Letters from Spain #18: Spanish Cities

Letters from Spain #18: Spanish Cities

Here is the next episode of my Spanish podcast. This one is about the joy of Spanish cities (when there isn’t a pandemic, of course).

Click below for the apple podcast:

https://podcasts.apple.com/us/podcast/letters-from-spain-18-spanish-cities/id1469809686?i=1000468584456

Here is the video:

See the transcript below:


Hello,

It seems that I suddenly have an awful lot of time to work with. Because of the surge of coronavirus cases in Madrid, all schools have been closed, and I’ve been sent home for at least two weeks. On Friday they ordered all the shops and restaurants to be closed. And today was the first day of a nation-wide lockdown. Nobody is allowed on the streets, except to go to work, buy medicine or groceries. I think the Spanish people are mostly taking this well. True, there’s no toilet paper left in any of the shops. But people are keeping their spirits up during this difficult time. Every day, at eight o’clock, people have been gathering on their balconies to cheer the hardworking medical personnel. 

It’s a pretty surreal feeling. A few weeks ago, coronavirus was just a thing happening in China. Two weeks ago, it was an Italian problem. Now it’s totally global. 

Anyways, so far I am safe and sound. Meanwhile, the city of Madrid looks very, very different. It’s a complete ghost-town now. The precautions necessary to slow the spread of coronavirus go totally against the grain of Spanish culture. As I’ve talked about before, Spanish people love to be outside, to be in public, and to congregate. They greet each other with kisses and have no issues with physical contact. These qualities are—under normal circumstances—what make Spanish cities so great. In fact, I’d say that this is one of the most charming things about visiting Spain: that the city centers are always bustling with life. 

A big part of this, I think, has to do with the layout of the cities itself. Every major Spanish city predates the invention of the car by centuries, and so the historical parts of these cities are always easily walkable. Really, the invention of the car was bad for city life. You can see the evidence of this almost anywhere in America, as well as in the parts of cities in Europe that have been built to accommodate car travel. On the outskirts of Madrid you enter into a kind of industrial park, where all the buildings are low-lying and spread out. When you don’t have any motivation to put things closeby, you also don’t have motivation to build up in any one place. The result is very ugly—endless asphalt, shabby buildings, and nobody on the street.

I think you can clearly see the bad effect that the car has had on city planning if you examine a place where I worked for a long time: Rivas-Vaciamadrid. Now, I don’t want to insult Rivas, because the people who live there are really quite lovely. But I think the town itself embodies everything that I dislike about modern cities. The major problem is the zoning. All the parts of Rivas are split up into discrete zones, which contain only one type of building. There are zones for single-residency houses, zones for apartment buildings, and zones for restaurants. Most of the shopping is concentrated in one giant mall. The result is deadening. There is hardly any variation to relieve your eye, since all the houses and buildings look exactly the same. 

Even worse, compared to other Spanish cities, there is very little life on the street. I often had to walk from private class to private class, and I wouldn’t see more than three people during the whole time. It’s a place built for cars. There aren’t any good places to gather. True, Rivas has some big parks, but in my experience these were often empty, too. Personally I found it a bit depressing. (Again, this isn’t a reflection on the people of Rivas, who are very nice!) Going from the endlessly similar neighborhoods of the new part of Rivas to the tiny older center was always a relief. There, at least, there are some bars and cafes, and a central square with some benches.

The problem was diagnosed by Jane Jacobs. Cities are vibrant when they are mixed-use. That is, when there are lots of different sorts of things in the same neighborhood, there are that many more reasons for people to be walking on the street. And when people are on the street, the streets become that much more interesting and safe to be in. It naturally reduces the crime rate (at least for violent crime, maybe not pickpocketing), since there are always bystanders, and in general it is one of the chief delights of city life. After all, one of the constant fascinations of living in the city is seeing the human zoo on display.

A high population density can also support a wider variety of businesses, which is another of the great pleasures of city life. First and foremost, there are the cafes, restaurants, and bars. Nowadays they are much emptier than usual, but most of the time they are packed, especially on sunny days like today. I honestly wonder what is the furthest you could go in Spain from an eating establishment. You could be lost in the southern deserts and still be able to order a beer nearby. The omnipresence of restaurants is one of the great joys of Spanish life. If you want a coffee, a glass of wine, or a bite to eat, you can choose from any of the three to six establishments in eyesight. You may think I’m joking, but Spain is the country with the highest density of bars in the world. To give an example, the southern province of the country, Andalucia, has more bars than Norway, Finland, Denmark, and Ireland combined. (And by the way, Andalucia has less than half as many people as these four places.)

Another thing that’s not in short supply in Spain are the supermarkets. My neighborhood is a pretty good example of this. Within a ten minute walk from my front door there are 14 supermarkets. Fourteen! And many of them are quite big. These fourteen supermarkets represent 7 different brands, some of them Spanish, one French (Carrefour), and one German (Lidl). And this is not to mention the many butchers, vegetable shops, and bakery shops nearby. Just the other day I wandered across a very modern-looking butcher shop, which had every kind of meat you could wish for. There, I finally found a type of Spanish sausage I particularly like, called “crioll chorizo” (though the name doesn’t really make sense). My point is that you’re pretty spoiled when it comes to food selection, even if some things that are common in the US are much less common in Spain (like broccoli rabe, which I’ve never seen!).

