Review: Florentine Codex, Book 12

Florentine Codex: Book 12: Book 12: The Conquest of Mexico (Volume 12) by Bernardino de Sahagún

My rating: 4 of 5 stars

The more I read about the Pre-Colombian cultures of Mexico, the more I am confronted with the basic questions of historiography. Though there are many excellent sources of information—ruins, artwork, living ancestors, Spanish eyewitness accounts, pre-contact documents, indigenous stories, and later historical accounts—all of these carry with them strong limitations and biases, giving our knowledge a kind of multicolored, mosaic quality.

This book is an excellent example of this. Written by a Spanish friar using native informants, this is a kind of hybrid insider/outsider document. The knowledge collected by Sahagún was authentic and valuable, and yet it was collected as a part of a missionary effort—not just to conserve, but also to convert. Further, Sahagún wrote his enormous treatise on Aztec culture many decades after initial contact, at a time when the Mexica empire was shattered, its people subjugated, and its culture already heavily influenced by the Spaniards. While enormously valuable, then, this document cannot be read as a clear window into the past.

The strongest example of this is the beginning of the document. Here, it mentions the several ominous omens—a flame in the sky, a boiling lake—that supposedly appeared before the arrival of the Spanish, giving the conquest an almost Biblical aspect. The codex also claims that the Aztec emperor initially mistook the Spaniards for gods, thus leading to several strategic errors.

But this information is dubious for several reasons. For one, anything so highly flattering to the Christian missionaries (as if God is intervening on their behalf) should be suspect in itself. What’s more, these stories were collected from people living a generation or more after the conquest, not direct witnesses; and one can see how these stories serve a kind of defensive purpose. After all, if the heavens intervened to topple their culture, it somewhat absolves the fallible humans who were defeated. It is no wonder that modern historians have largely discarded these stories as myths.

Does that make this document valueless? Absolutely not. Apart from the specific information contained therein—much of it indeed reliable—it also preserves a sense of huge cultural disruption that the Spanish caused when they arrived. So much of the book consists of confused and desperate battles, which escalate in scope and intensity until the book has a nearly apocalyptic tone. Even now, one can feel the sense of cultural dislocation and loss in these pages. Particularly evocative, I found, was the section on the introduction of smallpox:

But before the Spaniards had risen against us, first there came to be prevalent a great sickness, a plague. It was in Tepeilhuitl that it originated, that there spread over the people a great destruction of men. Some it indeed covered [with pustles]; they were spread everywhere, on one’s face, on one’s head, on one’s breast, etc. There was indeed perishing; many died of it.

This book is also worth reading precisely because of the issue that I highlighted above. As lay readers, we are rarely confronted with the realities of actually doing history—the difficult work of piecing together coherent narratives from a variety of fragmentary and sometimes contradictory sources. Yet when a historian does this work in the background, and presents us with a neat story, we are given a false perception of how easy it is to draw conclusions about the past. In the case of the Spanish conquest of Mexico, it just so happens that our sources are particularly fraught. This period in time, then, shows in exaggerated form the problems that exist in any historical work, and is thus an education in itself.

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Review: History of the Conquest of Mexico

History of the Conquest of Mexico by William Hickling Prescott

My rating: 3 of 5 stars

I began this book with great expectations—cracking open its pages in the airport, on my way to Mexico City for my first ever trip to Latin America. The book seemed extremely promising: the classic work on a subject that fascinates me, written by a man who is considered to be both an excellent prose stylist and one of the founders of scientific history. Rarely does a book seem more perfectly suited to my tastes.

By the end, however, I found myself drained and unmotivated—dragging myself through the final pages. And now, I am in the strange situation of being unable to recommend this book to nearly anyone, despite seeing why it was considered a classic for so long.

I should begin by giving Prescott his due. Severely visually impaired, he could not travel to any of the places he was famous for writing about—never once stepping foot in Mexico, Peru, or Spain. Instead, he had to rely on secretaries, on copies of manuscripts sent to him, and most of all on his prodigious memory, which allowed him to gain fuller access to the primary sources than any scholar before him. And judged by the academic standards of his time, he was an extremely thorough and careful researcher. This book is extensively footnoted, and includes bibliographic essays at the end of many chapters. He did his homework.

