Pacífico: My Neighborhood

Pacífico: My Neighborhood

The city of Madrid is divided into 21 “districts,” which are further divided into 131 neighborhoods. Pacífico belongs to the Retiro district, so named for the iconic park which it encompasses. This neighborhood—along with its sister barrio, Adelfas—composes the southernmost part of this district, where some 50,000 reside. And for the last seven years, I have been one of them.

Pacífico is central without being in the center. Extremely well-connected by public transport—the Méndez Álvaro bus station is to the south, Atocha station to the west, the bus hub of Conde de Casal to the north, and two of the most important metro lines running through it—Pacífico is nevertheless quiet and residential, with no tourism to speak of.

I have had occasion to write about my neighborhood before. The beautiful (but obscure) Pantheon of Illustrious Men is located here, along with the Basílica of Atocha, where traditionally the royal family are baptized. Nearby is the Real Fabrica de Tápices, another fascinating place that most visitors overlook. This was built as a “royal factory” in the 18th century to make luxurious tapestries and carpets for the palaces; and it maintains this function to this day, though it is now privately owned. If you reserve in advance, you can visit the factory and see the workers painstakingly assembling enormous and intricate tapestries by hand, thread by thread.

As it is close to Atocha, the neighborhood is also rich in transport history. At the extreme western edge of Pacífico is the Museo La Neomudéjar, a modern art museum with rotating exhibits in a former train workshop. It is still full of decaying industrial ambience and abandoned equipment. Closer to where I live, you can visit the Nave de Motores, where the massive original power generators of the Madrid Metro are stored.

The administrative heart of the neighborhood, where the government offices are located, has a curious history. The building complex was first constructed as warehouses to store goods imported from abroad, for which it was known as “Los Docks” (yes, in English). This business soon failed, and it was turned into a military barracks, a function it maintained until 1981. After its acquisition by the municipal government, however, several historical buildings were demolished to make room for modern offices—a move widely criticized. The surviving original buildings have since been turned into a huge public sports center, with a gym, football and basketball courts, and a gigantic pool.

This sounds quite sunny and uplifting. Yet this sports center—named Daoíz y Velarde, after the Spaniards who instigated the uprising against Napoleon’s invading troops—has been touched by tragedy. For it was very near here, in 2004, where one of the bombs went off in the infamous March 11th terrorist attack (the train tracks run right by the buildings), and the sports center had to be used as a field hospital for the victims. 250 victims were treated there, of whom 10 lost their lives. A commemorative plaque marks the event.

More recently, the Daoíz y Velarde Center has acquired an important music venue: the Real Teatro de Retiro. This is an offshoot of Spain’s royal opera house, where shows are tailored for a younger audience, with the aim of involving a new generation in classical music.

As interesting as all this history may be, it is not the reason I like to live here. Apart from being (for the moment) reasonably affordable and quite well connected by public transport, Pacífico is attractive for the wide variety of small businesses. Indeed, as an American, I am constantly surprised at the number of small, family-owned shops in Madrid. If you want to buy groceries, shoes, sports equipment, or whatever else in the United States, chances are you will find yourself at a strip mall, shopping at one of a small number of chains. Not so here.

Some locals, dressed as chulapos, celebrating San Isidro

My impression over all these years—though, I admit, it is little more than a vague one—is that the business landscape in Spanish cities resembles how American cities were ten or twenty years ago, before gentrification and consolidation took a toll on small business. However, I certainly do not know enough about the economy to argue the point.

Regardless, I think that these sorts of small, family-run neighborhood shops are a precious resource in any city, something worth preserving in the face of economic pressure. Thus, I set out to learn more about some of my favorite local businesses.

My first stop was my local ferretería (a hardware store and not, what some English speakers might think, a store specializing in ferrets). The Ferretería Pacífico has been around since 1995, and—judging by the constant flow of customers that made it difficult to ask questions—it is still going strong. I am a frequent customer myself, as the store sells everything from frying pans to drying racks to power tools. But my favorite service they offer is to sharpen knives.

The staff at the store are knowledgeable and friendly. And when I asked their secret to staying in business, they offered me an explanation that, though cliché, seems quite true: they offer customers personal attention. I have experience of this. When I was ineptly trying to install a curtain in my apartment, they talked me through the process and sold me everything I needed. When I asked what struggles they have remaining afloat as a business, I was given just one word in reply: “taxes.”

Somewhat further up the hill that leads to Retiro Park is my barber, Almudena. She works in the Pelúqueria Félix, a tiny barber shop on a quiet street. The shop is named after her father, who opened the business in 1976. Almudena learned her craft from him. She gives excellent haircuts, mostly eschewing the buzzer and working with a comb and scissors. When I asked about challenges, she also complained about taxes. The IVA (value-added tax) is 21%, meaning that a fifth of what is paid to her is for the government.

In addition, as somebody who is self-employed, Almudena must pay the “autónomo” tariff. This is a flat-rate fee that people who own their own businesses must pay in order to be legitimate. Strangely, this fee is relatively standard, varying only slightly depending on your income. Certainly I am in no position to judge the Spanish tax code, but as a general rule flat taxes are usually harder on the less fortunate.

The heart of the neighborhood, as far as shopping is concerned, is the traditional market—the Mercado de Pacífico. There are mercados del barrio all over the city, and they all have the same basic design: small stands selling high-quality products, often on a subterranean level. (I believe the reason that markets are often relegated to basements is to minimize the smell; fishmongers and pickled products are often present.)

There, while doing some shopping, I spoke with Francisco. He runs a fruit stand in the market, and has been at it for a long time. That’s an understatement: he is 70 now and started working in the market at the age of 13. I was delighted to notice that his scale was not in euros (adopted in 1999), but pesetas! When I offered to email Francisco this article, he showed me his old flip phone and told me that he didn’t use the internet. What a blissful existence!

Down the street is the oldest shop I was able to find, Zapatos San Román. It was opened in 1959 (as a certificate hung on the wall proudly states) by the father of the current owner, José. He has been working in the shop for 40 years, and still mans the cash register. The store is characterized by its giant “escaparate,” or old-fashioned display window. This is not limited, as in most stores, to a small cabinet out front; rather, the escaparate occupies fully half the store, wrapping around the visitor, creating a miniature landscape of shoes. 

Down the street is another store devoted to footwear: Reparación de Calzado Alfaro. To be honest, I didn’t know that there were still professional cobblers in the world. The word itself, in English, calls to mind Victorian novels. But Rafael has been there for his whole professional life, following in his father’s footsteps, who opened the store in 1985. And he is doing very good business. When I visited him, so many customers came in that I had to retreat and return at a less busy time. But he does not only serve the locals, and not only the city of Madrid. Indeed, his business is not even limited to Spain. While there, he showed me an order that he had gotten from Belgium!

When I asked why he was doing so well, he said that his was a disappearing profession; and so anyone who needs a shoe fixed must search far and wide for a good cobbler. That search will, apparently, only get harder. Though Rafael inherited his business from his father, who himself learned from his own father, there will be no fourth generation of his shoe repair business. “It ends with me.” In response to my (perhaps silly) question of why people bother to get their shoes repaired, he told me a Spanish saying:“Te quiero más que a mis zapatos viejos.” That is, I love you more than my old shoes. And a pair of well-worn shoes are, indeed, something to cherish.

A bit up the block from my former apartment, on Calle de Cavanilles, there is a shop that holds a special place in my heart. It is Deportes Periso, a small sporting goods store. And it is special to me because, shortly before the Coronavirus Lockdown, I bought a pair of gray sweatpants there that got me through the isolation. Considering its size, the store has a lot of merchandise on offer—tennis rackets, sports jerseys, and lots of running shoes.

It was opened in 1978 by the current owner, Ana, and her father. As it happened, while I was there interviewing for this article, her father walked in. He’s in his 90s now and very personable. He told me about how the neighborhood had changed. Physically, he said, it has remained quite the same as it was decades ago.* But the demographics have changed. Since the 1980s, the neighborhood has gone from being mostly young to predominantly old. And of course there are more immigrants.

(*This isn’t exactly true. The big and unsightly Pedro Bosch bridge, which connects Pacífico with Méndez Álvaro, over the train tracks, was recently shortened and pedestrianized. And in general the neighborhood has become more bike friendly, with special bike lanes installed on Calle Doctor Esquerdo. However, there is still much progress to be made in that department, as evidenced by the death, just last month, of a bike delivery rider around the corner from my apartment. He was hit by a taxi in the early morning.)

But there are signs of encroaching gentrification. Across the street from Deportes Periso, for example, is an artisanal olive oil store; and considering how much the price of even store-brand olive oil has risen in the past year (well over 100%), one can imagine that people must have expendable income if they’re buying the fancy stuff. 

Perhaps the most interesting small business I came across was that of Javier Pascual. He owns a merry-go-round that is parked in a small lot on the Avenida del Mediterráneo. He has been at it a long time, having established himself in the neighborhood in 1981. He comes from a family of carnival ride owners. Indeed, in the past, he owned more rides, but now operates just his “tiovivo” (as the Spanish call it, for some reason). 

I have to admit that I was surprised that he could stay in business with a single carousel. Certainly it is hard for me to imagine anyone in my country making a living out of a merry-go-round. But again my expectations were disproven, as so many children came during my visit that I had to call off the interview and return later. (I didn’t have a ride myself, but it looked fun.) Javier works very hard. He’s open seven days a week, even Sundays. In the slow season, when Madrid empties out during the unbearable summer months, he backs up and goes to the fair in Cuenca. Then, he has his contraption repaired in August, ready to get back to work in September.

To round out this piece, I thought it right that I interview some of the more recent arrivals to my neighborhood. So I went to Union Frutas, a fruit stand near my house owned by a Chinese immigrant couple. I am a frequent customer, as the shop has very long hours (especially on Sunday, when so many stores close) and has extremely affordable prices. It has been open for 12 years. The husband, Diego (he goes by a Spanish name), moved to Madrid in 2003 as a young man, following in the footsteps of his father, who lived in the Canary Islands. His wife, Li Fang, followed a few years later. When I asked Diego about the differences between work in Spain and his homeland, he replied that he had never had a job in China, so he couldn’t compare the experiences.

All of these stores have survived so long, in the face of competition from chains, by forging connections with the locals—something I witnessed in every shop I visited. It is small shops like these that give a neighborhood its flavor and personality, and which make Pacífico a wonderful place to live. And this is not even to mention the bars!

San Isidro: The Spanish Père Lachaise

San Isidro: The Spanish Père Lachaise

Death is unsanitary. Yet it was not until the nineteenth century that urban planners in Europe and the United States connected overstuffed cemeteries with public health. For centuries, the same small church burying grounds of the inner cities had been used for the local dead. Bodies were buried upon bodies, until the ground was piled high above street level, and a good rainstorm would leave rotting limbs exposed. One can only imagine the stench.

It was clear that something had to be done. Carlos III of Spain, for example—a relatively “enlightened” monarch—wanted the cemeteries transferred to the outskirts of Madrid. Yet this policy conflicted with the practice of the Catholic church, in which parishioners were tended to by their local priests and buried in the corresponding consecrated ground. It took the violent arrival of José Bonaparte to the throne of Spain to overcome the resistance of the clergy and establish the first cemeteries on the outskirts of the city, just as Napoleon himself was responsible for the construction of Père Lachaise in the outskirts of Paris.

The most beautiful of these far-flung cemeteries is, undoubtedly, that of San Isidro. Well, I ought to give its full, official title: El Cementerio de la Pontificia y Real Archicofradía Sacramental de San Pedro, San Andrés, San Isidro y la Purísima Concepción.

This snappily named cemetery is located on the far side of the Manzanares River, between the Toledo and the Segovia Bridges, in what used to be a remote area. Indeed, there is a famous cartoon (a design for a tapestry) by Goya, La pradera de San Isidro, which shows almost the exact same area where the cemetery stands now. It was painted in 1788, just 23 years before the cemetery was opened, and the area was visibly absent of any human construction. Of course, the ever-growing city of Madrid has since swallowed up the cemetery in its greedy embrace. Even so, the place is not exactly easy to get to, at least on public transportation. It does not help that it is only open until 2 pm.

The cemetery takes its name from the patron saint of Madrid, San Isidro Labrador. (“Labrar” means to till the soil, as he was a poor farmer in life.) Isidro lived in Madrid almost 1,000 years ago, when it was a small town of little importance. Last year, 2022, marked the centenary of this saint’s canonization, and thus it was deemed a year of special celebration. But regardless of the year, every May 15th the adjacent San Isidro park fills up with revelers as a celebration of the saint’s day. 

As with many catholic saints, a variety of miracle stories are told about San Isidro, one of which is that of a fountain he created by striking his staff on the ground, in order to slake his master’s thirst. This miraculous spring quickly became known for its curative properties, and it still occupies a place of honor in the cemetery.