There are two types of shops common in Spain that are often run by immigrants. One is the humble kebab shop, the most popular fast food option in Europe. I actually live on top of a kebab shop, and the smell of the spiced meats wafts up all day, giving me strange cravings. The other one is called an alimentación, which is sort of a corner shop where you buy snacks, basic amenities, and alcohol. (In Spain you don’t need a liquor license, so everywhere has booze.) Because these sorts of shops are often owned by Chinese people, they are usually called chinos by Spaniards—and I’m kind of unclear whether this is considered, or should be considered, offensive. Chino, by the way, is the standard way to refer to a Chinese person or a Chinese restaurant, of which there are a fair number in Spain.

Speaking of my own neighborhood, what else should I mention? I think by any standard there is an impressive range of businesses. There are several sports stores, for example, and they are not chains. There is a nice little one up the street that has good deals on sweatpants and sweatshirts, and a big one around the corner that has everything from fishing rods to weight lifting machines. Speaking of lifting weights, there’s also a gym—again, not a chain—a few blocks away, where my brother likes to go. And Retiro park is just five minutes up the street, where I like to go running.

Really, the longer I’ve lived in this neighborhood—which is called Pacifico—the more I have come to appreciate it. Though it isn’t a big place to go out at night, it’s a historical neighborhood that is right next to the central train station, Atocha. And I think it embodies a lot of what is good in Spanish cities. The streets are not too big and not too long, which allows for a high density of shops within easy walking distance. As a result, while usually not crowded, there’s hardly a moment when the streets are empty. A few years ago Pacifico was a sleepy part of the city, with lots of older folks. Nowadays the neighborhood seems to be gentrifying (and, no doubt, I am myself contributing to this process). There is an axe-throwing business, where you can take turns hurling a hatchet at a wooden target; there is a fancy dried-goods store, with all these different types of pastas, flours, and exotic spices; and there are lots of bio shops with organic produce and different medicinal herbs. There’s even a big technology store, and a cool book store that also serves coffee, carrot cake, and craft beer. (A specialized craft beer store just moved out of the neighborhood.)

Well, anyway, I think you get my point. There’s a lot of stuff in my neighborhood, and I think this is typical of many neighborhoods in Spain: they are mixed-use, walkable, and well connected with public transportation. In a way they are the antithesis of places that are built around cars. And I think that the result speaks for itself: it is more attractive, more interesting, and all around more livable. There’s another added bonus to living in a Spanish city: the history. Even in my quiet neighborhood, there are some important historical buildings to visit. Quite closeby is the Engine Hall, which is a kind of power station with three massive diesel generators, built for the first generation of the Madrid metro. Nowadays it is a free museum.

Not very far is the Royal Tapestry Factory. This is just one of many royal factories, which were established in the 1700s by the Bourbon monarchs in an effort to emulate the French mercantile model. These are basically state-run organizations that made luxury goods for the royal family. The glass factory, for example, is in the town of La Granja, near one of Spain’s great palaces. The tapestry factory is a brick building with a big smokestack, where some of the finest neoclassical tapestries were made for the Spanish court. No less an artist than Goya made designs for these tapestries, and his original paintings are hanging on the top floor of the Prado. Nowadays, the factory is run by a non-profit, I believe.

Quite close are two more historical landmarks: the Royal Basilica of Our Lady of Atocha, and the Pantheon of Illustrious Men. The first is an important church that is home to one of the many venerated images of the Virgin. The basilica has long been a center of religious and royal life in the city. Bartolomé de las Casas is even buried here—the monk who was one of the first Spaniards to raise awareness about the cruelty of colonization in the Americas. Nextdoor is the Pantheon, which used to be a convent. In the 1800s it was seized from the church and turned into a kind of celebration of civic Spaniards, with elaborate funerary monuments distributed around the old cloister. It’s actually quite a beautiful place, even though I’ve never heard of any of the people buried there. 

Hmmm, it seems that I started a podcast about Spanish city planning, and ended up just talking about how much I like my neighborhood. But I do think that my neighborhood illustrates the ways that a city can be a joyous place. And personally I think that it is a much healthier and saner way to live than having everything spread out, like they’re on little islands, making a car necessary. Cars are convenient things, but you can’t have a car community. I think modern city planners should take a look at these historical neighborhoods and do their best to recreate them. Otherwise, we’ll be condemned to a life of seclusion and isolation, cooped up in our homes, driving from place to place—like we all have coronavirus all the time! It’s not a good way to live.

Unfortunately, even the good neighborhoods that exist are in constant risk of being rendered unlivable by rising rents. And this is a consequence of real estate investing and gentrification. Perhaps it is significant that Vienna, which is often considered the most livable city in the world, has extensive public housing projects—for almost half of its population. At the moment, Madrid’s own housing market is pretty unregulated, and I think this can easily lead to a situation of average, everyday people being pushed out of the center into the outskirts. This is a hollowing out that has already affected places like London and New York, since it basically kills the liveliness that makes these places so attractive to begin with—making them neighborhoods of empty homes owned by wealthy people, or else Airbnbs, with small businesses being bought out by big chains. Whatever the government can do to prevent this kind of situation, I’d welcome it.