He was also an accomplished writer. Believing that history was a genre of literature as much as a record of facts, he labored to make his narrative colorful and attractive. True, his style can seem overly verbose for modern tastes. But the book is still very readable. Indeed, the experience is often more comparable to reading a good swashbuckling novel than a serious work of history. More impressive still—considering his trouble seeing and his never having traveled there—his descriptions of the landscapes are quite lovely examples of nature writing. As both a historian and a writer, then, there is much to commend.

As James Lockhart points out in the introduction, however, there is a tension between these two sides of Prescott. While he is meticulous and skeptical in his footnotes, he is willing to take poetic license with his narrative. Facts, after all, are not always conducive to drama; and the records of history often leave unsatisfying lacunae. But Prescott was intent on writing a story that would stand on its own merits, and shows a willingness to fill in gaps or twist facts to suit his purposes. His urge to tell a good story, in other words, often overpowered his judgement.

Yet for the modern reader, this is not the most serious issue with this book. The glaring and obvious problem is Prescott’s candid sympathy for the conquering Spaniards, combined with his open disdain for those they conquered. Referring to the Aztecs as “barbarians” and “savages,” he dismisses their entire civilization as “half-civilized,” comparing their culture to “Asiatic despotism.” Now, to be fair to Prescott, these sorts of prejudices were nearly universal in his cultural milieu. But I have been alarmed to see other users on Goodreads swallow these prejudices uncritically—which I think requires some correction.

In Prescott’s hands, you see, the conquering Spaniards are romanticized to the point of unrecognizability—becoming an intrepid band of knights errant, motivated by genuine religious conviction, on a civilizing mission to free the oppressed and ignorant denizens of the New World from their tyrannical oppressors. The Aztecs are reduced to bloodthirsty savages, superstitious to the point of insanity, whose barbaric religion must be eradicated for the good of the world. This is no exaggeration. I am using his language and his phraseology here.

Now, I am certainly not going to sit here and write a defense of human sacrifice. But it is worth noting that the Spanish conquest led to a calamitous demographic collapse—one of the great mortality events of recorded history. So any notion that they somehow saved lives is absurd. It is also worth pointing out that the Spanish subjugated everyone they could, peaceful or otherwise. Further, any historian of the period will tell you that the Spanish conquistadores were motivated by one thing above all else: riches. This was obvious and openly admitted. Indeed, their actions don’t make sense in any other light.

If this book is worth reading, then, it is because it is itself a piece of history—a stirring work of literature, a contribution to the academic discipline of history, and an example of the dominant prejudices of the time. But in both its understanding of the period, and in the attitudes it reflects, this book is more than dated. It is obsolete.

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Review: The Conquest of New Spain

The Conquest of New Spain by Bernal Díaz del Castillo

My rating: 5 of 5 stars

In the introduction to this book, its translator J.M. Cohen makes a point to emphasize how badly it is written. This is hardly normal for a book that is widely considered to be a classic—though perhaps it shouldn’t come as a surprise for a document composed by a poorly-educated soldier of fortune. For this edition, Cohen trimmed much of what he considered to be repetitive, and straightened out some of the knottier prose. Even after this treatment, however, a great deal of this book is a confused and monotonous narration of battles.

And yet, it is an absolutely fascinating document. Díaz wrote his account as an old man, to correct some of the earlier stories about the conquest of “New Spain,” which glorified Cortés at the expense of his followers. This would seem to indicate that Díaz—who was one of these followers—had a proverbial axe to grind. But Díaz’s lack of intellectual subtlety, his clumsiness as a writer, and his obvious frankness combine to make this document strangely absent of perceivable bias. Writing down what he witnessed was such a chore in itself, the reader feels, that Díaz did not have it in him to twist the story to his ends.

The result is an eyewitness account of one of the most monumental events in human history—the collapse of a great empire, and with it the only power in Central America capable of resisting the Spanish colonists. It is a story rich in drama and intrigue, as Cortés navigates the politics of his Spanish backers (who turn on him) as well as the local peoples he encounters, seeming to stay one step ahead of trouble through his cunning and a generous amount of luck.

It is also a gruesome and tragic story. Hardly a page goes by in this book without armed conflict and human butchery. It is impossible to root for the Spaniards as they slash and burn their way through the landscape, provoking unimaginable losses to our cultural heritage in the process. And yet, ironically, Díaz—an agent of this civilization’s destruction—was one of the last people to see it at its full splendor, and is now one of our best sources of information on what he helped to destroy.