Times have changed somewhat. To accommodate the pandemic, a motion-sensor has been added to make the fountain more sanitary. Thus, one can partake of the miraculous healing water without touching any germs. The fountain itself, though not large, is interesting for the long inscription that covers the wall. This text boasts, among much else, of having cured various types of fevers, urinary and kidney problems, erysipelas (a bacterial infection), vomiting, sores, leprosy, wounds, and even of restoring a blind person to sight. An impressive record, indeed—though I think I will stick with my current physician. Yet the fountain’s longevity is palpable, considering that it also bears an inscription of a short poem by Lope de Vega (1562 – 1635) praising the water’s power.

This fountain is right next to the Chapel of San Isidro. This is no coincidence, as the chapel was built on this spot in the 16th century on the orders of the Empress Isabel of Portugal, who believed that the blessed waters had cured her son, the future Felipe II. (This did not prevent poor Felipe from developing severe gout later in life.) Though a chapel has been here on this spot a long while, its current form is from the 18th century, when it was rebuilt. Thus, when Goya painted the chapel in 1788 (in another sketch for a tapestry, on display at the Prado), it looked very much as it does today. Even so, this is something of an illusion, as the chapel was—like much else in Madrid—totally destroyed during the Civil War, and only reconstructed to appear as it did in Goya’s day.

The Hermitage in Goya’s Day
The Hermitage Today

This quiet, peaceful cemetery was in the news last year as the site of a fascist demonstration. About two hundred Falangists (the Spanish fascist party) gathered to protest, hold up signs, and wave the Nazi salute. This was occasioned by the re-interment of the remains of one José Antonio Primo de Rivera (1903 – 1936), the founder of the Falangist party.

Ironically, Primo de Rivera became more important in death than he had ever been during his short political career. The Falangists were never a major electoral force during the Second Republic, and José Antonio did not help plan or execute the military coup which eventually resulted in Franco’s dictatorship. Rather, he became something of a martyr when he was imprisoned and then executed by the Republicans during the first year of the Civil War. After Franco emerged victorious, he found it convenient to treat Primo de Rivera as a kind of John the Baptist to his Messiah, and had Primo de Rivera’s body transported from Alicante to Madrid in a massive funeral parade. 

After this, Primo de Rivera was temporarily laid to rest under the altar in El Escorial. But when Franco’s enormous symbol of fascist power—The Valley of the Fallen—was completed in 1959, Franco had the body moved once again, to serve as the symbolic centerpiece to his monument to the Civil War dead. For decades, Primo de Rivera slumbered underneath the mosaic dome of the underground basilica, directly opposite Francisco Franco’s own body.

Yet having such ghastly figures entombed in such a place of honor naturally bothered a lot of people, for the same reason that having statues of Confederate generals disturbs many Americans. The Valley of the Fallen was argued over for years until, in 2019, Franco’s body was dug up and moved to a cemetery in El Pardo. In 2023, the job was finished when Primo de Rivera’s body was also removed (the third time this embattled body has been re-buried, if you’re counting). Indeed, the official name of the site is no longer the Valley of the Fallen, but the Valley of Cuelgamuros.

Such is the hold of fascist propaganda on people’s minds that, decades after the fall of Franco’s dictatorship, and nearly a century after Primo de Rivera’s death, people still showed up to protest for the sake of these old bones. 

Enough politics! It is finally time to enter the cemetery itself. As the map by the entrance informs us, the cemetery is divided into several “patios.” The first three are located on a level with the chapel and are rather like church cloisters, without much decoration. The most interesting part of the cemetery is, without doubt, the large, semi-circular fourth patio.

A walkway, lined with cypress trees—the traditional tree of mourning—leads up a hill to the upper level. It is obvious at a glance that this used to be a very fashionable place to decompose. The place is covered in elaborate tombs, mausoleums, and monuments—clearly not a burying ground for the penny-pinched. Look behind you, and you can see part of the reason for its popularity: The views of the city are quite wonderful from here (presumably why it was popular for picnics back in Goya’s day).

There are many eye-catching sculptures on display. But the first I want to discuss is a rather puzzling monument.

In a previous post, I explored the often-overlooked Pantheon of Illustrious Men, located near Atocha. The Cemetery of San Isidro has what can only be described as an aborted first attempt at that same monument. Also called the Pantheon of Illustrious Men, it consists of a tall stone pillar, upon which an angel stands with his trumpet. At the bottom of this column there is an ornate base with carved reliefs of the extremely distinguished bodies which rest beneath it. Three of these four are people the reader is unlikely to have heard of (illustriousness notwithstanding), but the fourth is none other than Francisco Goya, a person who is famous indeed.

The painter’s posthumous presence here is puzzling for two reasons. For one, this monument was not completed until 1886, while Goya died almost sixty years before that, in 1828. Second, I happen to know that Goya is certainly buried in a different chapel, not far off, called San Antonio de la Florida.

This mystery has a clear—if not exactly a logical—explanation. Goya was first buried in Bordeaux, France, where he died in exile. His body rested there, unharassed, for several decades until it was chanced upon by the Spanish diplomat to France, whose wife was coincidentally buried in the same cemetery. Obviously, the glorious Aragonese painter could not be left to decay on foreign soil, so he was relocated to his native land, and taken to this cemetery. However, because of all the bureaucratic hassle of transporting a body, Goya’s bones did not arrive until 1899, by which time the original idea of the Pantheon had lost its luster. Thus, he was instead buried in the aforementioned chapel of San Antonio de la Florida, which he had decorated with his own hand.

(To make the matter even more confusing, this chapel was eventually deconsecrated and turned into a museum, while an identical chapel was built just across the street—to the delight of many potential visitors, I am sure. And, to top it all off, Goya’s skull was lost at some point during this process, never to be found again. To add to the mystery, there is a painting in the Museum of Zaragoza of what is supposed to be Goya’s skull, made in the year 1849, before any of this tomb switching went on. It is possible it was stolen by curious admirers.) 

The supposed skull of Goya

We have spent a lot of time on this odd cenotaph, but there is a great deal more to see in the cemetery. Indeed, I have seen enough cemeteries so that I can confidently proclaim that the Cementerio de San Isidro is among the most beautiful in Spain—perhaps in all of Europe. The finest artists and sculptors of the time were hired to turn a place of mourning into a wonderful open-air gallery. Of course, this was not an act of public service. This was done to preserve and glorify the names of the rich and famous—who wanted their final resting places to reflect the splendor of their lives.

It would be impossible to review every notable tomb and name in the cemetery. The following is only a brief sampling of what you may find there.

By the standards of the cemetery, a relatively modest grave belongs to Cristobal Oudrid, an important composer of zarzuelas (the distinctively Spanish version of light opera). His mustachioed face, carved into the stone, keeps watch over his earthly remains. Not far off is the resting place of Consuelo Vello Cano, better known by her stage name Fornarina. She performed a genre of song called cuplé, considered somewhat risquée, which was normally sung by women (or men in drag) for an all-male audience. Her grave is presided over by the torso and wings of an angel. An extremely modest grave belongs to Ventura de la Vega, an Argentinian playwright who lived and worked in 19th century Spain. He is buried in a niche in the encircling walls of the patio.

But what naturally attracts the casual visitor are the big tombs. Perhaps the most eye-catching is the Panteón Guirao, a massive sculptural tour de force by Augustín Querol. Querol is also responsible for a monumental tomb in the Panteón de Hombres Ilustres in Atocha, and this work displays his ability to create dramatic, fluid, and even ghostly textures out of hard stone. This tomb—which occupies the center of the patio—was made at the behest of Luis Federico Guirao Girada, who was a lawyer and a politician during his life, but who is now principally remembered for his photography.

An extraordinary tomb is that which belongs to the Marquis of Amboage, an aristocratic family. This is an enormous neo-gothic chapel, bristling with prongs and complete with a metal spire, much like that of Notre-Dame de Paris. It could be a church if it did not have permanent tenants. But my favorite tomb is that of Francisco Godia Petriz. Petriz had a successful import-export business but was also an avid art collector. His mausoleum is unlike any I have ever seen. A stone sarcophagus hangs suspended by heavy chains from a large rectangular frame. The frames are held by miniature angels, who are ready to literally and figuratively carry the dead businessman up to heaven. Even if it is a bit tacky, I think the design is so original that I am surprised its architect, José Manuel Marañon Richi, is not better known.

Some of the jewels of the cemetery are only available for those taking the official guided tour. These are offered only every so often and are all in Spanish. If you do manage to get one, however (they are reserved by emailing the cemetery), then you may be taken inside some of these impressive tombs. In the tomb of the Dukes of Denia, for example, there are two statues by the Spanish sculptor Mariano Benlliure, who vividly depicts the Duke and Duchess lying in deathly repose. Even more stunning is what awaits the visitor of the tomb of the Marquis of la Gándara. Inside, sitting atop a sarcophagus, is an angel wistfully looking into the beyond. This is a work of the Italian sculptor Giulio Monteverde, and it is quite wonderful. Standing in front of this heavenly being, it is easy to forget that she is made of inanimate rock, so subtly lifelike is the work in every detail.

If I am dwelling on this cemetery for so long, it is because it was a revelation to me that such a beautiful place was to be found in the city, virtually overlooked as a tourist destination. If Pére Lachaise Cemetery deserves to be on every Parisian tourist’s itinerary, then the Cementerio de San Isidro merits the same—both as an important link to Madrid’s history, and a place beautiful in itself.

Canary Islands: Gran Canaria

Canary Islands: Gran Canaria

The Canary Islands are one of the treasures of Spain. Culturally Spanish, they are geographically and climatically quite unlike Europe or even the relatively closer African coast. They are, rather, a world unto themselves, each one quite distinct from the other—products of wind, waves, and volcanism.

Gran Canaria, despite its name, is neither physically the largest island (that is Tenerife) nor the most populated (Tenerife again), but it is home to the largest city in the archipelago: Las Palmas. (Confusingly, there is another island named La Palma; and the capital city of yet another Spanish island, Mallorca, is named Palma.) Home to nearly 400,000 people, it is a proper metropolis, with its suburbs stretching for miles all around.

As our Airbnb was in the outskirts of this mighty municipality, we decided that we ought to make Las Palmas our first stop of the trip. We headed first to the city’s cathedral. It fronts an attractive plaza lined with (what else?) palm trees and buildings sporting the colorful façades typical of the city. The cathedral looms overhead without being particularly grand or beautiful from the outside. It is more charming in the nave, where the stone columns imitate palm trees in their leafy spread. But I had to say I did not enjoy the view from the towers, which was of rather ugly urban sprawl.

That being said, although I am sure many parts of the city are, like any city, rather bland and devoid of character, the historic center of La Palma is indeed quite lovely. We strolled around, peaking into a few shops, taking note of restaurants, until we arrived at our next destination: the Pérez Galdós House Museum.

Though comparatively obscure outside of Spain, Benito Pérez Galdós is one of the most iconic writers within the country. For reference, if Cervantes is the Spanish Shakespeare, then Galdós is the Spanish Dickens. He was, in other words, an extraordinarily prolific novelist who stood at the height of the Spanish literary world during his lifetime—both praised by critics and adored by the public. And although many of his most notable stories are set in Madrid—a Madrid as carefully delineated as Dickens’s London—it was from this tropical island that the great writer hailed.

Much of the furniture was handmade by Galdós. He was also an able piano player.

Despite his fame and the strong sale of his books, Galdós never owned a house in the capital city. Instead, he stayed with his nephew as a kind of long-term guest. A lifelong bachelor (though with many lovers), this arrangement seemed to suit his habits just fine. In his later years, Galdós did eventually buy a house, but in Santander (on the northern coast) rather than in Madrid. (Like many madrileños, Galdós escaped the suffocating heat of summer by fleeing north.) And yet it is not that house, but his childhood home in Gran Canaria, which eventually became his museum.

You can only visit the house via a guided tour, but our tour was excellent. The house is of fairly modest dimensions—two floors, with a sizable patio in the middle. No attempt has been made to furnish it as it might have been while Galdós was a boy. Instead, his furniture and decorations were brought here from his home in Santander. This may sound like an odd decision, as it achieves neither an authentic reconstruction of his childhood or adulthood. But it was done so intelligently and tastefully that, somehow, I felt I was getting to know Galdós on an intimate level.

He was a man of many surprising talents. Aside from his obvious literary ability, Galdós was, for example, a skilled pianist. Indeed, he was quite the music enthusiast, and even devoted much of his time to writing criticism of performances. Galdós was also a decent draftsman. In the exhibition room near the entrance to the museum, you can see many examples of his sketches, some of which are of the characters from his books. Most surprising to me, however, was his ability as a woodworker. Much of the furniture in the museum was made with his own hands, and it is very fine work indeed. Surrounded by all of this, you get the impression of a man bursting at the seams with brilliance.

The tour ends with the rough version of the official Galdós monument—the real version of which stands in Retiro Park, in Madrid. (Next to it, there’s a little public library shelf where I donate my books.) I emerged from the museum feeling quite inspired. While he may not be my favorite author, Galdós lived his life fully devoted to art in a way few of us mere mortals can imitate. He is a true literary hero.

After this, we ate a delicious lunch at the Moroccan restaurant across the street to recover our strength. Then, we headed to another excellent museum: El Museo Canario.