Thank you.

Review: Silent Spring

Review: Silent Spring

Silent SpringSilent Spring by Rachel Carson

My rating: 4 of 5 stars

Advocacy is tricky. When you’re trying to motivate people to take action, you need to decide whether to appeal to the head, to the heart, to some combination of the two, or perhaps to some more delicate faculty. Upton Sinclair miscalculated when he wrote The Jungle, aiming for the heart but instead hitting the stomach; and as a result, the book was interpreted as an exposé of the meat industry rather than a plea for the working poor. Aldo Leopold, in A Sand County Almanac, eschews appeals to expediency, and instead focuses on the spiritual joys of wild nature; but his book didn’t result in any legislation. Rachel Carson seems to have found the right formula: an urgent and multifaceted appeal to self-interest.

Silent Spring is often grouped along with Jane Jacobs’s The Death and Life of Great American Cities, which came out just the year before, in 1961. The comparison is apt, for both books were written by academic outsiders, by women working independently in male-dominated fields, and both books created a sensation. In subject matter, too, the books are surprisingly close. Jacobs describes how top-down city planning, which doesn’t take into account the needs of city-dwellers or the complex economies of cities, only causes ruination. Carson describes how indiscriminate use of pesticides destroys ecosystems and fails even to permanently kill the pests. Both books, in other words, criticize a practice taken for granted, a practice that attempted to mold the world using brute force while remaining ignorant of the systems it attempted to shape.

Even today, Carson’s book retains its moral urgency and its morbid fascination. Not only is Carson a knowledgeable scientist, but she is quite a gifted author. She knows how to drive home her point using vivid—and often frightening—examples, detailing case after case of poisonings, in animals and humans. And she supplements her examples with scientific explanations, showing us how poisons spread through the environment, are absorbed into the body, and disrupt natural processes. She knew that the chemical industry was going to fight her tooth and nail, so she did not leave any stones unturned in her research. She systematically goes through the effects of pesticides on soil, water, birds, and plants, offering case after case in support of her thesis. Now that we take it for granted that pesticides shouldn’t be applied with such wholesale zeal, this can actually be a little tedious. When advocacy is effective, it renders itself obsolete.

But Carson does not make the mistake of focusing only on the environment. She emphasizes again and again how pesticides can enter foods, can combine in the body, can kill livestock and desolate fish, can enter the skin through commercial lawn products—in other words, she emphasizes that this problem is not abstract and distant, but is one that closely affects the reader. It is this focus that makes the book so effective: she appeals to the stomach, the heart, the head, and also to Aldo Leopold’s spiritual values—but most of all, she appeals to self-interest, the strongest motivator of all.

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Review: A Sand County Almanac

Review: A Sand County Almanac

A Sand County Almanac: With Essays on Conservation from Round RiverA Sand County Almanac: With Essays on Conservation from Round River by Aldo Leopold

My rating: 4 of 5 stars

What a dull world if we knew all about geese!

Nature is refreshing. Even a short walk in a park can powerfully clear one’s head. For whatever reason—perhaps because our ancestors lived in trees—surrounding oneself with birches and maples produces in nearly everyone feelings of warmth, comfort, and peace. And for many people, nature is more than refreshing: it is awe-inspiring, even divine. Natural environments are, for some, more uplifting than cathedrals. Emerson might have captured this strain of mystical naturalism best:

In the woods, we return to reason and faith. … Standing on the bare ground,—my head bathed by the blithe air, and uplifted into infinite spaces,—all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being flow through me; I am part or particle of God.

I myself have had comparable experiences in the woods. Yet both Emerson and I are pure amateurs next to Aldo Leopold.

Leopold was a pioneering conservationist and forester. He was also a superlative writer, and in this brief book he covers a lot of ground. He begins with a month-by-month account of Sand County, a poor farming region in Wisconsin. This was my favorite section, since Leopold’s sensitivity to his environment is nearly superhuman. He has a keen sense of both the history of environments—how they change with the seasons, how they have evolved through time, how they have been warped by human activity—and the close-knit interdependence of ecosystems, how each organism shapes and is shaped by every other organism, forming a perfect whole.

As a stylist, he manages to be lyrical and poetic while sticking scrupulously to what he sees and hears. His sentences are short, his diction simple, and yet he manages to evoke a densely complex ecosystem. This is because, unlike Emerson or I—and more so than Thoreau—Leopold really understood his environment. He can name every species of plant, and tell what soils they prefer and what plants they like as neighbors. He can identify every bird by its call, and knows where it roosts, what it eats, when it migrates, and how it mates. Scratches on a tree tell him a deer is nearby, his antlers fully grown; the footprints in snow tell him a skunk has passed, and how recently.

All this is described with exquisite sensitivity, but no romantic embellishment. To borrow a phrase from E.B. White, Leopold had discovered “the eloquence of facts.” And, like White, Thoreau, and Emerson, his writing has a pleasing, folksy, rambling, ambling quality, wherein each sentence is nailed to the next one at an oblique angle.