The passages about the Aztec cities, and especially meeting Montezuma in Tenochtitlan, are easily my favorite part of the book. Despite their selfish and bloody purpose, Díaz and his fellows were absolutely dazzled at the splendor of the empire. He was amazed at the broad and straight causeway, the network of canals and bridges, the high stone pyramids. The vast markets, teeming with alien plants and animals, he compares favorably to those of Constantinople or Rome; and he goes into raptures at the beauty of their gardens. The sheer number of people is shocking for the modern reader, who may be accustomed to thinking of the New World as only lightly populated at the time of European contact. On the contrary, Tenochtitlan would have dwarfed the London or Seville of the time.

A tone of regret or remorse creeps into the writing at this point, as if he is sorry that such a wonderful place was destroyed. It is an especially striking tonal shift, given that so much of the book is one battle after another, often told quite matter-of-factly. In another passage, Díaz seems to be amazed that all of this really happened, and seems unable to explain how it could occur, deciding that it must have been divine intervention. This is somewhat self-serving, to be sure, but it does give a taste of his complete lack of guile. As an author, he writes what he remembers, and shrugs his shoulders at the explanation.

What continually strikes Díaz—and undoubtedly his readers—is the prevalence of human sacrifice in the Aztec world. He describes finding people in cages being fattened for sacrifice, temples covered in blood, and the horrifying way in which victims would be dragged up the temple steps and have their chests cut open. As far as I know, there is no reason to doubt that this really happened. Yet it also serves rhetorically as a constant justification for the Spaniards’ actions. It is difficult to feel bad for the Aztecs, after all, if they are murdering on such a scale.

But I think it is important for the modern reader to keep in mind that Díaz and his fellows were hardly there on a humanitarian mission. These conquistadors—who would go on to commit violence on a much larger scale—were there for personal enrichment above all else. The lives of the peoples they conquered had little interest or value for them, beyond their possessions or their enslavement. To pick just one example, after expounding on the horrors of human sacrifice, Díaz calmly relates: “we dressed our wounds with the fat from a stout Indian whom we had killed and cut open, for we had no oil.” I do not say this to re-litigate the past, only because I think this book is more profitable and compelling if not read as a story of heroes and villains.

So while I cannot call this document a literary masterpiece, or even well-written, I found it to be a window—and a surprisingly clear window—into one of history’s great moments. And the sad truth is, to learn about this moment, we must turn to books like these, for “today all that I then saw is overthrown and destroyed; nothing is left standing.”

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Review: The Greatest Sentence Ever Written

The Greatest Sentence Ever Written by Walter Isaacson

My rating: 4 of 5 stars

This year, 2026, will mark the 250th anniversary of these United States. Well, this is more a convention than a fact. After the signing of the Declaration of Independence, the Revolutionary War would drag on for seven more years; and the Constitution would not be adopted until 1789. Still, it is fair to say that the drafting of this fateful document was both a decisive moment on our road to independence, as well as an important statement of the principles we would later see as defining this nation.

This short book is ostensibly a close look at the second sentence of this sacred text. It is the one that many Americans know by heart, which begins: “We hold these truths to be self-evident…” Isaacson declares it the “greatest sentence ever crafted by human hand”—a grandiose claim, but a defensible opinion in light of both the sentence’s import and felicity. This book is an examination of how it was written and revised.

Thomas Jefferson wrote the first draft of this document. In his version, the sentence reads: “We hold these truths to be sacred & undeniable; that all men are created equal & independant, that from that equal creation they derive rights inherent & inalienable, among which are the preservation of life, & liberty, & the pursuit of happiness.”

The changes made to this original are telling. Aside from a bit of pruning—removing “independant” and “inherent”—there are two important shifts. For one, “sacred and undeniable” is changed to “self-evident,” a mathematical term in vogue among Enlightenment philosophers. This was undoubtedly Benjamin Franklin’s idea, who emphasizes the (highly controversial) position that rights are a basic property of anyone living in a society. The other change is the addition “by their Creator,” which actually makes Jefferson’s original sentence more conventional in outlook—a personal creator God, rather than simply an “equal creation.”

In any case, all of these changes certainly help make the sentence more memorable and punchy. Along with a bit of historical and philosophical background—very little, considering the length of this book—that, it would seem, would be that with regards to this finest of sentences.