Though you may think from its name that this museum would be devoted to all things Canary, its collection is exclusively devoted to exploring the islands’ original inhabitants: the Guanches. (Properly speaking, the “Guanches” was but one group of the islands’ inhabitants, but the name is commonly used to refer to all of the indigenous people collectively.)

The Canary Islands have been inhabited for thousands of years, starting perhaps as far back as the sixth millennium BCE. There is evidence of trade between the islands and several ancient civilizations, including the Phoenicians and the Romans. However, at some point contact with the mainland was lost. What resulted—as seems to be the general rule in isolated peoples—was a kind of technological reversion. By the time the Spanish made contact with the Guanches, they had lost the ability to navigate the open ocean. Indeed, they were literally a stone-age people, making tools out of wood, bone, and rock, and painting caves.

Contact with the Spanish proved disastrous. Much of the original population was wiped out. Not that they didn’t fight back. At the First Battle of Acentejo, for example, the Guanches killed nine out of every ten Spaniards. Yet, in the long run, they had neither the numbers nor the technology to resist European colonization. Those who escaped slaughter gradually integrated into Spanish society, losing their culture. And because none of the colonizers saw fit to write down more than a few sentences in the native language, it has mostly been lost, too. What remains of their language and their bones reveals, as expected, a link with North Africa. But it is tragic to consider how we must now make guesses about a culture which existed until the 1500s, as if they were an ancient people. 

The Museo Canario began in the late 1800s as a kind of private project among a group of intellectuals, under the mistaken belief that the archaeological remains were related with the European paleolithic. Indeed, the museum’s collection is housed in the former home of the leader of this group, Gregorio Chil y Naranjo (who must have been quite a wealthy man). By any standard, the museum’s collection is excellent—with stone tools, ceramics, and even a reproduction of the cave paintings in Galdar (though I wish we had gone to see the originals). Best of all—and strangest—is the so-called “Idol of Tara,” which is a ceramic cult statue depicting a seated woman. Her proportions are, however, rather strange—with enormous thighs and shoulders, but an exceedingly tiny head. Rebe thought it was very funny.

The Idol of Tara

Yet the most memorable part of the visit were the bones. In one room, assembled like a cabinet of curiosities, are the bones of dozens of Guanches on display in glass cupboards. There are even a few mummified bodies. It is quite an impressive sight, I admit, though it did give me some misgivings. I doubt, for example, that we would condone digging up and displaying bones from the European Middle Ages in the same way. Indeed, as it was the Spanish who were responsible for the extinction of their culture, it does strike me as adding insult to injury to treat these erstwhile human beings as decoration. But perhaps I am being overly scrupulous.

This did it for our sightseeing in the capital. After this, we made a quick stop in the nearby town of Arucas. On the way, we got a taste of capricious Canary weather. In mere minutes, it went from sunny to pouring rain, and the car briefly hydroplaned a couple times as I drove through flooded roads. By the time we arrived, however, the skies had largely cleared, and we were able to walk around without umbrellas. Arucas is famous for two landmarks. First there is the massive neogothic church of San Juan Bautista, which seems out of all proportion to the modest town surrounding it. The other is the famous Arehucas rum plant. Unluckily, it had closed just before we arrived, so we couldn’t take a tour. But I must admit that, when I bought a little bottle to try for myself, I wasn’t especially fond of the liquor. I prefer brandy or whisky.

Next we stopped in the nearby town of Firgas. This attractive village is primarily famous for the Paseo de Canarias, which is a long fountain running alongside a walkway. The fountain is decorated with three-dimensional maps of the Canary Islands, along with their flags and coats of arms. Aside from this touristy eye-candy, however, Firgas is just a nice place to stop and have a coffee or a bite to eat.

This model gives you a good idea of how mountainous the island is.

On our next day in Gran Canaria, we headed south. Our first stop was the Maspalomas. We parked the car in a kind of suburban beach community, near an oddly gaudy building that I took for a kind of amusement park (but was actually a shopping center), and started walking towards the ocean. We were there to see the dunes. When they came into view, I was stunned. It is the sort of thing that you expect only to exist in film studios—mountains of sand, rolling into the distance, surrounded by the crystalline blue sea. Apparently, during the last age, when the ocean was considerably lower, sand from the erstwhile ocean floor was washed up. This result of this long geographical process is perfect for Instagram.

We left the wooden walkway to stumble around the dunes. Though it was December, the sun was blindingly intense on the sand. Just moving around on the dunes was strangely exhilarating—either waddling up the steep hills and causing a miniature rockslide in the process, or nearly falling as the sand gave way beneath you on your trip back down. But after about half an hour of that, I’d had my fill of sand and yearned for solid ground.

After this, we suffered a bit of confusion. Rebe had read that Mogán was one of the most beautiful beach towns on the island, and so we set our GPS to that location. But when we turned away from the ocean and into the rugged, dry interior, I began to feel that something was off. The drive was interesting—winding through a valley, passing town after town, many of them charming—but the beach did not seem to be forthcoming. Finally, we arrived at Mogán, and parked near a basketball court. The town had a kind of shabby, neglected appearance (no offense) that did not seem to mark it out as a tourist hotspot.

Soon, our error was revealed: the famous town was Puerto de Mogán, not Mogán itself. In fact, we had basically driven right past it before we turned inland. Thus, we got into the car and headed back toward the coast.

Puerto de Mogán is, indeed, a beautiful beach town in a lovely natural setting. The low, white buildings cluster around the bay, while volcanic hills jut up to the left and right. It is also, however, a good example of how tourism can ruin a place. The seaside was full of oversized, overpriced, and badly-reviewed restaurants, while the streets had little more to offer than tourist knicknacks. There was not even an inviting place to have a coffee. Still, the place itself is undeniably attractive, as we found while observing the bright orange grabs darting among the jagged rocks, swept about by the waves.

But we were hungry, and—as mentioned—the town was bereft of decent restaurants. Rebe got on her phone and discovered that there was a promising restaurant in, of all places, Mogán—the town we had just visited. So we got in the car and drove back up the valley to the town, parking in the same parking space, in order to eat in the Restaurante Canario de Oro. There, the owner recommended several local dishes to us which we duly ordered and shared. It was quality local food.

This did it for our time on the south coast. To return to the north, we decided to drive through the center of the island. The road took us high up into the mountains in the interior, until we approached the highest peak, the Pico de las Nieves. Unfortunately for us, during the drive the weather turned from pristine blue skies to downcast to downpour. By the time we got to the mountaintop, ice-cold rain was lashing down, and we decided not to get out of the car. There wouldn’t have been much of a view, anyway.

On the way down the other side of the mountain, we stopped in a village called Tejeda. Under normal circumstances, I am sure it is a beautiful little town. But with the wind and biting rain, we could only think of getting inside somewhere. We ended up in a bakery, where we had a few of the local pastries to recover our strength. But I’m afraid I saw very little of Tejeda.

By the time we reached our next stop, Teror, the weather was clearing up a little. Its name notwithstanding—which goes back to the Guanches—there is nothing terrible about Teror (except for finding a parking spot, perhaps, as that was a little stressful). The town center is well-preserved and extremely charming, indeed probably the loveliest we saw during the trip. True, there isn’t very much to do, but just strolling through and peaking into buildings here and there was quite enough. Though I would hesitate to put the difference into words, Canarian towns in general have a distinct style of architecture and layout that makes them unlike their counterparts on the Spanish mainland. And Teror is an excellent example of this.

By the time we finished our stroll and found the car, the sun was setting. We still had one more full day in Gran Canaria to go.


Our first stop the next day was Los Tilos de Moya, one of the great natural parks on the island. Despite its being relatively well-known, I was surprised not to find any kind of official parking lot—or, indeed, any other visitors at all. We left our rental car next to an out-of-business restaurant and embarked on the 2km circular hike, with no other humans in sight.

“Tilo” translates as laurel to English, and this reserve is regarded as a representative of the large laurel forests that once covered the island. The hike was very pleasant—easy and short, while giving us a taste of the lush greenery of the tropical island. But I must admit that I apparently have no idea what a laurel tree looks like, as I could not identify a single tree as belonging to that species. As I discover from a google search, the sort of laurel that grows in the Canaries is not the same species as the one we use to season our food. In any case, it sure does make an attractive forest.

After our little hike, we drove to the northwestern coast, to the town of Agaete. This town was previously famous for being the best place to catch a glimpse of El Dedo de Dios, a precarious rock formation that looked like God’s finger pointing upwards. Unfortunately, however, a storm broke off the index finger in 2005, and God has been making a fist ever since. Nevertheless, Agaete is well worth visiting for the attractive maritime promenade and the natural pools that have formed in the volcanic rock next to the ocean.

Here you can see the damaged Dedo de dios.

Though it was December, there were quite a few people in the water. Rebe and I were not quite so brave. Instead, we walked along the shore taking photos. On the way into town, we passed the Monument to the Poets—a statue commemorating three modernist Canarian poets of the early 20th century. Once we got to the bay, we caught a glimpse of the departing Fred Olsen, a ferry that runs between Gran Canaria and Tenerife—a trip of about an hour and a half. This part of town was full of restaurants, some of which seemed like tourist traps, but several of which looked actually quite nice. We chose one with a view of the beach and had an absolutely terrific lunch. It was Spanish food at its best: cheap, healthy, and dripping with olive oil and garlic.

After this, we headed back into the interior of the island, to Artenara. This town is located far up in the mountains, 1200 meters (or 4000 feet) above sea level. Getting there took some time, as I kept distrusting my GPS. Several times, I was instructed to turn onto something that did not appear to be a real road, and so I disobeyed. Then I was rerouted to yet another unpromising little path. Finally, I decided I had to accept my fate, and I turned into a narrow dirt road.

No sooner had I done so but another car came the other way. The path was too narrow for two cars and had no shoulder, so I was forced to awkwardly back out back onto the road to let the other driver pass. For the rest of my time driving on the road, I was in a panic lest anyone else come the other way, as there was absolutely no space I could squeeze into to let anyone pass. One side of the road was a rock wall, and the other side a steep dropoff. Thankfully, nobody did come, and we made our way to Artenara.

The view alone would have been worth the stress. But Artnenara is also home to a unique museum. After the destruction of the native Guanche population, the incoming Spanish sometimes took over the vacated cave dwellings and turned them into their own habitations. This museum is a kind of recreation of what one of these cave houses might have been like. It was rather bizarre—European sensibilities squeezed into a subterranean context—but oddly fascinating.

This did it for our trip. After Artenara, we went back to the Airbnb, and flew back to Madrid early the next day. Once again, the Canary Islands had surprised us with their richness, variability, and beauty.

Rebe having a chat with the famous Basque philosopher, Miguel de Unamuno, who visited this town.

Gauchos: A Lifelong Bar

Gauchos: A Lifelong Bar

One of the best parts of living in Spain is the restaurant scene. The country is exceptional simply for the number of dining establishments. If I had to guess, I would say that there must be more bars and cafés per capita here than in any other country in the world. And though you may not think so, this alone is quite a wonderful thing, since you really never have to worry about where you are going to eat or drink. Chances are, there will be something close.

But in this post I want to focus, not on the quantity, but on the special quality of Spanish restaurants. And to do this, I think it will be better to discuss one exemplary bar rather than to speak in abstractions. For this, I went across the street to one of my favorite local bars, Los Gauchos, and interviewed them. These are my discoveries.

Gauchos is located in the Pacífico neighborhood, which is fairly central but which doesn’t attract much tourism. It is in many respects a typical Spanish bar—or, as the Spanish say, “un bar de toda la vida” (a lifelong bar). That is, it is the sort of establishment you might find in the north or the south, the east or the west, and which retirees and children would both recognize.

An example of a vitrina, one of the most characteristic features of a Spanish bar.

According to Javier—the son of the owner—Gauchos has been open for about thirty years. It was purchased from previous owners, who had run the bar for fifteen years before that. A lifelong bar indeed. (It was the previous owners who named the bar after the famous “gauchos,” who were something like South American cowboys.)

The bar has been around so long that the neighborhood has changed around it. According to Javier (who has worked here since he was 16) and the jovial bartender Melchor (who has worked here since it opened 30 years ago), Pacífico has become more residential in recent years. In past decades, the area was full of offices and industry, and consequently was a ghost town on the weekends when nobody had to work. Lately, they’ve noticed that rising rents are pushing younger people out of the neighborhood, further into the peripheries of the city. 

Now, my country has dive bars and local restaurants aplenty. But I think the closest thing the United States has to this sort of restaurant is, perhaps, a diner—a privately-owned restaurant which nevertheless has a recognizable aesthetic and a fairly standard menu. However, the Spanish “bar de toda la vida” is quite different in being, well, a bar. There is simply no place in my country where you can get a coffee and toast in the morning, eat a multiple-course meal at lunch, and have a gin tonic with your friends until late at night. The typical Spanish bar is an all-in-one experience.

This makes Gauchos, and other bars like it, a kind of de facto neighborhood gathering place. In the morning it attends to the mad rush of commuters on their way to work. Around lunchtime, besuited office workers might sit down for a leisurely lunch. And at night, the sidewalk is full of neighbors having a drink. Partly because apartments in Madrid are often small, friends tend to meet in bars rather than in one another’s houses. The neighborhood bar thus plays an important role as the communal living room. 