In the rest of the book, Leopold puts forward a new philosophy of conservation. This train of thought reminded my very much of another book I read recently, The Death and Life of Great American Cities. In that book, Jane Jacobs explains how top-down approaches to city planning killed neighborhood vitality. Just so, when Leopold was a young man in the forestry service, he participated in the policy of removing predators—bears, wolves, and mountain lions—to protect livestock and to increase the supply of hunting animals, like deer. When hunting became necessary to control population, parks began building more and more roads to make access easier; and meanwhile the exploding deer population prevented new trees from growing. Thus the park was encroached upon by cars, and the ecosystem thrown off balance—in the same way that blindly building highways and public housing can destroy neighborhoods.

Leopold was, I believe, one of the first to popularize the idea that ecosystems act like one giant organism, with a delicate balance of cooperating and competing components. Every healthy ecosystem is a harmony that cannot be disturbed without unpredictable results. To again borrow from Jacobs, an ecosystem—like a city economy or a human brain—is an example of “organized complexity.” Thus ecosystems baffle attempts to understand them by thinking of their components separately, as a collection of individual species, or even statistically, as the average behavior of interchangeable parts. Complexity like this tends to be a product of historical growth, with each distinct component making minute adjustments to each other in a dense network of influence. Leopold doesn’t say this in so many words; but he does something even more impressive: he illustrates this quality using short anecdotes and schoolboy vocabulary.

His most philosophic contribution to the environmental movement is what he called a “land ethic.” Previous arguments for conservation were couched in terms of expediency: how national parks and nature reserves could benefit us economically. Leopold believed that this approach was too narrow; since hunting lodges and mechanized farms are always more profitable in the short term, this would eventually result in the destruction of wild ecosystems and the disappearance of species. We needed to move beyond arguments of expediency and see the land—and everything on it—as valuable for its own sake. Leopold believed that we had an ethical duty to preserve ecosystems and all their species, and that the aesthetic reward of wild nature was more valuable than dollars and cents could measure.

I want to go along with this, but I thought that Leopold was unsatisfyingly vague in this direction. It is simply not enough to say that we have an ethical duty to preserve nature; this is quite a claim, and requires quite a bit of argument. Further, aesthetic value seems like a slender reed to rest on. For every Emerson and Thoreau, there is a Babbitt whose tastes are not so refined. To his credit, Leopold does argue that a great part of conservation must consist in elevating the public taste in nature. Otherwise, conservation will consist of little more than the government using tax dollars to purchase large swaths of land. Individuals must see the value in wilderness and actively participate in preserving it. But molding tastes is no easy thing; and, more importantly, if we are to do so, there must be compelling reasons to do it.

The most compelling reasons for conservation are, I believe, expediency—but expediency in the widest sense. The difference between folly and wisdom is not that the former is preoccupied with expediency and the latter higher things; it is that wisdom considers what is expedient on a grander scale. Leopold comes close to making this same argument. He was, for example, ahead of his time in being deeply concerned about extinction. Every time a species disappears it is an irreplaceable loss; and considering that our medicine partly depends on new discoveries, extinctions may have terrible consequences for us down the line. (I saw a PBS special the other day about scientists trying to discover new antibiotics by shifting through raw soil.) Since Leopold’s day—long before Silent Spring or An Incovenient Truth—we have learned plenty more ways that environmental destruction can be equivalent to self-destruction.

Carping aside, this is a deeply satisfying book: lyrical, descriptive, educational, and innovative. Leopold realized what Orwell also realized: that winning converts requires both argument and propaganda. He does not only argue for the value of nature, but he really captures the beauty of unspoiled environments and serves it up for his readers’ consideration. We are not only convinced, but seduced. This is propaganda in its noblest form—propaganda on behalf of nature.

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Review: The Death and Life of Great American Cities

Review: The Death and Life of Great American Cities

The Death and Life of Great American CitiesThe Death and Life of Great American Cities by Jane Jacobs

My rating: 4 of 5 stars

This is a common assumption: that human beings are charming in small numbers and noxious in large numbers.

I picked up this book immediately after finishing The Power Broker, and I highly recommend this sequence to anyone who has the time. The conflict between Robert Moses, czar-like planner of New York City for almost half a century, and Jane Jacobs, ordinary citizen and activist, has become the source of legend. There is a book about it, Wrestling with Moses, a well-made documentary, Citizen Jane, and an opera, A Marvelous Order, with a libretto written by a Pulitzer Prize winner (I haven’t seen it). The two make an excellent hero and villain. Moses, the autocratic, power-hungry city-planner who eviscerates neighborhoods and bulldozes homes. Jacobs, the underdog autodidact, community organizer, defender of Greenwich Village and Washington Square Park.

The two did not only clash in life—with Jacobs leading protests to stop Moses’s highways—but, more importantly, in thought. More diametrically opposed conceptions of the city could hardly be imagined.

