Review: Democracy in America

Review: Democracy in America

Democracy in America Democracy in America by Alexis de Tocqueville

My rating: 5 of 5 stars

I struggle to penetrate God’s point of view, from which vantage point I try to observe and judge human affairs.

A few months ago, bored at work and with no other obligations to tie me to New York, I decided that I would look into employment in Europe; and now, several months and an irksome visa process later, I am on the verge of setting off to Madrid. Unsurprisingly, I’m very excited to go; but of course leaving one’s home is always bittersweet. This is partly why I picked up Tocqueville’s Democracy in America, as a sort of literary good-bye kiss to this odd, uncouth, chaotic, and fantastic place which has, up until now, molded my character, sustained my body, and contained my thoughts.

This turned out to be an excellent choice, for this book is without a doubt the best book ever written on the United States. I am able to say this, even though I haven’t even read a fraction of the books written on this country, because I simply can’t imagine how anyone could have done it better. As it is, I can hardly believe that Tocqueville could understand so much in the short span of his life; and when I recall that he wrote this book after only 9 months in America, while he was still in his thirties, I am doubly astounded. This seems scarcely human.

Part of the reason for his seemingly miraculous ability is that, with Tocqueville, you find two things conjoined which are normally encountered separately: extremely keen powers of observation, and a forceful analytic mind. With most travel writers, you encounter only the former; and with most political philosophers, only the latter. The product of this combination is a nearly perfect marriage of facts and reasoning, of survey and criticism, the ideas always hovering just above the reality, transforming the apparently senseless fabric of society into a sensible and intelligible whole. Almost everything he sees, he understands; and not only does he understand what he sees, but so often hits upon the why.

Although this book covers an enormous amount of ground—religion, slavery, culture, government, the role of women, just to name a few topics—there is one central question that runs through every subject: What does the appearance of democracy mean for the future of humanity? Tocqueville sees this question as the most pressing and significant one of his time; for, as he perceived, what was happening then in America was destined to inspire Europe and perhaps the whole world to adopt this new form of government, which would forever change the face of society. In short, Tocqueville is seeking to understand America so that he could understand the future; and the plan of the book follows these two goals successively. The first volume, published in 1835, is a thorough analysis of the United States; and the second volume, published in 1840, is a comparison of democracy and aristocracy, an attempt to pinpoint how a switch to a democratic government causes far-reaching changes in the whole culture.

Tocqueville is famously ambivalent about American democracy. He often sounds greatly impressed at what he finds, noting how hardworking and self-reliant are most Americans; and yet so often, particularly in the second volume, Tocqueville sounds gloomy and pessimistic about what the future holds. Much of his analysis is centered on the idea of social equality. He often reminds the reader—and by the way, Tocqueville wrote this for a French audience—that Americans, rich or poor, famous or obscure, will treat everyone as an equal. The entire idea of castes or classes has, in Tocqueville’s opinion, been abolished; and this has had many effects. Most obviously, it gives free reign to American ambition, for anyone can potentially climb from the bottom to the top; thus results the ceaseless activity and endless financial scheming of Americans. And even those who are quite well-off are not spared from this fever of ambition, for the lack of inherited wealth and stable fortunes means that the rich must continually exert effort to maintain their fortunes. (Whether this is true anymore is another story.)

Thus we find a kind of money-obsession, where everyone must constantly keep their minds in their wallets. In America, money is not only real currency, but cultural currency as well, a marker of success; and in this context, the creature comforts of life, which after all only money can buy, are elevated to great importance. Rich food, warm beds, spacious houses—these are praised above the simpler pleasures in life, such as agreeable conversation or pleasant walks on sunny days, as the former require money while the latter are free and available to anyone. The central irony of a classless society is that it forces everyone to focus constantly on their status, as it is always in jeopardy. You can imagine how shocking this must have been for Tocqueville, the son of an aristocratic family. There simply was no class of Americans who had the leisure of retiring from the cares of the world and contemplating the “higher” but less practical things in life. All thought was consumed in activity.