Many times I have witnessed a grandpa or a grandma come after picking up their nieto from the nearby school. The other night, three generations of a family came in to hang out. Meanwhile, a man with a guitar sat down to drink peppermint tea and read a comic book. The most raucous nights are when there is an important football match, and the bar and even the pavement fill up with people watching the game on the large TVs, screaming in triumph or agony at every development. In short, the clientele is a cross-section of the neighborhood itself.

As I mentioned, the typical Spanish bar is similar to the American diner in having a standard menu. Just as the latter will have pancakes, hamburgers, and milkshakes, so the former will have bocadillos, tostadas, and tortilla de patata. If Gauchos’s menu is exemplary, it is in having even more reasonable prices than usual. You can order a full plate of food for about 5 euros. The lunch menu—which includes two courses, a drink, and dessert—costs ten euros and fifty cents.

The low prices are not incidental, but essential to any neighborhood Spanish bar. It is a place for anyone and everyone to come. This is a major contrast with most bars and restaurants in the United States, which are seldom cheap (especially after tipping), and which normally try to distinguish themselves with ornate decorations or unusual food options. By contrast, you can buy a cup of coffee in Gauchos and sit there for hours without anyone bothering you.

The contrast goes deeper. Neighborhood bars in Spain are essentially public, open spaces, where anyone can come in and feel at home, whereas bars in the United States are very different. Gauchos, for example, is bright inside and there is never any music playing. (Hemingway would call it a “clean well-lighted place.”) You don’t have to shout to have a conversation and you don’t have to squint to read. By contrast, I often find the darkness and loudness of American bars to be sort of oppressive. You can seldom forget that the bar is private property and that you are not the owner.

The aesthetic of Gauchos is extremely simple. The walls are white, and the chairs and tables are completely plain. As is common in Spain, the bar itself has a large glass display cabinet that is even refrigerated, where the customer can see the various options for tapas,* or even raw meat and pickled fish to be used later. The sign outside consists of simple plastic lettering against a white background. Below this is the iconic toldo verde (green canopy), where the patrons gather to escape either the sun or the (rare) rain.

(*There seems to be some confusion among Americans as to what tapas are. In Madrid, a tapa is just a small bit of food included with your drink. This is normally just a few olives or some mixed nuts. But in a good place like Gauchos, you might get a mini sandwich, some fried chorizo, or a plate of patatas bravas.)

Some tapas waiting to be deployed. The fish on the right are boquerones, anchovies pickled in vinegar. (They’re good!)

There is, in short, hardly any decoration to speak of, which is why British journalist Leah Pattem, in her popular blog, has coined the term “no-frills” for this sort of establishment. It is an apt description, and I think she deserves much credit for bringing this sort of bar—so common as to be taken for granted by many—into the spotlight.

Indeed, for my money the neighborhood bars of Spain are a cultural resource as precious, in their own way, as the Alhambra or the Sagrada Familia. And I think that the people who run them deserve a great deal of credit. It is very hard work—long hours, few days off, both physically and emotionally taxing. So I think we all owe a debt of gratitude to the people who form the backbone of the neighborhood’s social life.

Bartender Melchor, hard at work.

In Spain, as elsewhere, the existence of local restaurants is threatened by ongoing gentrification and the spread of corporate restaurant chains. These trends, if they continue, threaten to turn every city corner into the soulless copy of every other—where identical freeze-dried food can be purchased at identical prices from identically uniformed workers. But if the large crowds that gather around Gauchos every evening are any indication, the Spanish have not lost their taste for their bares de toda la vida—and I hope they never do.

Jaca: A Slightly Unsuccessful Journey

Jaca: A Slightly Unsuccessful Journey

In the September of 2020, Rebe and I attempted to visit the Pyrenees. I have already written a post about what a disaster it turned out to be, so I will not repeat the story here. But suffice to say, we did not make it to our destination.

It was now December 2021. Over a year had passed, and we decided to make a second attempt. Our plan was to explore the Pyrenees region by car. For our home base, we chose the city of Jaca, which is close to the major sites while still large enough to be a good place to spend the evenings (“large” being a relative term: the population is about 13,000). The car was rented, and we made the four-hour drive up to Jaca on a Friday evening, arriving just before sundown.

We had just enough time to settle into the Airbnb and have dinner. Worn out from working that morning and the trip up, we fell asleep early.

One of the few photos we have of Jaca before the snow. Note the brooding clouds in the background.

“Oh my god!” I said, looking out the window when I woke up.

“What? What?!” Rebe said, still in bed.

“It’s snowing!”

“Oh.” She rolled over, annoyed at being woken up for something like snow.

She may not have been impressed, but I looked out the window completely amazed—and not a little nervous. The snow was raining down in great globs of white. I had seen the previous day that some snow was forecast, but this was a genuine blizzard. And we were not prepared.

Friends had warned me about this. I was told by every Spaniard I knew that I ought to bring chains for the tires. But being perfectly ignorant about cars, I assumed that this would be easy to procure. Indeed, I expected the car to come with chains, or at least the rental agency to have some available. This was not the case, however.

Well, no problem, I figured that we would buy some on the way up to Jaca. When we stopped at an automotive store near Zaragoza, however, I realized that this was going to be more complicated than anticipated. I had reserved a normal-sized car from the agency, but for whatever reason we had been given a Toyota RAV 4—in other words, an SUV, with big tires. The automotive store informed us that, for a car of that size, the tire chains would cost well over 100 euros. With only light snow predicted, and for a vacation of just three days, this seemed to be a waste of money.

Not anymore. The snow was coming down in sheets and I knew there was no way we would be able to use the car that day. The only thing to do was to explore Jaca.

The city had been transformed. Whereas yesterday there had not been a bit of snow on the ground—the grass was green and the surroundings mountains visible—now everything was covered in white, and the air was so thick was snow that you could hardly see 100 meters.

The effect of a winter hat on my hair.

It had been years since I had seen snow like this (probably not since I was in college, in New York), and I was completely transfixed. Rebe and I bundled up and waddled around the city taking photos of everything. But we could tell that snow was a matter of course for the locals, as the shops and cafés were opening up as usual.

Indeed, we were surprised to find the city’s largest monument open for visits: the Ciudadela. As its name indicates, this is a citadel, which sits right in the center of the city. It was constructed in the 17th century as a defensive outpost against the French. (Nearby, just outside the city, there’s another fortress built for the same purpose: Fuerte Rapitán.) The citadel did not perform its function satisfactorily, however, as when the French invaded in 1809 they captured the citadel (without resistance!) and held onto it for five years. Later, as with many fortresses, castles, and other monuments in the country, this citadel was used to hold prisoners during the Civil War—in this case, by Franco’s forces. Apparently the conditions were awful. 

Compared with many of the ruined castles scattered over Spain, this fortress is visibly a modern construction. Designed by an Italian (Tiburcio Spanocchi), it was built with a series of low, thick walls arranged concentrically in a star pattern. The tall, flat walls of castles are almost useless against cannon-fire, you see. With this design, it is difficult to hit the walls at a right angle. Further, this design allows the separate corners to defend one another, since the guns can be aimed at the fortress itself.

One of Spain’s elite donkey regimine.

Yet I really can’t say that military history was on my mind as I walked over the defensive ditch and up onto the walls. Rather, the fortress just served as yet another stage for the falling snow to dance across. But we did make it into a few of the building’s exhibitions. The Ciudadela now houses a local military museum. There was information about the history of different military units, special mountain forces, different badges and ranks, and so forth. These exhibits passed briefly through my awareness as I stomped through the halls with my wet boots. It just did not seem like a day to be visiting a museum.

Rebe and I soon finished the visit and were off exploring the town again. I wanted to do a bit of hiking, so we walked the edge of town. Children were building snowmen, families were hurling snowballs, friends were skiing across parks, and plows would occasionally scrape by. Every time a car slowly made its way down the streets, its tires slipping pitifully on the ice, I observed with a pit in my stomach. Unless we could find tires, this was our fate.

But I wanted to enjoy the morning, at least, before we worried about driving. So we made our way through a park and down a path to the Aragón River. With so much snow on the ground, the going was slow and tiring. We decided not to press our luck and turned back at the bridge, returning to town thoroughly worn out from climbing the small hill that leads up from the river. To recover our energy, we went into the nearest café, where I did something I hadn’t done in years: drink a hot chocolate. It was so warm and delicious that I instantly decided I ought to do it more often.

This was the only “eventful” part of the day. We had lunch in some place or other in town and then decided we ought to try to get tired for the car. First, we tried a gas station on the edge of town. Of course, we were out of luck. Half the city was out looking for chains that day and they were completely sold out. We were advised to try a store on the edge of town called Merca Asia. Now, it seems very odd to an American, but there is a type of general goods store in Spain which is usually called some variation of “something-asia,” most commonly “Hiperasia.” The proprietors are normally Chinese immigrants and the enormous stores have virtually anything you can imagine in them.

So Rebe and I walked along the old Jaca Highway, our boots soaked through, wind whipping through our coats, to this store. We were disappointed but not surprised to find it already full of people asking for the exact same thing: tire chains. Without much hope, I asked the man if he had any chains in our size. He said no, but more were soon on the way, and he asked for my number to call me when they arrived. This did not seem very promising but, just in case, I gave him my number anyway. Then we walked back into town, ate dinner, and went to sleep.


The next day we, unfortunately, had plans. Rebe had booked us a ride on a zip-line in a nearby town, and we had to get there by noon. This meant driving. At least the roads were considerably better than they were the previous day, but that is not saying much. There was still ice everywhere. The Spanish do not salt the roads as aggressively as we do in New York, apparently.

We found the car where we had left it after the drive up. It was covered with a thick layer of snow. We needed 10 minutes to clear everything off. Then there was the question of getting out of the parking lot. Unlike the roads, it had not been plowed, and it was not covered with a thick layer of ice. I was really not sure whether the car would be able even to get out of the parking lot.

I should mention at this point that this was my first time driving in snowy or icy conditions, so I had absolutely no idea what I was doing. But I did manage to back up and get on the road. Going slowly, already in a panic, we followed the GPS out of the city. It directed us up a steep hill. But as soon as we began to drive up, I slammed on the breaks. The hill was also covered in a thick layer of ice and I was not sure whether the car would even be able to make it up on road tires. Already half crazed with fear, I slowly backed the car off the hill and got back on the highway, which at least was quite clear.

The problem was that the highway did not lead in the right direction. We had to turn around. The GPS directed us to a place where we could easily make the maneuver. But we had another problem. The little exit ramp where we were instructed to go had been left unplowed, and we ran straight into a snowbank. Now I had to free the car from the snow and merge back onto the highway, with traffic coming from both directions. To make matters worse, cars started appearing behind me, waiting to make the turn. 

When the coast was clear I stepped on the gas. The wheels turned but nothing happened. We were absolutely stuck. I tried again, pumping the pedal, with zero result. At this point my panic and shame was extreme. I was convinced that I would either be killed in an accident, killed by angry fellow-motorists, die of a heart attack, or get arrested for incompetent driving. (Rebe, meanwhile, was extremely calm.) When the man in the car behind me stepped out and started walking towards us, I expected the worst.

But he was politeness itself, and he offered to push us out of the snowbank. With just a slight shove, we were freed, and my heart soared in gratitude for this everyday hero. Soon enough, we were on the highway driving toward Hoz de Jaca. The landscape was beautiful in the snow, which made every hill and rocky outcropping look like a mountain in the distance. We took the exit and began to drive on local roads, which were both more crowded and snowier than the highway. Several signs warned that chains were required by law on the road ahead, warning of fines for non-compliant vehicles. I got so nervous that I pulled over and had Rebe call the zipline place. They assured us that chains were unnecessary and, moreover, that there was plenty of parking.

Their assurance did not make the drive any less stressful. The road narrowed and narrowed until—as often happens in rural Spain—it was only about one and a half lanes wide, though it was for both directions of traffic. In normal circumstances, this is managed by having one car pull off into the shoulder, though when the road was hemmed in with snow banks this proved difficult. I nearly had a heart attack when we had to drive over a narrow dam and then through an equally narrow tunnel (I kept wondering how the locals deal with these roads), but finally we arrived in Hoz de Jaca.

Yet the promise of parking was exaggerated. There was, indeed, a parking lot, but it had not been plowed and was completely useless. Instead I drove up a side street, hoping to find something there. This was a poor decision. This road was also not plowed, and after about 50 meters it was completely impassable. I realized that I had to go back down the hill in reverse. This was not easy, as the road was full of parked cars and it twisted around houses and trees. Luckily, another savior appeared at this moment, in the form of an old man from the town. He stood behind us and yelled instructions, allowing us to navigate the treacherous street (though I still bumped into a tree). I thanked the man from the bottom of my heart as he guided us into a parking spot.

We got out and prepared ourselves for a high-adrenaline experience. Rebe went inside to inform the zipline folks we had arrived. She emerged a few minutes later—angry.

“They say there’s too much wind,” she said. “And they don’t know if they’ll be able to do it today.”

“So what do we do?”

“Let’s just go.”