Moses was, at bottom, a follower of Le Corbusier, a modernist who put forward the idea of the Radiant City. The idea was to create a city with all the different functions in separate zones—sections for retail, business, manufacturing, residences—and to create as much green space as possible by putting everything in high-rise buildings, freeing up land for parks. These buildings would be connected, not by ordinary roads, but by giant superhighways. In a way, it is a conception of the city that is anti-city: there would be no streets, no corner shops, no neighborhoods. The impulse was, I believe, originally progressive: to erase differences in class by creating uniform conditions for everyone. But in Moses’s hands this philosophy became deeply reactionary: isolate the poor people of color in projects and build highways for the car-owning middle class.

Jacobs was absolutely opposed to this model. There are innumerable theoretical differences between Jacobs and Moses, but I think the most essential difference is this: Jacobs loved cities. She loved walking around cities, chatting with neighbors, gazing at street-life, making small-talk at local shops, sitting on stoops and leaning out windows. And so her idea of urban planning is not to pack everyone into high-rise buildings to get them off the street, but the reverse: to get as many people on the street as possible. She loves the messiness of cities. A healthy city is not, for her, a work of art, consciously designed. It is more like a biological organism, shaped by natural selection into a well-functioning, complex, interrelated, constantly-changing whole. Healthy cities are not made by planners but by ordinary people.

Since the publication of this book, Jacobs’s ideas have become enormously influential—so influential, in fact, that it is difficult to see anything radical about what she says. One of her basic principles, for example, is that a well-used street is a safe street, because the presence of many bystanders discourages crime. I suspect that this seems obvious to most people. But when you look at the projects that Moses and his ilk built—high-rise buildings surrounded by lawns, with no shops, restaurants, or anything else to attract people to street level—you realize how totally out of touch they were. Indeed, the whole idea of housing projects sounds like a recipe for disaster: pack all the poor into one area, set income limits so anyone successful has to move out, discourage all street activity to eliminate a sense of community. And in practice the projects were disasters—centers of delinquency and despair.

Jacobs’s recipe for creating a healthy neighborhood has four ingredients: (1) mixed uses, so that different kinds of people are drawn to the area at different times of day for different reasons; (2) a mixture of old and new buildings, so that there is low-rent space available for small businesses and low-income residents; (3) small blocks, so that streets are not isolated from one another; (4) and sufficient density of residents, to create the necessary amount of economic and social activity. The goal is to produce a neighborhood like her own Greenwich Village: with lots of street life, with successful residents who choose to stay long-term, with local stores and restaurants and cafes, and with a steady influx of immigrants.

To use a metaphor, Jacobs thinks we should try to create an ecosystem with a lot of biodiversity; and to do this we need a lot of biomass and a lot of separate niches. The essential fact about ecosystems—which also applies to cities—is that they are a delicate balance of different elements, deeply complex, shaped by the action of countless individual players over countless eons. This level of complexity is baffling to the human mind, which is why we so often disrupt ecosystems by trying to “improve” them. Urban planning does the same thing with cities.

The Moses approach (to continue the metaphor) is agricultural rather than natural: sweep away the natural environment and create an artificial monoculture. Monocultures never spring up in healthy ecosystems. Lacking biodiversity, they are inherently vulnerable and difficult to maintain. We expend enormous amounts of money and energy defending our wheat fields from vermin and disease. The same principle applies to the housing projects, which need constant police surveillance to remain remotely viable.

This gives a taste of Jacobs’s guiding idea, perhaps, but I can hardly do justice to the wealth of thought in this book. Jacobs has convincing sociological insights into what makes streets safe or unsafe, what makes city economies thrive or stagnate, why housing projects fail and slums form, why parks are used and unused, why city governments are so often inefficient and ineffective, and even includes her ideas on the history and progress of science. In a way, this book is a constant rebuke to academe. At the time, academic urban planning was entirely stagnant, relying on ideas and principles that hadn’t been modified in thirty years and which were never very good to begin with. It took someone like Jacobs, an autodidact without a college degree, to break up the orthodoxy—and she had to endure a lot of sexism and condescension in the process.

What made her so successful, and what has made this book so enduring, was a rare combination of talents: keen observation, a highly original mind, the ability to think on multiple scales at once, hard-nosed practicality, and a healthy sense of social responsibility. In this book she relies on her wide and somewhat eclectic reading, but even more on her own eyes and ears. She has visited successful and unsuccessful neighborhoods and had talked to their residents. She has led protests and was a frequent visitor of City Hall. When you read this book, it is easy to see why she has become something of a hero for many citizens and academics: she is absolutely unafraid of authority, either intellectual or political, and she had the mental and personal resources to win.

It is, of course, ironic that her ideas, so heterodox, eventually became the new orthodoxy of urban planning. When Jacobs passed away in 2006, there were many who called for an end to her intellectual reign.

The most common criticism, I believe, is that Jacobs did not anticipate gentrification—the gradual takeover of neighborhoods by the affluent. This is the most talked-about problem in New York City today. There’s a popular blog, Vanishing New York, which documents all the small business and local establishments being pushed out by big money. Jacobs’s own former neighborhood, Greenwich Village, is a prime example: now it is nothing like the bustling, bohemian, working-class place it was in her day. I’m not sure if Jacobs can be fairly blamed for this, however. For one, she anticipates how successful neighborhood can become “too successful” and lose their vitality as more money pours in. What’s more, she was very concerned with maintaining housing for low-income tenants within successful neighborhoods, and includes a novel plan to do so in this book.