Yet it becomes clear in the final three chapters that this book is not merely an exercise in lexical appreciation. Isaacson shifts from an appreciation of this sentence to a brief reflection on what he sees as our broader problems. Compositionally, this is awkward, as his suggestions do not stem from the content of this sentence, or indeed of the Declaration as a whole. In light of what feels like an endless national emergency, however, his input does not feel entirely out of place.

Isaacson asserts that what we have lost, and what we need to recover, is a notion of the “commons.” This is an idea alluded to in John Locke’s Second Treatise of Government, that each working society must ensure a common pool of resources over and above the private property owned by every individual. He views our current political crisis as a consequence of self-segretation—gated communities, private schools, VIP entrances, severely biased news sources. The two separate half-time shows for the recent Super Bowl—Bad Bunny for the libs, Kid Rock for the MAGA crowd—would seem to perfectly encapsulate this growing divide.

While I fully agree with Isaacson, this is hardly a novel observation—and, in any case, he doesn’t really suggest anything we can do about it, aside from getting back to our nation’s roots. Indeed, his own book illustrates this problem, when he briefly (and correctly) points out the contradictions in a document that proclaims equality while excluding women and American Indians and condoning slavery—an obvious fact, and yet one which will likely turn off many Republican readers.

Perhaps, rather than trusting our salvation to Jefferson, Franklin, and Adams—who, after all, got us into this mess—we should put our faith in Bad Bunny, the author of the second greatest sentence ever written: “The only thing more powerful than hate is love.”

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2025 in Books

2025 on Goodreads by Various

My rating: 4 of 5 stars

2025 was a year of upheaval for me. Virtually everything changed: my job, my relationship, and even my country. Strangely, this has been true for many of the people I know (my theory is that the stability we cobbled together during the pandemic is finally unwinding). In any case, this didn’t leave as much room for reading, which is a pity. Even so, the books I did read provided comfort and guidance in these strange times, for which I’m grateful.

New York City was a major topic of my reading. I kicked off the year with The Works, an excellent book about how the city gets its electricity and water, how it gets rid of its garbage, how it controls traffic and moves its citizens. Even more revelatory was Times Square Red, Times Square Blue, by Samuel R. Delaney, which explores the ways that cities promote or discourage genuine human contact. Ottessa Moshfegh’s superlative novel, My Year of Rest and Relaxation, manages to shed just as much light on what it is like to live in this strange place.

Apart from this, my reading was kind of a mixed bag. Esther Perel’s two major books on long-term relationships were extremely interesting for her wide and somewhat unconventional perspective. Vicky Hayward’s translation of an 18th century Spanish cookbook managed to be one of the most fascinating works of history that I’ve encountered in a long while. David Grann’s books—on the Osage murders and Percy Fawcett’s quest to discover the Lost City of Z—were both thrilling; and I continued my slow exploration of Murakami’s fiction.

But the most significant event of my year in books was the publication of my novella, Don Bigote. Thanks to the editors at Ybernia, Enda and María, I even had my first book event, and got to talk about my writing in public for the first time in my life. To top it off, I contributed two chapters to a book about living in Madrid, Stray Cats—ironically, just in time to decide to move away from that lovely city. In a year in which I often felt low and lost, these accomplishments helped to get me through.

Yet perhaps my favorite moment was being able to meet and interview Warwick Wise, whose writing I greatly admire, and whom I met through Goodreads. Even after all these years, then, this site continues to enrich my life.

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Review: Persians, by Lloyd Llewellyn-Jones

Persians: The Age of the Great Kings by Lloyd Llewellyn-Jones

My rating: 3 of 5 stars

This book begins with a great promise: to correct the distorted view that so many of us have of the Persian Empire. This distortion comes from two quite different directions.

In the West, our view of the Persian Empire has largely been filtered through Greek sources, Herodotus above all. This is nearly unavoidable, as the Greeks wrote long and engaging narrative histories of these times, while the Persians—although literate—did not leave anything remotely comparable. Yet the Greeks were sworn enemies of the Persians, and thus their picture of this empire is hugely distorted. Taking them at their word would be like writing a history of the U.S.S.R. purely from depictions in American news media.

The other source of bias is from within Iran itself. Starting with Ferdowsi, who depicts the Persian kings as a kind of mythological origin of the Persian people, the ruins of this great empire have been used to contrast native Persian culture from the language, religion, and traditions imported by the Muslim conquest. In more recent times, Cyrus the Great has become a symbol of the lost monarchy, a kind of secular saint—a tolerant ruler, who even originated the idea of human rights. This purely fictitious view is, at bottom, a kind of protest against the current oppressive theocracy.