That seemed wise. The thought of waiting around in the cold for an undefined amount of time was not appealing. And our money would be refunded.

Defeated, we got back in the car and made the harrowing drive through the tunnel and over the dam to the highway. Our next destination was the National Park of Ordesa and Monte Perdido. This is perhaps best described as the Spanish Yosemite: a beautiful valley ringed by epic mountains. It is both a national park and a UNESCO World Heritage site, and is doubtless one of the major attractions of the area.

The drive there was fairly easy until, at a turn-off, there was a sign flashing that chains were required past that point. Right beside the exit was a gas station, so we pulled over to have some time to think. I went inside and asked the attendant whether chains were really necessary. He said yes: the road to the park was pretty rough. Surprisingly, the gas station had chains in the correct size for our SUV. But again they cost well over 100 euros, and could not be returned. Rebe and I thought it over and decided, again, that it wasn’t worth it to buy chains for a car that wasn’t ours, for such a short amount of time.

In retrospect, we probably should have just bought the chains we were offered on the way up, and saved ourselves all this hassle. To be fair, however, I think that the Ordesa National Park is best in Fall and Spring, and that visiting after a heavy snowfall would have been difficult and disappointing. But this could easily be a case of sour grapes.

Defeated once again, we got back in the car and decided to call it a day and return to Jaca. Indeed, we felt so discouraged by the turn of events that we decided to cut short our vacation early. This was actually the official advice. All along the highway, lights were flashing, warning everyone to “return home early,” as another big snowstorm was set to hit on the last day of the long weekend (i.e., the day when everybody would be on the road). We decided, after everything we had been through so far, not to tempt fate further.

This just left one evening in Jaca. I took a walk around the city in the waning light, enjoying the distant vistas of snow on the mountains, and then I decided to visit the Cathedral and the attached Diocesan Museum. Both were surprisingly excellent. Indeed, as I have often mentioned on this blog, local museums in Europe can be of astonishingly high quality, and this is yet another example of this principle. Though small, the collection of Romanesque art is of astonishingly high quality, featuring many beautifully-painted naves. If an American museum had this exhibit, it would be justly famous. Yet I was alone as I appreciated the art.

We had our final dinner in Jaca and prepared to leave early the next morning. I should say that I found Jaca to be quite a congenial place to be stuck in. There are plenty of bars and good restaurants and, though small, the center of the city is very attractive. Indeed, for such a small place, the number of interesting places to eat and shop is impressive. There was even an Iranian-Spanish restaurant (Nadali) and a local brewery (Borda). So it really did not feel very disappointing to have to spend so much time in Jaca.

But it did feel somewhat disappointing to be leaving with our metaphorical tail between our legs, without having really seen the Pyrenees. I suppose Rebe and I will have to make yet another attempt to visit this part of the country.

Epilogue: El Monasterio de Piedra

We began driving early, hoping to squeeze in some last-minute sightseeing. First, we took the road north, towards France, hoping for some good views of the mountains. But we were not rewarded with any dramatic vistas, as the highway passed through a relatively flat area. So we turned around and headed back towards Madrid. The weather was brooding and threatening. As the highway led up over a range of hills it began to pour rain. Many other cars were on the road with us, doubtless heeding the same warning about the incoming storm.

By midday we had gone by Zaragoza and soon we arrived at our main stop: El Monasterio de Piedra. I have already written a long post about this place and its history, so I will only say here that it is a kind of romantic landscape garden that is well worth a visit if you are anywhere in the neighborhood. I think the pictures speak for themselves.

Rebe for scale.

After touring the place and having a quick lunch, we got back in the car to complete the drive. The driving conditions soon got significantly worse than before. As darkness fell, we entered a mass of dense fog, making it impossible to see anything except the lights of the other cars on the road. It was quite a dizzying and even a slightly dreamlike experience to be driving without being able to see the road—just intuiting where it must be by the location of the cars in front of me. About halfway through this ordeal, Rebe informed me that cars in Europe are required to have fog lights. We switched them on and they did help quite a bit.

I felt a great sense of relief when we returned the car. Now I would not have to even think about snow chains for the foreseeable future. And despite the many obstacles, it did not have a scratch on it. The next day—our planned day of return—we slept in.

I was feeling rather good about our decision to come back early, until one of my coworkers told me that he had taken a skiing trip to the French Pyrenees, and had no trouble driving back on the day of the storm. Indeed, there was hardly any snow to speak of. Defeated again!

In the Heat: Elche & Murcia

In the Heat: Elche & Murcia

During my trip to Alicante, I decided to visit a part of Spain which I had never been to before: Murcia.

Now, aside from the two cities still under Spanish control in northern Africa (Ceuta and Melilla), Murcia is probably the least popular province in the country—for domestic and international tourism, both. Indeed, I would say that the place has a rather unfortunate reputation. Students of mine used to joke that “nadie vive en Murcia” (“nobody lives in Murcia”). Every time I expressed an interest in visiting, the Spaniards around me would shoot me a look of puzzlement and concern. Needless to say, this only strengthened my resolve to go.

And as luck would have it, the train from Alicante passed through another town which has long been on my list: Elche. I thus had a full and rewarding day trip with hardly any planning required.


The Vinapoló running through Elche.

Elche

With a population of around 200,000, Elche is a medium-sized city, only slightly smaller than nearby Alicante. The vast majority of Spanish cities are built around an obvious geographical landmark—a river, a bay, or a mountain—but Elche seems to be in the middle of nowhere. There is a tiny trickle of a creek (the Vinapoló) that passes through the city, and that is all. Perhaps this is because the city is 10 km distant from its original location to the south (nearer the coast). This was an ancient city of considerable importance, founded by the Greeks and occupied by the Carthaginians and Romans. But, for whatever reason, Elche was moved north to its current location during the Moorish period and has since languished in moderate obscurity.

A replica of the Dama de Elche, on display at the Casino of Murcia (more below).

But Elche remains famous for two reasons. (Well, three if you count its sizable shoe industry.) One is the so-called Lady of Elche, a stone bust discovered near the city. This is one of the most spectacular ruins found in the country, though it is not exactly known who made it nor whom it is supposed to represent. The standard interpretation is that it was made by the ancient Iberians (though not a whole lot is known about them), and it may represent a Carthaginian goddess. In any case, I recommend a trip to the National Archaeology Museum, in Madrid, in order to see it. The workmanship is of astoundingly high quality. And it is so stylistically different from Greco-Roman sculpture that one cannot help but wonder about this ancient people.

Of course, I was not in Elche to see this bust. I was there to visit the Palmeral, or Palm Grove. This is exactly what it sounds like: a collection of palm trees. However, in the case of Elche it is both very large and very old. The tradition of cultivating date palms in the area goes back to Roman times, was greatly expanded during Muslim rule, and was preserved into the Christian period. Today, there are about 70,000 palm trees in the city of Elche with many more just outside the city limits. What is more, this tradition of palm cultivation and water management (mustering enough water in such an arid area is quite the challenge) was deemed historically important enough for UNESCO to declare the Palm Grove a World Heritage Site.

I arrived in Elche early, at around 10 in the morning. But it was already hot. I could tell that it was not a day to be outside. Indeed, the temperature was set to ascend above 40 degrees (well over 100 Fahrenheit) by lunch-time.

The Palm Grove is just a few minutes away from the local train station and, in no time, I was immersed in the thicket. I am not sure exactly what I had been expecting—an enormous, dense jungle of palm trees, perhaps—but the Palmeral appeared to be just a municipal park with all of the trees replaced by palms. Legions of pigeons were hanging around, and geese sat silently in a little pond. Apart from me, there were just a dozen or so people present. It was hard to believe that this was a World Heritage Site.

At the time of my visit, I did not really grasp why so many palms had been planted here. I assumed that it was just for the aesthetic effect (which I found questionable). But of course these palm trees were originally cultivated as a crop.

Dates, as you may know, are an important ingredient in North African cuisine. Indeed, the date has a symbolic importance in Islam. The prophet Muhammad was said to have broken his own Ramadan fast by eating a date, and this has become a common tradition. (Wine can also be made from dates, though this is expressly prohibited in the Quran.) Palm trees also have a significance in Christianity, of course; and the leaves from Elche are still used in Palm Sunday celebrations today. I should also mention that other parts of the tree—the seeds, the sap, and the leaves—also have various uses, such as animal feed or material for baskets. The date palm is, in short, quite a versatile crop.

But I knew virtually none of this as I strolled through the grove, sweaty, thirsty, and snapping the occasional picture. If you are going to visit, read up a little bit on the history first. And don’t go during the hottest part of summer.


Murcia

My train arrived in Murcia at around one o’clock in the evening. The weather by now was blazing. Not having done any research into the main sites of the city, I had no idea what to expect. But my immediate impression was disappointment. The train station itself was undergoing repairs. The area looked like an open construction zone, and the stairway leading to the different tracks was a mere scaffold. What is more, the area immediately around the train station was not particularly welcoming. The streets were dirty, the buildings shabby, and there were many drunkards lolling about. If this was Murcia, I could understand why nobody wanted to come here.

Yet I decided to suspend judgment until I got into the center of town. The walk quickly took me into more seemly parts of the city. I soon passed by an attractive park (La Floridablanca) and arrived at the Segura river. The area surrounding the river was quite lovely, though sadly I felt little inclination to stay and soak in the sights, as by now the sun’s rays were like laser beams on the back of my neck. Rather, I had to get inside, drink some water, and eat something.

For this, I went to Bodegón Los Toneles, a well-rated tapas bar. I was surprised to find the menu full of dishes which I had never heard of (I thought I knew Spanish cuisine pretty well). To order, I had to trust the wisdom of the waiter, who directed me to order three separate dishes. The first was called “michirones,” and it is a bean stew made with fava beans. Next I had zarangollo, which is just scrambled eggs with zucchini and onion. Last was a dish called chapinas, which consisted of little bits of lamb cooked in oil and garlic. All three are typical of Murcia, and all three were extremely delicious. Suddenly I began to feel much better about my choice to visit Murcia.

Murcia, I should mention, is among the larger cities in the country, with a population of almost half a million. Its name goes back to its Muslim heritage, originally being called Mursiyah. Indeed, unusual among Spanish cities, the visitor can find a statue of the city’s Moorish founder, Abd ar-Rahman. Though Murcia is extremely hot, it occupies a fertile valley that has made it a major exporter of produce. This is also partly why the food is so good.

My first visit was to the city cathedral (pictured above). Like many cathedrals in Spain—especially in the south—this one was built over what had been the principal mosque before Christian “reconquest.” Also, like many of the great European cathedrals, this one took quite a long time to build: the better part of a century, from 1394 to 1465. And this does not count the impressive bell tower, which took an additional two centuries—1521 to 1791. Naturally, during such a large span of time, many styles were incorporated: the interior is mainly gothic, while the outside is a mixture of Baroque and Neoclassical.

A detail of a reliquary in the cathedral.

More importantly, however, all of these styles are well done. The cathedral is imposing and impressive from the outside—dominating the entire center of the city—while being quite attractive within. As usual, the church is full of paintings, friezes, sculptures, and other works of art. I was especially impressed with the choir stalls, though these are not gothic originals. The cathedral was gutted by a fire in the 19th century, requiring the organ and the stalls to be replaced. Thankfully, the repair job was done with beautiful taste in a neo-gothic style in keeping with the rest of the cathedral. In short, by the time I concluded my visit, I was convinced that the Murcia Cathedral is among the most beautiful in the country—and that is no small thing.

My next stop was the Casino de Murcia. Now, I normally have no interest in casinos. Indeed, to the best of my knowledge, this was the first time in my life that I stepped foot in such an establishment in my life.

A room imitating the Alhambra.

Yet this casino is not simply a sordid place of gambling. It is, in fact, one of the most beautiful buildings in the city. The self-guided audio tour took me from room to elaborate room, each one fitted out with luxurious decorations. And each of these rooms seemed to be a kind of homage to a Spanish architectural style—with one room fitted out like the Alhambra, another like the Royal Palace, and another like the library in the University of Salamanca. I could not help but picture a posse of paunchy, cigar-smoking men dressed in tuxedos, waddling through these rooms while they casually placed bets and discussed their (legally dubious) business dealings. It is, in short, an evocative space.

The central hallway of the casino.

My next stop was the Museo Salzillo. This is a museum dedicated to the work of the esteemed Murciano, Francisco Salzillo (1707–83), one of the great (though lesser-known) artists of the Baroque period. If you have some sensitivity to language, it may have struck you that his name is not especially Spanish. His father was the Italian artist, Nicolás Salzillo, who moved to Murcia during one of the high points of the city’s history, in the 1700s. The son surpassed the father in both fame and ability. Indeed, Francisco’s work is considered so important that his museum occupies what used to be a large church, as well as some neighboring buildings.

Like his father, Francisco was a sculptor, working in the medium of polychromed wood. The bulk of the museum is given over to his nativity figurines. Now, I normally have little interest in this sort of thing. Spain is absolutely full of nativity figurines around Christmas, and I cannot say I have ever derived much enjoyment from the examination of any of them. But the works of Salzillo are of another order: the level of craftsmanship is so superlative that the tiny scenes become genuine works of art—moving human dramas played out in miniature. The visit culminates in the aforementioned church, where Salzillo’s Holy Week floats are stored. These are just as striking and dramatic as his nativity figures. I emerged onto the street convinced that Salzillo deserves a much larger reputation.