In any case, this book is not just a recipe for creating neighborhoods. In an oblique way, it presents an entire ideology. Jacobs is a proponent of what you might call progressive decentralism. Normally, decentralism is associated with the right, at least here in the US, but Jacobs make a strong case for leftist decentralism. Large, vertically-oriented government structures simply cannot understand or respond to individual citizens’ needs. The answer is to empower local government so that citizens can shape their own neighborhoods. Government must help the disadvantaged, but must do so by cooperating with local forces and private individuals—exploiting economic and social elements that naturally arise, instead of imposing its own cumbrous structure.

This book can be read even more broadly, as an attack on suburbia and modern isolation. Cities are the future, as Jacobs reminds us—hotbeds of ideas and centers of population growth; and cities are natural products, created by the free choice of individuals, places that organically foster their own sense of identity and community. Suburbia is a rejection of cities: artificial products created through the deliberate policies of planners. Not shaped by free choice, they are not organic communities; and even if they escape being unsafe, like the projects, they foster that constant specter of modern life: isolation. When you hear Jacobs describe her own neighborhood in Greenwich Village, you get a sense of what so many places nowadays lack: neighborliness, friendliness, a group of semi-strangers and sidewalk acquaintances who will go out of their way to help each other, a sense of communal ownership and belonging.

In sum, this book is a true classic: ensconced in an intellectual climate that no longer exists, responding to contemporary problems with eloquence and insight, and championing a perspective that is still vital.

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Review: The Power Broker

Review: The Power Broker

The Power Broker: Robert Moses and the Fall of New YorkThe Power Broker: Robert Moses and the Fall of New York by Robert A. Caro

My rating: 5 of 5 stars

Many are concerned about the monuments of the West and the East—to know who built them. For my part, I should like to know who in those days did not build them—who were above such trifling.
—Henry David Thoreau

“Who’s Robert Moses?” I asked my brother, after he bought this book.

Well, who was he?

To drive from my house to the city, you need to take the Saw Mill Parkway, across the Henry Hudson Bridge, onto the Henry Hudson Parkway. Those roads, and that bridge, were built under the direction of Robert Moses. If you have a flight to catch, you take the Hutchinson Parkway across the Whitestone Bridge to the Whitestone Expressway, which takes you the JFK airport; these, too, are Moses constructions. To get from my house to my old university in Long Island, you can take Bronx-River Parkway, which links up with the Cross-Bronx Expressway; then cross over the Throgs Neck Bridge onto the Long Island Expressway or the Northern State Parkway—and that bridge, and every one of those highways, is a Moses project.

Who was Robert Moses? He had formed the world around me. Robert Moses was the most decisive figure in shaping 20th century New York. But what was his job?

In his forty-four years as a “public servant”—from 1924 to 1968—Moses came to hold twelve titles simultaneously. He was the New York City Park Commissioner, with control over the city’s parks and parkways; he was the Long Island State Park Commissioner, with control over all the parks and public beaches on Long Island; he was the chairman of the Triborough Bridge Authority, with near-total autonomy from the city or state government. He was the chairman of the New York Power Authority, the chairman of the State Council of Parks, and the head of Title I, which oversaw all the public housing in New York City—and this is not to mention his membership on the City Planning Commission and the City Youth Board—and his eventual title as the City Construction Coordinator, which gave him control over nearly all public works in the city.

Robert Moses was a master builder. He built hundreds of miles of parkways and expressways; he opened hundreds of parks and playgrounds; he built some of the biggest bridges and tunnels and dams the world had ever seen. In the process, Moses displaced hundreds of thousands of people, condemning and demolishing their homes, and tearing the hearts out of old neighborhoods. How did he build so many things, acquire so many titles, move so many people? How, in other words, did he get and hold onto so much power? This is the central question of Robert Caro’s biography. And I can’t give you an idea of Caro’s biography, or why it is so incredible, without giving you an idea of Robert Moses.

The old adage about power and corruption is repeated so often, in such different contexts, that it can sound stale and meaningless. Moses’s story gives meaning to the adage—and qualification. He began his career as an idealist and a reformer; he was an opponent of nepotism, graft, and privilege. Moses’s first major effort was to institute civil service exams and strict pay scales that would serve as checks on government inefficiency and corruption. This effort failed utterly, defeated by the forces Moses hoped to check, leaving him out of a job.

After that, Moses learned to change his tactics. He stopped being an uncompromising idealist and started working with the forces he had once hoped to subdue with his ideas. And once he began to use the tactics of his erstwhile enemies, his prodigious intelligence and drive allowed him to master every force in his way.

The more power he gained, the more he wanted, and the more adept he became at getting it. One strategy was legislative. He was very crafty at drafting bills, sneaking through obscure clauses that extended his reach. His first master-stroke was to give himself, as the Long Island Park Commissioner, power to condemn virtually any piece of land he chose to for his parkways. Later, he managed to pass a bill that allowed him to simultaneously hold city and state government posts. Later still, he wrote the legislation authorizing the creation of the Triborough Bridge Authority, an entity with so much power and wealth that it was essentially a separate government, unelected by the people and unaccountable to and uncontrollable by the city or state governments.