But this book does not live up to its promise. To give the author credit, however, I should note that the middle section of the book—on the culture, bureaucracy, and daily life of the empire—is quite strong. Here, one feels that Llewellyn-Jones is relying on archaeological evidence and is escaping from the old stereotypes. The epilogue is also a worthwhile read, detailing the ways that subsequent generations have used (and abused) the history of this ancient power.

Yet the book falters in the chapters of narrative history. Here, Llewellyn-Jones is forced to rely on the Greek sources, and as a result many sections feel like weak retellings of Herodotus, with a bit of added historical context. Even worse, there are several parts in which I think he is not nearly skeptical enough regarding the stories in these Greek authors. At one point, for example, he retells the story of Xerxes’s passionate love affair with the princess Artaynte—a story taken straight out of Herodotus, and which has all of the hallmarks of a legend. That Llewellyn-Jones decides to treat this story as a fact, and does not even gesture towards its source, is I think an odd display of credulity in a professional historian.

The irony is that the final section of the book—full of scandalous tales taken out of Greek authors, depicting the decadence and depravity of the Persian court—only reinforces the very stereotypes that Llewellyn-Jones sets out to destroy. The really odd thing, in my opinion, is that there are no footnotes or even a section on his sources, so the reader must take him at his word—or not. I suspect this omission is to cover up the embarrassing fact that he relied so heavily on Herodotus.

This is a shame, as the Persian Empire does deserve the kind of reevaluation he proposes. It is fascinating on its own terms, and not just as a foil to the noble Greek freedom-fighters. Still, I think this book is a decent starting point for anyone interested in the subject. One must only read it with a skeptical eye.

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Review: New Art of Cookery

New Art of Cookery: A Spanish Friar’s Kitchen Notebook by Juan Altamiras by Vicky Hayward

My rating: 5 of 5 stars

I did not expect to be going to a book event during my last weekend in Madrid. But when I learned that an author was going to be talking about a historic Spanish cookbook at my favorite bookstore in the city, I decided that I had to make time for it.

I was transfixed from the start. The history of food is, I think, often overlooked—even by history buffs; and yet it provides a fascinating lens through which to learn about the past. In daily life, we are often apt to think of traditional dishes as things that have existed since time immemorial. But this often isn’t the case. In this cookbook, originally published in 1745, you will not find potato omelette, or paella, or croquetas, or cocido, or gazpacho…

Wait, I’m getting ahead of myself. Let me describe what this book is, first. Nuevo arte de la cocina is a cookbook published under the name Juan de Altamiras (a pseudonym) in 1745. It proved to be immensely popular, remaining a bestseller well into the next century. The book’s author—whose real name was Raimundo Gómez—was a Franciscan friar, who grew up and spent much of his life in rural Aragón. This book is a contextualized translation by the English author Vicky Hayward. Throughout the book, she adds a great deal of fascinating historical context, as well as modernized versions of each of the over 200 recipes here.

As you might expect, the book is organized along religious lines, with food for meatless and meat days. Back then, something like a third of the year consisted of meatless days; and during Lent, the pious were supposed to be basically vegan. This makes the book a surprisingly good resource for vegetarian cooking. Yet what made it so innovative in its time was that, unlike so many previous cookbooks, Altamiras wrote for ordinary Spaniards—not courtly chefs. The recipes here are simple home cooking at its finest, requiring basic ingredients and straightforward technique. This was revolutionary at the time.

And to return to my previous point, much of the cooking can seem surprisingly exotic. Altamiras uses sauces made from hazlenuts, almond milk, and pomegranate juice. He mixes citrus, saffron, and tomato, and loves to add cloves and cinnamon to his savory dishes. Hayward was good enough to cook samples for the audience at the book event—several of which made me think of Iranian food. According to Hayward, this is because the Morisco influence (Muslims who had converted to Christianity in the 15th century) was still alive and well in Altamiras’s childhood.

I was also surprised at the wealth of ingredients available to Altamiras. He calls on a wide range of fruits and vegetables, as well as fresh fish—despite not living near the coast. He had eggs aplenty and endless ham and lamb, not to mention nuts, legumes, and spices. Saffron grew locally in his day, and salt cod was a staple (though including such a humble ingredient as salt cod was innovative). Most surprising of all, he made iced lemon slushies by using the snow in the nearby mountains. This was a rich and varied diet.