It was around four in the afternoon now, and the temperature was truly unbearable. I had to count every minute I spent outside, wary of dehydration and sunburn. The streets were basically deserted—since the locals are smart enough not to tempt fate with this weather.

My last stop in the city was for an iced coffee. For this, I stepped into a large coffee shop called Cafélab; and although I normally do not go in for fancy coffee, I must admit that it was delicious. But I was originally attracted to the establishment because a (much smaller) café in my hometown has almost the same name: Coffee Labs. It was—nonsensically, perhaps—like a little taste of home. But the baristas seemed very amused when I told them about the coincidence.

Now my visit was over. Sweaty and exhausted, I walked the 20 minutes back to the train through what felt like an actual desert. Even the area around the train station was mostly empty by the time I arrived. There is really no way to exaggerate how punishing a Spanish summer day can be. Stepping onto the train was a sweet relief, and I dozed during the journey back to Alicante. After so many years, I had finally stepped foot in Murcia. And I am sure I will return.

Alicante & the Island of Tabarca

Alicante & the Island of Tabarca

Alicante

Though I have, by now, spent years exploring Spain—having seen most of the major sights, done most of the deeds, eaten most of the comestibles, and drunk most of the potables—there still remain some corners of the country that have escaped my notice. In the summer of 2021, one of these was Alicante, the second largest city in the province of Valencia. With a bit of spare time on my hands, I set about to remedy this.

The fast train from Madrid deposited me in Alicante early in the morning. My first impression of the city was rather uninspiring. Like many Spanish cities—particularly great tourist destinations on the Mediterranean, of which there are many—the city had a generic look, consisting of medium-sized white or gray apartment blocks looming over streets full of cafés.

I made my way to one of these establishments for a much-needed coffee, and quickly fell under the charm of a busy Spanish café, full of chattering abuelas and well-dressed abuelos reading their newspapers. This older generation was accompanied, as is usual, by several grandchildren, who sat in the chairs with their legs hanging off the ground, their mouths stained with chocolate pastries.

After killing some time this way, I went to the Airbnb, which was a spare room in the apartment of a retired British man. It is quite common (or it was, before Brexit) for English retirees to move to Spain. It is considerably cheaper than the UK, to say nothing of the weather. This particular Brit struck me as very happy in his new home. He mentioned a local girlfriend, and his apartment was full of large photographs he had taken on his travels around the world. I particularly remember one of a mountain he had climbed in China.

“Of course, I’m not stupid,” he said. “I used the proper equipment to climb it.”

I do not think even the most generous traveler could argue that there is very much to do in Alicante. Indeed, sightseeing struck me as contrary to the spirit of the city. It is, rather, a place to relax—preferably, on the beach, or perhaps sitting at a nice café and eating ice cream. But I am not very good at that sort of thing. Besides, I have found that sitting on the beach by yourself—as I was—can invite melancholic thoughts. So I resolved to keep myself reasonably busy.

As with many Spanish cities, Alicante was built around a naturally defensible location. In this case, it was Mount Benacantil (the name comes from Arabic), a rocky hill that looms over the city. This elevation has proven to be such an advantageous feature that humans have been inhabiting it since at least the bronze age. But the castle, as it currently exists, has its roots in the Moorish period of Spanish history. It was captured by Christian forces in 1248 and thereafter dubbed Santa Bárbara, and during the many wars since that time it has been bombarded by the French and occupied by the English—not to mention, used as a concentration camp by Franco.

Approaching the Castle of Santa Bárbara

The walk up to the castle was a bit tiring, but it takes you through the small historical center of Alicante—where the generic streets below give way to the intimate sprawl of medieval living. Despite its bloody past, the castle struck me as a tranquil place. There really is not much to see aside from the old walls; but the views of Alicante and the sea beyond are worth the trek.

Now, at this point I must mention something which has absolutely nothing to do with Alicante. On my way up to the castle I started to feel a sharp pain in my left ear. The sensation was not emanating from deep within my ear, as in an earache. Instead, the outer part of my ear was throbbing as if somebody had hit it. It hurt to turn my head and to touch it. I had to take out my headphones, and wearing a mask (this was 2021, after all) was agonizing.

I was naturally afraid that I had gotten an ear infection. But my symptoms did not seem to fit. Thankfully, the pain subsided after about an hour. In the years since this trip, however, my left ear has periodically flared up with this same painful sensation. There are weeks when it hurts almost constantly, and months when it doesn’t bother me at all. I’ve been to four doctors, but none of them have been able to shed light on the matter. They’ve mostly just assured me that there doesn’t seem to be anything wrong with any part of my ear. Still, it is rather annoying. If anybody reading this perchance has any idea what it might be, let me know.

With my ear still aching, I decided to visit the Archaeological Museum. I was immediately struck by the size and grandeur of the building, which seemed almost excessive for a regional museum. This large, multi-winged structure was actually first constructed as a hospital with multiple wards. The archaeology museum, though founded back in 1932, was not moved here until the year 2000, by which time the hospital had been shut down. (Before this, the museum occupied a space in the Provincial Palace.) As a result of this architectural inheritance, Alicante’s Archaeological Museums is among the largest museums in the country—at least in terms of floorspace.

Once I walked inside, I found that the museum’s collection was also quite impressive—both in terms of quality and quantity. With more than 80,000 pieces, the collection spans prehistory to the modern period; and this extensive treasury is displayed in a series of attractive exhibits, along with audiovisual supplements. There are even a series of large-scale models of major archaeological sites that you can walk through. As I have said before, provincial museums in Europe can often be surprisingly good—and this is yet another example of this general rule. My ear even felt better by the time I finished my visit. 

By now it was lunch time, and I wanted to try that most iconic of Valencian dishes: paella. Luckily, quite near the museum is a well-known restaurant called Racó del Pla which specializes in the savory rice. I believe that the place is normally booked solid. Fortunately for me, however, I was given a seat at a high table near the door. I was disheartened to find the smallest amount of paella on the menu was to share between two people. But some skillful begging on my part convinced the waiter to let me order a personal paella. It was among the best I’ve ever had.

This fairly well does it for my sightseeing in Alicante. But before I move on to Tabarca, I wanted to include a note on language. If you know any Spanish, you will probably notice that there are many signs and advertisements in Alicante which don’t seem to be in Castilian. Indeed, the very name of the city is sometimes written as Alacant. This is the Valencian language—more commonly known as Catalan. It is curious to note that, although the same language is spoken here, and although there is a strong regional culture, there is virtually no talk of Valencian separation. Regional Spanish politics is complicated.


The Island of Tabarca

The most popular day trip from Alicante is to the island of Tabarca, which is an hour away by ferry. Tabarca is rather small, with a permanent population of about 50. Most of the year, the primary activity is fishing; but in summer the island is overrun with tourists.

That included me. After booking my ferry ticket online, I walked along the attractive promenade beside the Mediterranean until I got to the dock. The ferry was medium-sized (maybe big enough for 120 people), with two decks. I decided that I would enjoy the views from the top.

The boat rumbled into life and we began our journey.

My attention was immediately arrested by a massive wooden boat that was moored in the city port. This is actually a replica of the famous Spanish galleon, the Santísima Trinidad—the biggest ship of its time, which held 130 canons. It was called the Escorial of the Sea, and was understandably the pride of the Spanish navy. But it was so large that it could not effectively sail during the Battle of Trafalgar (fought between the English fleet and a combined French and Spanish force), and was captured and eventually sunk near Cádiz.

The Santísima Trinidad, with the Castle of Santa Bárbara in the background.

This replica is even more cumbersome than its namesake, since it was never designed to sail at all. Rather, it was meant as a kind of floating tourist attraction—complete with a museum and a restaurant. It was moored in the port of Málaga from 2006 to 2011, when the owner decided that an offer from the city of Alicante seemed more profitable. It was a major attraction in this city until 2017, when the ship suffered a reverse of fortune. That year, it was bought by a company which planned on bringing it to Benidorm. But for whatever reason the entrepreneurs thought better of the idea, and ultimately left this floating hulk to rot in a corner of the port. It was still there in 2021 when I visited.

So much for the flagship of the Spanish armada. Meanwhile, my little ferry did not seem to be faring much better. As soon as the boat reached the open waters, we began to rock side to side from the current. I was surprised by this, since it was hardly a windy day and the seas did not look at all choppy. The problem was that we were traveling south, while the tide was coming in from the east, thus turning the hull into a kind of sail.

The constant swaying, while at first merely annoying, began to be truly distressing about half an hour into the journey. My stomach began to protest at the churning. I did my best to focus on something else, which helped a little. But when people around me began to vomit, this became understandably fairly difficult. By the time that Tabarca came into view, I was covered in sweat and doubled over in pain. My first step onto dry land filled me with relief.

One of the many ferries approaching the island.

But the trauma of the journey faded quickly when confronted with the beauty of this small Mediterranean island. Tabarca has the profile of a melted dumbbell, the two parts connected by a narrow strip of beach in the middle. Virtually all of the human dwellings are on the smaller of these parts. It is quite an attractive little town, though one would be hard pressed to say there is very much to see or do. I contented myself with wandering around and enjoying the different views of the sea and the coast of Spain, until it was time for lunch. This was, of course, seafood—something the Spanish can be relied upon to do well.

After this, I decided to walk around the other, uninhabited half of the island. This is a strangely beautiful and barren landscape of rocks and grass, seagulls perpetually flying overhead. With no obstacles to break the wind, I was buffeted by strong gusts that almost made me shiver on the hot summer day. Yet there is something both exciting and calming about the roar of waves and the rush of wind. I spent an hour just sitting on a rock and enjoying it.

One of the few structures to be found in this part of the island is an imposing square building, called the Tower of San José. This is just one of the many defensive structures which have been built on the island over the centuries. A plaque in the city informed me that this was the site of the execution of 19 Carlist sergeants in 1838, during the so-called Carlist Wars (between factions supporting different claimants to the Spanish throne). They were executed, apparently, as a reprisal for a similar execution of prisoners on the Carlist side.

In any case, I was surprised at the tone of the commemorative plaque, which calls them “martyrs” and proclaims Don Carlos V the “legitimate” king of Spain. For one, Carlos lost the war and never became king. What is more, Carlism is associated with the most fanatically conservative parts of the political spectrum. Pretty heavy stuff for 1996, which is when the plaque was installed.

When you are lucky enough to travel to a place as lovely as Tabarca, it is pretty rich to say that you have “regrets.” Nevertheless, I do wish I had tried snorkeling in the crystalline waters around the island. This area is a “marine reserve” and is considered to be one of the best places for both snorkeling and scuba diving in the country. As somebody who has never done anything similar, I can only imagine how fun it must be to swim amongst the sea life.

Now it was time for the ferry ride back. Dreading the seasickness, this time I figured that I would stay on the lower level, as close to the middle of the boat as possible. My thinking was that this would be the part of the boat which would experience the least movement, in the same way that the best place to avoid turbulence on an airplane is over the wings.

The boat began its journey and my confidence quickly evaporated. If anything, the swaying was worse than before, and this time I had no view to distract me. Instead, I put on an audio book (one by David Attenborough) and stared at the floor. My own physical discomfort was manageable this way—at least for about twenty minutes. But I began to feel real distress when the vomiting started. It was, to say the least, difficult to ignore. The ship’s crew were running back and forth with white paper bags, as the people two rows up, to my left, to my right, and finally right next to me, all began to wretch into these bags. By about 45 minutes into the ride, over half of the passengers had lost their lunch. In retrospect, it was amazing that I did not smell anything.

But the sight alone of all this sickness was strangely contagious. My stomach twisted itself into a tighter knot. Sweat covered my whole body. I curled my fingers into fists and buried my head in my arms, trying to block out my surroundings. When I could not see anything, the swaying actually did not seem too bad. Yet I did not have the discipline to remain like that. I would look up and, when I did, would inevitably witness another victim.

Finally, I decided to get up and walk up to the prow. Here the wind felt like ice and water continually splashed up onto the deck. This cold air was, however, exactly what I needed: I snapped out of the sick feeling and was able to enjoy the final approach to Alicante.

You may think that after such an ordeal, the last thing I would want to do was eat. Yet I had seen a ramen shop that intrigued me that morning, and I arrived back in Alicante just in time to get a table (there was a queue forming even before it opened). Thus, I concluded my final day exploring Alicante hunched over a bowl of hot noodles. And that is certainly the mark of a good vacation.

Summertime in Andalucía: Three Pueblos

Summertime in Andalucía: Three Pueblos

These three villages all lay on the road between Málaga and Cádiz, and make for very easy and pleasant stops along the drive.


Ronda

Of all of the beautiful villages in the south of Spain, Ronda may be the most famous. This is due to its dramatic location—perched high over the edge of a cliff.

