spain is tinged with a kind of rosy hue, as a place of refuge and adventure. I have lived here long enough for some of this to have worn off, but still I am predisposed to see all things Spanish as good. Still, I do hope I will avoid idealizing this country, since such a romanticized image would have little value. 

So in this podcast I want to explain what I have come to learn and appreciate about this place, and why I have chosen to stay year after year. And I will do this from an inescapably American perspective. The differences between Spanish and American culture goes far beyond flamenco and siestas, and I think these subtler differences have much to teach us. I hope do to this without either collapsing the differences between these two cultures, and without making Spain seem impossibly exotic. Let us see if I can thread the needle.