He used underhanded tactics to build his parks and roads and bridges. To get the approval he needed from government boards, he would give extremely low estimates for the construction projects; and then, when the money ran out when the project was half-complete, no politician could refuse him more money, since that would require leaving a road or a bridge embarrassingly incomplete. He used scare tactics to speed eviction of buildings, telling tenants that demolition was imminent and they needed to vacate immediately, when in reality demolition was months away. To outmaneuver opposition to his projects, he would wait until his opponents were asleep and then bulldoze and jackhammer in the night—destroying dockyards, apartments, old monuments—rendering all acts of defiance pointless.

Moses was a master organizer. He learned to use the selfish interest of the major power-players in the city to accomplish his own ends. The unions and construction companies loved him because he provided work on a massive scale. The banks were eager to invest in the safe and high-yield Triborough bonds; and Moses rewarded the banks by depositing his massive cash reserves into their coffers. Cooperative lawyers received lavish rewards as “payment,” hidden through third-parties and carefully disguised as fees and emoluments. In everything, Moses prized loyalty and doled out money, commissions, and jobs based on how much power was at stake. He also forged a close relationship with the press by throwing lavish parties and befriending many newspaper owners and publishers. His carefully cultivated public image—as a selfless public servant who Got Stuff Done—made him an asset to politicians when they worked with him, and a major liability if they antagonized him.

And the more power he gained, the more uncompromising he became. He surrounded himself with yes-men—he called them his “muchachos,” and others called them Moses Men—who never criticized, or even questioned, what Moses said. He would refuse calls from mayors and governors. He did not go to council meetings and sent delegates to City Hall rather than go himself. Once he had planned the route of a road, he wouldn’t even consider changing it—not for protests or activists or local politicians; he wouldn’t divert his road one mile or even half a mile. If you opposed him once, he would use all his connections and resources—in government, construction, law, and finance—to ruin you. He ruined his own brother’s career this way. He kept files on hand full of compromising information that he would use to threaten anyone who dared oppose him, and during the Red Scare he freely accused his enemies of being closet communists—and if that didn’t work, he would accuse their families.

Summed up like this, Moses seems to be a classic case of a man corrupted by power. He went from a hero, fighting on behalf of the citizens to create public parks, struggling to reform an inefficient and corrupt government, to a villain—bullying, blackmailing, evicting, bulldozing, handing out graft. However, as Caro is careful to note, power did not so much corrupt Moses, turning him from pure-hearted to rotten, as allow certain elements of his personality free play, unhampered by consequences. The most prominent of these elements was his monumental arrogance. There are not many clips of Moses online, but the few there are give some idea of Moses’s egotism. He was uninterested in others’ ideas and perspectives, and could hardly deign to explain his own thinking. He spoke about the removal of thousands of people in a tone of utter boredom, as if the families he was moving were less important than gnats.

Compounding his arrogance, Moses was an elitist and a racist. He built hundreds of playgrounds in New York City, but only one in Harlem. He kept the pools in his parks cold, in the odd belief that this would keep black residents away. He built exclusively for the car-owning middle-class, draining resources away from public transportation, even encouraging subway fare-hikes to finance his projects. He made no provisions for trains or buses on his roads, and refused even to build his highways in such a way that, in the future, they could be easily modified to include a railway. It would, for example, have cost only a few million to do this while the highway to JFK was under construction, keeping a few feet in the center clear for the tracks. But because Moses didn’t do this, the railway to JFK, when it was finally built, had to be elevated high up above the highway; and it cost almost two billion dollars.

Moses was also a workaholic. He worked ten-, twelve-, fifteen-hour days. He worked on vacations and on weekends, and he expected his subordinates to do the same. Politically, Moses was a conservative. Ironically, however, Moses was a key figure in the implementation of the progressive New Deal policies of FDR (who was Moses’s arch enemy, as it happens). Also ironic was Moses’s adoption of progressive, modernist urban-planning principles. His ideal of the city was, in its essentials, no different from that outlined by the Swiss-French architect Le Corbusier, who was certainly no conservative—an orderly city of parks, high-rise apartments, and highways, with no messy downtown areas and no ordinary streets for pedestrians to stroll about. But perhaps the most ironic fact in Moses’s life is that this most fervent believer in the automobile, this builder of highways and bridges, never learned to drive. He spent his life getting chauffeured around in a limousine that he had converted into an office, so he could work and hold meetings on the go.

Now if you’re like me, you may think there is something obviously wrong with a racist and elitist planning housing for poor people of color. There is something wrong with a man who couldn’t drive planning highways for an entire state. There is something wrong with a workaholic who was never home planning homes; something wrong with a lover of the suburbs organizing a city. There is something wrong with a man who was never elected wielding more power than mayors and governors. There is something wrong with a man who was scornful of others, especially the lower-class, being allowed to evict thousands from their homes. There is something wrong with a man who did not care about other perspectives and philosophies, who never changed his mind or altered his opinions, wielding power for over four decades. Really, the whole thing seems like a recipe for disaster, doesn’t it?