Improbably, the two sides of this small town are separated by a massive gulf. For centuries, they were only connected by a relatively small bridge, built at a point where the height and width of the chasm are manageable, but far from the town center. It was only in 1793, after forty-two years of construction, that the massive “New Bridge” was completed, which spans the canyon at its tallest point. This was a major engineering challenge. A previous bridge, built in 1735, had collapsed just six years later, killing fifty people in the process. When the New Bridge was finished, it was the tallest in the world (98 meters, or 322 feet). Even for somebody used to skyscrapers, its dimensions are stupefying to behold in person.

More importantly, the bridge is beautiful. Made of the same rock as the surroundings, it seems to emerge from the landscape, as ancient as the cliffs themselves. The Guadalevín River flowing underneath it seems almost pathetic in comparison to so much towering rock—but, of course, it was the action of this patient little stream which cut this chasm in the first place.

My brother and I took the path down into the gully. The way down is relatively easy, the afternoon sun notwithstanding, and recommended if you want to get a real sense of the size of the bridge. I was disappointed to find that the path leading under the bridge and into the canyon had been closed off. On my previous visit, this was not the case. Once we had gone all the way back up to town, we were thirsty, sunburned, and exhausted, and decided to continue our drive towards Cádiz.

Jay, with mustache and bridge.
Me, with beard and bridge.

But Ronda has more to offer besides its iconic bridge. For one, the oldest bullring in Spain is in the city, and you can visit even if you do not want to see any animals slaughtered. There are ruins dating back to the town’s Muslim past, and lovely views of the surrounding landscape. Even without all of this, the town itself is a charming example of a whitewashed pueblo. No wonder that Orson Walles, Rainer Maria Rilke, and Ernest Hemingway were so fond of the place. Indeed, Hemingway set a major scene in his novel For Whom the Bell Tolls in Ronda; and though he embellished, it is actually true that prisoners were thrown into the canyon during the Civil War. 

On that grim note, let us turn our attention to the next pueblo.


Arcos de la Frontera

We visited Arcos de la Frontera on our return journey to Málaga, when we did not have very much time to stay. Even so, it was a memorable visit.

The beginning was harrowing. My brother had innocently set the GPS to take us straight to the center of the village. However, this quickly appeared to be a bad idea as the road narrowed, twisted, and turned, leading us in a crazy labyrinthine path that was constantly diverted due to construction. Convinced I was either going to hit a pedestrian or scrape the side of a building, I was in a panic as we tried to navigate the tiny medieval streets. Finally, with some relief, I saw a sign informing us that only local cars were permitted to park in the center. We escaped the maze and parked the car in a grassy lot right on the edge of town.

The arches of Arcos.
A monument with figures dressed in Holy Week garb.

The walk up was considerably more pleasant than the drive had been. The center of Arcos de la Frontera is impossible, located as it is at the top of a large hill. In just a few minutes we had arrived at the church that crowns the entire village, the Basílica de Santa María de la Asunción. As commonly happens in Spain, this church seems unnecessarily large and ornate for a village of some 30,000 people. The façade is ornately decorated, culminating in an elegant neoclassical tower. Unusually, the building’s massive buttresses extend over the adjacent street. The inside is just as elaborate as the exterior, with several fine altars and beautiful vaulted ceilings.

The plaza in front of the basilica is taken up, rather prosaically, by a parking lot. Next door is the local “parador,” which is the term for a historical building which has been converted into a state-run hotel (normally on the pricier side). Across the square is the town hall and, right behind it, the castle, at the highest point of the city. This castle is not open for visits; but the lookout point at the end of the parking lot is fully satisfying. As in Ronda, you are treated to a wonderful view of the Andalusian landscape—fields of crops, rolling hills, and not a modern building in sight.

As we had to drop the car off and catch our train back to Madrid, our time was limited. I can say with confidence, however, that Arcos de la Frontera is worth a much longer stay.


Zahara de la Sierra

Our next visit was the briefest of all. Indeed, we had not even planned on stopping to see any more pueblos. But the sight of Zahara de la Sierra—perched, like so many Spanish villages, on a rocky hill, presiding over a sapphire-blue reservoir—convinced us to at least stop for lunch.

A rather touching sign, made by a child during the lockdown.

This little town (population just shy of 1,400) is known for its meat stews, and that is what we ordered. Indeed, we had time to do little else. But I think any visitor who is not in a rush ought to climb to the top of the ridge and see the old castle, which still stands guard over the village. And it would not be a Spanish village without a beautiful and historical church—in this case, Santa María de la Mesa, a rather joyful-looking Baroque temple.

Unfortunately for us, we only had time to glance at the main attractions before we got back in the car and kept driving. Yet the drive itself—on the rural highways which connect Jerez de la Frontera with Málaga—was extremely lovely, and a wonderful way to close our long trip to Andalucía.

The view during our drive.

Taken together, this was a special trip in many ways. For one, it was an amazing relief to travel after being trapped in our tiny Madrid apartment for months. And this was probably one of the few times in recent decades that such iconic sites such as the Alhambra, the caves of Nerja, and the beaches of Cádiz could be visited with hardly any crowds. This was also the last trip I took with my brother in Spain, before his return to the United States to study law. As such, it was a little sad—but only just a little, since we really had a wonderful time.

Summertime in Andalucía: Jerez and Cádiz

Summertime in Andalucía: Jerez and Cádiz

Jerez de la Frontera

After our stays in Granada and Málaga, our next base of operations was Jerez de la Frontera.

If you know some Spanish, you may recognize that this name translates literally into “Sherry of the Border.” But this has an explanation. For one, sherry wine is named after Jerez, not vice versa; the original name “Jerez” goes all the way back to Phoenician times. And the place is referred to as occupying a “border” because, during the middle ages, this town was on the border between Christian- and Muslim-controled areas.

After dropping off our things, the first thing we did was to visit the city’s Alcázar. Now, there are “alcázars” all over the country. The name—like most Spanish words beginning with “al”—comes from Arabic, in this case from al-Qasr, meaning a castle or a fortress. This one was built in the 11th century, when Jerez was part of a small Muslim kingdom. The conquering Christians added to the fortress. Even so, the fortress—with its horseshoe arches and baths with star-shaped vents—is an excellent example of Moorish architecture. And the walls provide an excellent view over the city.

An ant in the alcázar

Next we visited the city’s cathedral. This is quite a grand building. But if you are used to the scale of European cathedrals, it may strike you as on the smaller side. This is because it was not originally built as a cathedral, but as a collegiate church which was later “promoted” to the status of cathedral in 1980. In any case, it is a lovely building with gothic flying buttresses and baroque decorations on its façade. Even lovelier might be the Church of San Miguel. If memory serves, the opening hours of this church are rather limited (and they aren’t posted online). But if you manage to get in, you will be rewarded with striking gothic vaults and richly-carved altarpieces.

A detail of the cathedral.
Jay navigating a staircast in the cathedral.
A detail from an altarpiece in the Church of San Miguel.
Another detail.

But the highlight of Jerez is not, in my opinion, any monument. Rather, it is the wine. We happened to arrive on a Sunday and most of the major wineries were closed. But after calling several in a row (getting through to a janitor in one of them), I finally reached a man who seemed rather surprised on the phone. He said he had a totally flexible schedule and that we could come any time we liked. Like an ignorant American, I suggested five o’clock, but he quickly told me that it would be too hot then, and that seven would be far better.

We arrived punctually at Bodegas Faustino González. An older man with white hair was waiting for us. He introduced himself as Jaime, and led us inside. It quickly became apparent that this tour was just for the two of us. And it was also quickly apparent that we had inadvertently chosen a beautiful bodega. (In Spain, a “bodega” is a winery, not a corner store.) In a simple white warehouse there were long rows of barrels, stacked three barrels high. Jaime explained that this is the standard way of aging sherry. The bottom barrel is known as the “solera,” from the word for floor (“suelo”). This is the basis for the wine, as the solera is never entirely emptied. Thus, it preserves the distinct character of any particular winery. Then the sherry is moved up to the next barrel, a “criadera” (literally a “breeding ground”), and finally to the last one. This process takes at least two years, often far longer. 

(The barrels, by the way, are made of American oak. Once they are too old for sherry, they can be sold to Scottish Whiskey makers, where they continue to age fine spirits.)

Jaime took a device known as a “venencia”(basically, a cup on the end of a stick), stuck it into a barrel, and let us taste the fresh wine. It was fresh and quite tart. He explained that dry sherry is normally made with palomino grapes, which are white. There are several varieties of the wine, which can be divided into two main groups: manzanilla and fino (white, clear, plain), and amontillado, palo cortado, and oloroso. These latter three kinds are oxidized during the aging process, giving them a dark, rusty color and a far more aromatic flavor. (For my money, oloroso is consistently the best.)

The venencia in action.

Many exported sherries are basically sold as cooking wine, and taste like finos with added sugar. But if you really want to taste a sweet sherry, one must try the Pedro Ximenez. This wine is made from the grapes of the same name, which are left to dry into raisins before they are turned into wine. This makes the final product almost black in color and incredibly sweet. The flavor is intense—almost too intense to drink, like maple syrup. In fact, I used the bottle I bought from the winery to pour over vanilla ice cream, and found it to be extravagantly delicious.

As you can probably tell, my brother and I were delighted by the visit. We emerged, about two hours later, very satisfied and quite drunk (we had been given about six glasses of sherry), and wandered off to find something for dinner. I have subsequently bought sherry from Jaime and can attest to its excellent quality. 

During our time in Jerez, we managed to visit another winery: González Byass. Its name comes from its founder, Manuel María González, and his English agent, Robert Blake Byass. (There is a charming statue of Manuel near the cathedral.) This is possibly the biggest and certainly the most famous producer of sherry. The iconic Tío Pepe fino sherry—whose mascot is a  bottle dressed in a red sombrero and jacket, holding a guitar—is from this company. Any visitor to the Puerta del Sol, in Madrid, will recognize it: an advertisement which has been elevated to a symbol of Spain. (An even more famous symbol of Spain, the Osborne Bull, also originated as an advertisement—for sherry brandy.)

The tour lasted about an hour and was with a group of about twenty people. I imagine that it is more difficult to secure a spot on a tour during normal times. Right after the lockdown, we were given a spot on the very next group. Compared to Faustino González—an artisanal producer, with a single warehouse—this winery was enormous. It is also, obviously, famous. There were bottles dedicated to heads of state and signed by celebrities (notably, Orson Wells). Indeed, according to our guide, the most attractive of the warehouses, La Concha, was designed by none other than Gustave Eiffel, on the occasion of a queen’s visit. (It appears, after looking it up, that this is not really true. Though commonly attributed to Eiffel, “La Concha” was designed by an English firm.)

La Concha

Finally we were ushered into a posh bar for a tasting. Though I can hardly be called an expert in this ancient art, the difference between the handcrafted sherry of the previous visit and this industrially-produced wine was immediately apparent. The sherry from González Byass tasted simple and even bland by comparison. In fairness, the GB products are significantly cheaper and easier to find. And I certainly would not turn down a glass of their oloroso.

The dark one on the right is Pedro Ximénez. The rust-colored one further down is Oloroso. One of the two clear ones is a dry fino, and the other is a sweet one.

Cádiz

Jerez de la Frontera is a delightful city by itself. But one of its best qualities is its close proximity with Cádiz. Indeed, aside from Venice, I would rank Cádiz as the prettiest city in Europe. And unlike that Italian icon, Cádiz is a place where people actually live.

Cádiz is located on a small peninsula that juts out into the Atlantic ocean. It is an extremely old place, inhabited since at least the 7th century BC. Arriving from Jerez is a breeze: the local train takes you right there in about 45 minutes—treating you to some arresting views of the landscape and the ocean along the way.

The first thing any visitor to Cádiz ought to do is to simply walk around. The buildings form a coherent color palette: made of tan stone or painted pastel colors. The inner streets are narrow and winding, like those of any city with a long pedigree. But go too far in any direction and you emerge onto the open sea. Even on a hot day, the breeze makes it tolerably cool, and if it is sunny the ocean shines a kind of delirious turquoise. (You can probably gather that I am fond of Cádiz.)

One of the most attractive parts of the city are the Gardens of Alameda Apodaca, which is located alongside the water on the Northern side of the peninsula. It is a kind of garden walkway, with flowers hanging from trellises. At the end of this garden you reach two strange and enormous trees. These are Australian Banyans, which have special supporting structures known as “buttress roots,” which spread over the ground to support the enormous canopy. An equally lovely park is the Parque Genovés, which is full to the brim with exotic plants, such as a Drago tree (from the Canary Islands), a Metrosideros (from New Zealand), and a Norfolk Island Pine (from Australia).

As you can perhaps tell from these exotic trees, Cádiz is (or was) well connected with foreign lands. Indeed, the city owes its wealth to being the primary port of trade between Spain and her American colonies for several centuries. Of course, this source of revenue abruptly ended when Spain lost her empire in the 19th century, which is one reason the city is still so quaintly beautiful. If that had not happened, then doubtless Cádiz would be full of modern glassy skyscrapers.