Hayward has fascinating things to say about all of this—the cooking techniques, the sources for ingredients, the role of religion, the Muslims influence, and so much more. More than so many other history books, this one made me feel transported back in time. And a delicious time it was.

Now, one would think that there could be nothing more innocuous than a translation of an 18th century Spanish cookbook. And yet, the event I went to last month was the first event held in honor of the book—eight years after its initial publication! According to Hayward, this is because her book attracted the ire of the Aragonese government, who were offended that a foreigner had beaten them to the punch in bringing their native son to a wider audience. She reports being attacked left and right by Spanish academics. If this is true, it is very silly.

I left the event in a buoyant mood, glad that I could still be so surprised by Spanish history after so many years. And I celebrated, appropriately, by the orgy of food that is Tapapiés—Madrid’s annual tapa festival, held in the Lavapiés neighborhood. It was a wonderful way to spend my last Friday in the city.

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Review: Stray Cats

Stray Cats: Life in Madrid Through 17 Voices by John Dapolito

My rating: 5 of 5 stars

I met John Dapolito at the Antón Martín metro stop on a cold autumn night. He was smoking a cigarette and scanning the crowd, and when he recognized me he told me to follow him to a nearby bar. I was nervous, as this was a kind of interview. He was looking for writers to contribute to a new volume, a collection of mini-memoirs of people who have moved to Madrid from elsewhere. He wanted them to answer three questions: How has Madrid changed since you moved here? How have you changed? And how has Madrid changed you?

“Nine years?” he said, mulling over my time in Madrid. “Nine years…” his voice trailing off. To many Americans in Madrid, this is quite a long time. But compared to John’s twenty-five, it seemed rather paltry. So we talked about how I could write my essay, what angle I could take, what I could emphasize about my experience to differentiate from everyone else’s. The next day, I started writing a draft of my essay long-hand, in a notebook—something I seldom do—and now it is a pleasure to see it in print in this collection.

Ironically, in the months since I sent off the final draft to John, I’ve grown to love Madrid more than ever. While I used to feel the need to escape into the sierra every couple of weeks, craving a bit of nature, lately I’ve been content to just stroll around the city, exploring its nooks and crannies, and getting ever-more integrated into its peculiar form of life. In short, now that my nine years are nearing ten, I am finally beginning to feel like a proper madrileño, fully at home in this great Spanish metropolis. And now that I have my story of Madrid in print, I feel now more than ever that I’ve really made a home here.

The stories in this volume have many common themes: learning the language, enjoying the nightlife, resenting the gentrification, and so on—themes that would have appeared had this book been written about Budapest or Bangkok. But beneath these superficial commonalities are what make the essays worth reading—insights into Madrid and, more often, into the person writing about it. And these essays are illustrated by black-and-white photos by the editor, John. I remember him opening a binder of them at the bar, during our first meeting, and admiring their atmosphere, how they really captured an aspect of the beauty of this city. And I thought to myself: “I want to be a part of this project.”

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Review: Times Square Red, Times Square Blue

Times Square Red, Times Square Blue by Samuel R. Delany

My rating: 5 of 5 stars

When I was an undergraduate, having rashly and unwisely switched my major from chemistry to anthropology, I met with my academic advisor. He asked me: What do I hope to learn as an anthropologist? To this, I gave the answer: I want to walk through Time Square and understand why it is the way it is. Yes, grandiose and pretentious, but it did capture something—the urge to figure out why the world is filled with so much soulless, commercial crap.

I am now suffering the financial consequences of studying anthropology, and not much closer to enlightenment. Thanks to this book, however, I do feel closer to understanding that mecca of American consumerism: Times Square.

This is a highly unusual book. Delany, who usually writes science fiction, set out to write a work of urban studies. And yet it is just as much a memoir as an academic analysis, and it comes to its point in a very roundabout way. Even so, it is easily among the best books about New York City I have ever read.

The book is divided into two essays, originally published independently. The first, “Times Square Blue,” recounts Delany’s experience of the old, seedy Times Square—the Times Square of peep shows, prostitutes, drugs, and sex shops. Specifically, it focuses on the porn theaters, places which became gay cruising grounds, despite showing almost exclusively straight porn. Delany spent decades visiting these theaters and paints a memorable portrait of this now unimaginable Times Square.