And, indeed, many came to see Moses’s policies as disasters. Caro certainly did. Moses thought that his legacy would speak for itself, that his works would guarantee him immortal gratitude. Rather, Moses’s name came to be synonymous with everything wrong with urban planning. Sterile public housing that bred crime and hopelessness; ugly highways that cut through neighborhoods and flooded the city with cars; top-down implementation that didn’t take into consideration the needs and habits of residents; cities that had superhighways but lacked basic, affordable public transportation. Even the harshest critic, however, must admit that Moses did some good. That both the city and the state of New York have such an excellent network of parks is in no small measure due to Moses. And if his highways were hopelessly congested when Caro wrote this book in the 70s, nowadays they work quite well, perhaps because they’ve since been supplemented by better public transportation.

While the value of his legacy is at least debatable, the injustice of his tactics is not. Moses was extremely fond of saying that “You can’t make an omelet without breaking a few eggs.” For him, the ends always justified the means. If a few people—maybe a great many people—would be inconvenienced or hurt by his projects, future generations would thank him. But I think his story is an excellent example of why this type of thinking is dangerous, since it allowed him and his followers to trample over the lives of thousands, destroying houses and neighborhoods, treating those in his way with neither respect or dignity, for the sake of the “common good.” It allowed him, in other words, to be a tyrant in good conscience. And the reason he was able to do this and get away with it was because, as an appointed official, his power did not derive from the public—something intolerable in a democracy.

And yet, as Caro points out, Moses does illustrate a conundrum at the heart of a democratic government. Moses tried to achieve his dreams through the normal channels of government, and failed utterly. It was only when Moses started circumventing the usual rules that he was able to accomplish anything. And I think anyone who has ever tried to make a group decision—whether at work or with friends—can appreciate how enormously inefficient democracies can be. Moses was unjust, but he was efficient. That’s a major reason why no mayor or governor dared fire him; while other officials were mired in red tape and board meetings, waiting for approval, allocating funds, holding public hearings, Moses was plowing through and building his works. As he was fond of saying, he Got Stuff Done. His record of achievement made him, for a time, into a political asset and a public hero.

Here is the democratic conundrum in a nutshell. Quick decisions require unilateral power. This is why the Roman senate appointed dictators in times of trouble. But just decisions require a legal framework, open debate, and the people’s approval—a slow and often painful process. And as the story of Caesar shows, it is a risky matter to grant unilateral power temporarily. Power, once granted, is difficult to take away; and power, once concentrated into one area, tends to keep on concentrating.

But the major lesson about power I learned from this book is that power is particular and personal. This is why this book is so eye-opening and shocking. Before reading this, my operating assumption was that power derived from rules and roles. You were elected to a position with a clearly delineated scope and legally limited options. Each position came with its own responsibilities and jurisdiction, unambiguously defined in black and white by a constitution or a law. Yet Moses’s story illustrates the opposite principle. The scope of a role is defined by who holds it; the power of the position is derived from the ingenuity of the individual. Everything comes down to the personality of the man (usually a man, then as now) in charge, his philosophy, his force of will, his cunning, his intelligence, as well as the personality of the people he has to deal with. Circumstances play a role too. Success or failure depends on the individual’s ability to take advantage of any opportunity that arises. Power is not embodied in an eternal set of rules but rather in an ever-changing set of particular circumstances.

Here’s just one example. Moses thought that his power over the Triborough Authority was inviolable, because he had made contracts with his investors, and contracts are protected by the United States Constitution. But when Nelson Rockefeller, the governor, wanted to merge the Triborough into the Metropolitan Transit Authority—a clear violation of the bond contracts—Moses couldn’t stop him, since the banks were represented by Chase, which was owned by Nelson Rockefeller’s brother—who wouldn’t take the matter to court. In other words, because of the particular circumstances—the family relationship between the governor and the bank—the most sacred rule of all, the Constitution, was broken and Moses was defeated. And the reason this happened was not due to any regulation; it came down to the incompatibility of Moses’s and Nelson Rockefeller’s personalities.

I have written an enormous review, and yet I still think I have not done justice to this enormous book. Caro weaves so much into this story. It is not simply a biography of Robert Moses, but a treatise on power, government, and city-planning, a history of New York City and New York State. Robert Caro is an excellent writer—dramatic, sweeping, and capable of weaving so many disparate threads and layers and levels together into one coherent narrative. The one virtue he lacks is brevity. This book is long; arguably it is unnecessarily long, full of peripheral details and sidenotes and rhetorical passages. But its length is what makes The Power Broker so engrossing. It is more absorbing than a fantasy novel, pulling you completely into its world. For three weeks I lived inside its pages.

I loved this book so much, and learned so much from reading it, that it seems peevish to offer criticisms. I will only say that Caro is clearly hostile to Moses and perhaps is not entirely fair. He is an extraordinary writer, but uses repetition as a rhetorical device a bit too much for my tastes. Also, despite this book’s huge scope and length, there are some curious omissions. Particularly, Jane Jacobs’s conflicts with Moses—which have become somewhat legendary, even the subject of a recent opera—are not covered. Jacobs, who articulated many of the intellectual criticisms of Moses’s approach, isn’t even mentioned.

All these are mere quibbles of a book that totally reconfigured my vision of power and government. I recommend it to anyone. And if you’re from New York, it is obligatory.

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