After a stroll around, my brother and I were in the mood for lunch. For the hungry or the morbidly curious, the Mercado Central is worth a visit. On the inside you can see an enormous collection of freshly-caught seafood, still covered in ocean brine. There are piles of squids and shrimp, and tuna as heavy as a person. If this whets your appetite, you can get something to eat in any of the dozens of food stalls running along the outside. I would certainly recommend sampling the seafood. Local specialties include tortillitas de camarones (shrimp fritters) and cazón en adobo (marinated dogfish)—both quite tasty, in my opinion.

After our meal, we visited the Cádiz Museum. Normally, this institution has exhibits which range from prehistory to the 20th century. But when we visited, it was under renovation, and the upper floors were closed. This was fine with me, however, as the section on ancient history was still open, and this is what I especially wanted to see.

As I mentioned before, Cádiz has a very long history, and the museum has artifacts dating from well before the era of Socrates and Confucius. But the two most famous artifacts are two Phoenician sarcophagi, carved in the form of a man and a woman, made some time around the year 400 BC. The male sarcophagus was discovered all the way back in 1887, with a well-preserved skeleton still inside. The corresponding female was found almost an entire century later—coincidentally just outside the former home of a museum director—during a routine construction job. The two tombs are quite lovely works of art, showing possible Greek influences but still unlike any Greek statue I have ever seen.

Perhaps the best way to get a tour of Cádiz is to visit the Torre Tavira. This is a former lookout tower, now the second-tallest structure in the city (after the cathedral). The views from the top are worth the fee to go up. But your visit also includes a kind of remote tour using a camera obscura, reflecting light from outside onto a large dish, while a guide points out all of the major landmarks in the city. It is certainly a touristy experience, but one I do not hesitate to recommend.

(The cathedral, I should mention, is also certainly worth a visit. Unfortunately, it had yet to reopen after the lockdown when my brother and I visited.)

The next site I want to mention did not figure on our itinerary. But as I visited two years later, with Rebe, I think it worth including here for the sake of information. This is the Gadir Archaeological Site. Gadir is the original, Phoenician name for the city, and this site takes you directly into the ancient past. As fate would have it, the site is located under a puppet theater. Visits are conducted by guided tour only, which means you must reserve at least a little bit in advance. During my visit, the tour was conducted by one of the archaeologists who actually did work on the site, which made for an especially interesting experience. The ruins are not visually impressive (consisting of the outlines of buildings and streets), but the information revealed about ancient lifeways was fascinating.

But of course, I cannot end a post about Cádiz without mentioning the beach. There is an extremely long beach—Playa de la Cortadura—running along the road that connects Cádiz with the mainland. Far more beautiful and iconic, however, is La Caleta, which is at the very end of the peninsula. My brother and I spent two evenings lounging under the shade of an old spa and taking dips in the ocean, from which I can conclude that it is a thoroughly lovely spot. (This spa building, by the way, is itself an icon of Cádiz. It was built in 1926 with long, sweeping arms suspended over the sand. The spa went out of business, however, and nowadays it is the headquarters of the Underwater Archaeology Center.)

The white structure is the former Balneario de Nuestra Señora de la Palma y del Real (a spa).
Under the spa, looking a little ragged.

La Caleta is made especially picturesque by being flanked by two castles. On the right is the Castle of Santa Catalina, built around the year 1600. There is a small exhibition center inside and a good view of the beach. (I also think there is a hotel somewhere in the castle.) On the left side is the Castle of San Sebastián, which is located on a small island off shore, and connected by a thin walkway to the beach. It is possible that a Greek temple occupied this spot millennia ago, but the castle was built around the year 1700. The last two times I visited Cádiz the castle was closed, though the very first time I went I could go inside (and there was not much to see). In any case, the walkway is attractive enough to merit a visit.

That does it for our trip to Jerez and Cádiz. As great as were Granada, Málaga, and the little towns we visited, these two cities were easily the highlights of the trip. There is little that can compete with a cold glass of exquisite sherry followed by a swim.

Summertime in Andalucía: Málaga and Surroundings

Summertime in Andalucía: Málaga and Surroundings

We arrived in Málaga in the late afternoon, reversing the hour and a half drive to Granada we had just done the day before. Compared with that interior city, the climate of Málaga felt cool and humid—no doubt, thanks to the Mediterranean.


The City of Málaga

Málaga is among the largest and most important cities in Spain. Populated since Phoenician times, it is also among the oldest. Even so, for me the city has a curiously un-Spanish atmosphere. This is due, I think, to the huge numbers of immigrants—from England and Germany, mainly—who live in and near the urban center, as well as the many tourists who stop through on cruises.

Yet this is not to say that the city is not a nice place to visit. Case in point: As soon as we arrived, we walked into the city center and ascended Gibralfaro Hill. This is a somewhat arduous trek, going up ramp after ramp, but you are rewarded with some truly terrific views.

The best vistas are to be found from the walls of Gibralfaro Castle, a fortification that dates back to the city’s Moorish past. Indeed, the history of the castle actually extends much farther back; a natural point of defense, a fortress of some sort has been here for over two thousand years. This castle is connected to a fortress lower-down the hill, the Alcazaba, which was another holdout against Christian conquest. The Catholic Monarchs starved out the defenders in a prolonged siege, which ended in 1487. One can easily see why it took the Christians so long: fortified with double walls, and in a perfectly defensible position, it is a formidable redoubt.

Another worthy historical site is Málaga’s cathedral. Though the building was not finished until 1782 (and arguably not even then, as one tower remains conspicuously incomplete) the church is made in a Renaissance style. Like any worthy cathedral, the place is filled with works of art, some of them quite wonderful. The wooden choir stalls are beautifully carved, there is a lovely neoclassical altarpiece, and hanging on one wall is a monumental painting by Enrique Simonet depicting the beheading of St. Paul. 

But I suspect that most visitors to Málaga don’t come for the historical sites. Rather, they come for the seemingly endless beaches and its endlessly sunny weather. Dotting the shore are a certain type of restaurant called chiringuitos, which are distinguished by the large wooden fire outside, often made atop an old boat that has been filled with sand for the purpose. These are not just decoration: fish are skewered and fire-roasted for the guests.

And this sort of place is very popular among the locals, as my brother and I discovered when we tried to have lunch in Litoral Pacífico without a reservation. There was not a single spare table. Defeated, we drove to Chiringuito Mari Guitiérrez, another well-rated place a little outside of the city center, and did manage to get a table. There, we ordered the most famous regional dish, espetos de sardinas. These are little sardines which have been cooked over the fire.

Being novices in the world of fish and seafood, we were unsure of the correct procedure for this particular fish. Impatient, I decided to eat one whole—tasty, but also a bit crunchy and slimy. My brother, Jay, more observant, saw that the locals ate the fish like corn on the cob, picking the meat off and leaving the spine. I tried another fish that way, and found it considerably better. To round out the order, we have boquerones fritos, which are basically sardines which have been breaded and fried. (You do eat those whole.) It was a very fishy meal.

But the best part of eating at a chiringuito is, undoubtedly, the fact that you can lounge on the beach and go swimming right after you finish. And that is just what we did.

At this point, I would like to make a general observation about Spanish food. Virtually every region—sometimes every city—has its own culinary specialty that the locals are very proud of. Nevertheless, once you try a few of these famous local dishes, you realize that these are mostly just variations on a basic theme. For example, in Málaga we were advised to have “pitufos,” which we discovered was just a sort of toast with crushed tomato—a dish consumed all over the country—but with a slightly different type of bread. We were also advised to get gambas pil pil. But when the dish was served, we found that it was identical to the commonly served gambas al ajillo (shrimp with garlic in olive oil), except for the addition of a few red pepper flakes.

If I sound like I am complaining, I can assure you I’m not, since all of these dishes and variations are delicious.


There is a lot to see and do in the city of Málaga. But as we spent much of our time visiting nearby towns, we unfortunately did not see many of the city’s attractions.

We did manage to make it to the Automobile and Fashion museum. It is a rather long walk from the city center, but accessible with the urban buses. When we arrived, we were greeted by about a dozen young people wearing strange clothes, who were arranged in the walkway in front of the building—apparently, models in training.

As a person who has virtually no knowledge of, or interest in, fashion, I really cannot say anything about the fashion side of this museum. But as somebody who knows nothing about, but can at least appreciate a cool-looking car, I can give the automobiles my blessings. The collection of odd and historic cars is quite impressive. There are examples of some of the first commercially available automobiles; enormous luxury cars with plush interiors; sleek sports cars; and some novelty vehicles, such as a car with a propeller or one designed to run on solar power. Though there were little informational plaques about the vehicles, it was more pleasant just to wander from specimen to specimen, to witness how something as familiar as a car can take so many different forms.


Mariposario and Mijas

On one of our days in Málaga we got into the rental car and made our way to the Mariposario de Benalmadéna, a butterfly sanctuary a short drive from the city.

When we parked the car, however, we could not help but notice the very large and odd structure nearby. This is the Stupa of Enlightenment, a 33 meter (108 ft) tall Buddhist shrine that has a commanding view over the landscape. According to the website, this stupa is the largest “in the Western world.” As far as I can tell, this is actually true—the only competition coming from the Great Stupa of Dharmakaya, in Colorado, which is about the same height—though it is not, for my money, among the most beautiful examples of the genre. To enlighten you a little further, I will add that this stupa was completed in 2003 and consecrated by a high-ranking Tibetan lama.

Visible from the base of the Stupa is another odd monument, the Castillo de Colomares. This is the brainchild of one Esteban Martín, a doctor by profession, who decided to design and build a huge monument to Christopher Colombus. And while that explorer is no longer in such high repute, one must admit that this eccentric homemade castle is rather impressive. For some reason, this castle is the site of the smallest church in the world, with a total area just shy of 2 square meters (just over 21 square feet). 

These silly buildings are interesting enough. But I think the real star of this area is the butterfly sanctuary. After paying the entry fee, you walk through heavy plastic flaps, and enter a tropical world—hot, humid, and full of exotic plants. Signs warn you to be careful where you step, so as not to accidentally crush any of the inhabitants. The air is teeming with life. Bright wings are continuously flapping all around you. The butterflies range in size from a postage stamp to a paperback book, and come in every color and pattern imaginable, some with long, slender wings, others with wings like flower petals.

To be honest, I had never taken much time to appreciate butterflies before this visit. But spending time with these harmless, dainty creatures was almost therapeutic. And butterflies weren’t the only animals on display: the sanctuary also had tortoises, exotic birds, and a wallaby.

After that, we went to the town of Mijas, which is right next door. This is a typical whitewashed Andalusian village, with excellent views of the Costa del Sol. We did our best to explore the village and to enjoy the vistas, but the tremendous afternoon heat was not conducive to calm enjoyment. So, after a short walk, we found a restaurant with air conditioning and chugged down a few glasses of water with our meal. Then, it was back to Málaga.


Nerja

Arguably the best day trip from Málaga is the small town of Nerja. We had our rental car, but I know from a previous visit that it is fairly easy to get to by bus.

On the day we visited, we headed immediately to the caves. These are located in the outskirts of the city—admittedly a fairly long walk if you arrived on the bus, but still doable. They are certainly worth the trouble of visiting. They are magnificent. After making your way through a few smaller chambers, you emerge into a series of caverns, each one bigger than the last. Elevated walkways make the visit quite easy to navigate, despite the slippery surfaces and dim light. The rock formations are wonderful—undulating, folding, melting, seeming almost alive.

It seems that earlier—much earlier—humans also found the place captivating, as the cave was used over thousands of years. There are cave paintings (in an area inaccessible to the visitor) made by prehistoric hunter-gatherers, as well as the remains of domestic animals, textiles, and pottery from later agricultural humans. Apparently, the cave was still used by locals up until the Middle Ages, but at some point knowledge of the cave was lost. It was rediscovered by a group of 5 locals in 1959 who, for whatever reason, decided to go catch some bats. For any visitors curious to learn more, I recommend the Cave Museum, located in the center of Nerja.

The skeleton found in the caves.

The cave thoroughly explored, we made our way into town, passing on our way the Acueducto del Águila, an enormous aqueduct made in the ancient Roman style, but constructed in the 19th century. We parked the car and had lunch in a restaurant called Dolares El Chispa. I imagine that it is a pretty crowded spot in normal times. Traveling in the wake of a global emergency, however, we almost had the place to ourselves, and enjoyed a feast of fish and seafood. Spanish cuisine at its finest.

Any visitor to Nerja will soon end up in the Balcony of Europe, an imposing viewpoint over the surrounding coastline. The name of this jutting cliff was given by the much-beloved king, Alfonso XII, who died of tuberculosis at the age of 27, but who still presides over his balcony in the form of a metal statue. Nearby are the town’s gorgeous beaches. Unfortunately, we had neglected to bring our swimsuits.

Me and the king.

On the way back to Málaga we stopped, briefly, at another beautiful village: Frigiliana. This is another very popular day trip from the city, and it is easy to see why. Frigiliana is a classic whitewashed Andalusian village, nestled on a mountain ridge. We arrived at the hottest part of the day, however, and only withstood about 10 minutes of walking around under the afternoon sun before we returned to the car. So I will leave this part to be filled in by you, dear reader.

The town of Frigiliana