Yet this part of the book is not prurient. Delany doesn’t write to titillate the reader, or even to mourn a part of the city that has disappeared. He writes, instead, to illustrate an idea about what makes cities work. It is really an expansion of what Jane Jacobs said in her classic book on the subject: that cities need to foster contact between different sorts of people. Delany merely adds a sexual dimension to this analysis, and he shows how his own search for men threw him into contact with all sorts of people whom he would never have met through work or other socializing.

Part Two, “… Three, Two, One Contact: Times Square Red” expands this observation into a theory. Delany contrasts “contact”—the kind of random meeting of a stranger, such as in line at a grocery store—with “networking,” which is a more formalized way of meeting people, such as at a book convention. An important difference between the two is that, in the former, it is common to meet people of different backgrounds and socio-economic classes, while the latter usually restricted to members of the same class.

Delany asserts that much of the modern world is intentionally created to promote networking and to discourage contact. And the redevelopment of Times Square is a case in point. Whereas it was possible to go to the old Times Square and meet all sorts of people, in the Times Square as it exists today there are simply tourists and people trying to make money off of tourists. And very few people who visit Times Square now, I reckon, meet anyone at all.

There are further aspects of Delany’s analysis—much of it in a Marxist vein—but to me the pleasure of this book was simply in the love of city life that he exudes. On every page, the reader can feel that he simply enjoys meeting people of different sorts, and finds that it enriches his life. It is a wonderful antidote to the sometimes suffocating loneliness that big cities can engender—the feeling of being surrounded by people, and yet completely ignored. While reading this book on the metro, I suddenly became aware of everyone else on the train as individuals and not faceless mannequins. It made the ride far more pleasant.

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2024 in Books

2024 on Goodreads by Various

My rating: 4 of 5 stars

I seem to be slowing down in my old age. About a decade ago, I was reading well over 100 books a year. Since then, my total book count has steadily gone downward, a dismal sign of adult responsibilities encroaching on my free time. But I still managed to finish some excellent books.

In election years, I tend to get swept up in the frantic political mood, but this year somehow I managed to maintain calm. My big election read was What It Takes, Richard Ben Cramer’s monumental account of the 1988 election. It was a thorough reminder of how much American politics have decayed during my lifetime. This was complemented by Robert Caro’s Master of the Senate, a monumental exploration of how power operates on a national scale. The attempted Trump assassination also prompted me to read the Warren Commission Report and to finally learn all of the gory and suspicious details of the JFK assassination.

But the major theme of the year was, broadly speaking, the 1920s, 30s, and 40s in America. I’m fascinated by this period because it seems to separate the past from the present—a historical crisis that birthed the modern world. The best general overview of the period I know is David M. Kennedy’s Freedom From Fear, but I supplemented this with Studs Terkel’s books on the Great Depression and World War II, Frederick Lewis Allen’s books on the 1920s and 30s, two volumes of Churchill’s WWII memoirs, and two books on the Dust Bowl. I admit that it was reassuring to be reminded that the United States has already survived crises of extraordinary proportions as we face a second Trump term.

But many other valuable books just came my way. Among these were Mozart’s letters—a thoroughly charming self-portrait—and Bianca Bosker’s wonderful book on the contemporary art scene, which illuminated a world that had previously been a complete conundrum to me. This also included Jon Krakauer’s two most famous books—about Chris McCandless and the 1996 Mount Everest Disaster—which deserve their fame. Sei Shonagan’s classic of Heian Japan, The Pillow Book, made a lasting impression on me; but the most unexpectedly good read was The Ethical Slut, a manual of polyamory which has much to teach prudes such as myself.

Like last year, this one has been rather light on literature. I read some good plays—a couple of Brecht plays, and Tom Stoppard’s postmodern Shakespeare sendup—and two novels by Sinclair Lewis. Yet the most beautiful piece of writing I encountered was James Agee’s sui generis Let Us Now Praise Famous Men, a book worth reading for the quality of the prose alone.

As always, I heartily thank the Goodreads community for allowing me to express my thoughts and to learn from yours. In the new world of AI, this platform seems to be stuck in time, and I’m not complaining.

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Lotz in Translation

Saving the world—one long, pretentious blog post at a time.

Category: Books