This results in a society of the ordinary individual. In America, there are few “great men” (as Tocqueville would say) but a great many good ones. Americans are self-reliant, but not daring; they are often decent, but never saintly. They will sometimes risk their lives in pursuit of a fortune, but never their fortunes for the sake their lives. An American might temporarily accept hardship if there is a financial reward on the other end; but how many Americans would forsake their fortunes, their comforts, their houses and property, for the sake of an idea, a principle, a dream? Thus a kind of narrow ambition pervades the society, where everyone is hoping to better their lot, but almost nobody is hoping to do something beyond acquiring money and things. One can easily imagine the young Tocqueville, his mind filled with Machiavelli and Montesquieu, meeting American after American with no time or inclination for something as intangible as knowledge.

In the midst of his large-scale cultural analysis, Tocqueville sometimes pauses for a time, putting off the role of philosopher to take up the role of prophet. Tocqueville does get many of his predictions wrong. For example, he did not at all foresee the Civil War—and in fact he thought Americans would never willingly risk their property fighting each other—and instead he thought that there would be a gigantic race war between blacks and whites in the south. But Tocqueville was otherwise quite right about race relations in the slave-owning states. He predicts that slavery could not possibly last, and that it would soon be abolished; and he notes that abolishing slavery will probably be the easiest task in improving the relationship between blacks and whites. For although slavery can be destroyed through legal action, the effects of slavery, the deep-rooted racial prejudice and hatred, cannot so easily be wiped clean. In support of this view, Tocqueville notes how badly treated are free blacks in the northern states, where slavery is banned. Without a place in society, they are shunned and fall into poverty. The persistence of the color line in America is a testament to Tocqueville’s genius and our failure to prove him wrong.

But perhaps the most arresting prediction Tocqueville makes is about the future rivalry of the United States with Russia. Here are his words:

Americans struggle against obstacles placed there by nature; Russians are in conflict with men. The former fight the wilderness and barbarity; the latter, civilization with all its weaponry: thus, American victories are achieved with the plowshare, Russia’s with the soldier’s sword.

To achieve their aim, the former rely upon self-interest and allow free scope to the unguided strength and common sense of individuals.

The latter focus the whole power of society upon a single man.

The former deploy freedom as their main mode of action; the latter, slavish obedience.

The point of departure is different, their paths are diverse but each of them seems destined by some secret providential design to hold in their hands the fate of half the world at some date in the future.

While discussing such an obviously brilliant man as was Tocqueville, whose ideas have become foundational in the study of American society, it seems almost petty to praise his prose style. But I would be doing an injustice to any readers of this review if I failed to mention that Tocqueville is an extraordinary writer. I was consistently captivated by his ability to sum up his thoughts into crisp aphorisms and to compress his analyses into perfectly composed paragraphs. I can only imagine how much better it is in the original French. Here is only a brief example:

Commerce is a natural opponent of all violent passions. It likes moderation, delights in compromise, carefully avoid angry outbursts. It is patient, flexible, subtle, and has recourse to extreme measures only when absolute necessity obliges it to do so. Commerce makes men independent of each other, gives them quite another idea of their personal value, persuades them to manage their own affairs, and teaches them to be successful. Hence it inclines them to liberty but draws them away from revolutions.

In the brief space of a book review—even a long one—I cannot hope to do justice to such a wide-ranging, carefully argued, and incisive book as this. So I hope that I have managed to persuade you to at least add this work to your to-read list, long as it may be already. For my part, I can’t imagine a better book to have read as I prepare myself to visit a new continent, about the same age as was Tocqueville when he visited these shores, for my own travels in a strange place. And although, lowly American that I am, I cannot hope to achieve even a fraction of what Tocqueville has, perhaps his voice echoing in my ears will be enough to encourage me to look, to listen, and to understand.

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Review: The New Spaniards

Review: The New Spaniards

The New SpaniardsThe New Spaniards by John Hooper

My rating: 4 of 5 stars

The New Spaniards is an updated and revised edition of The Spaniards, which was originally published in 1986. The revisions were extensive, and thus this text does not feel at all outdated. For subject matter, Hooper casts as wide a net as he can in the span of 400 pages, tackling subject after subject in a succession of pleasantly short but informative chapters. One learns here of Spain’s government, history, economy, culture, music, cinema, monarchy, military, sexual mores, as well as some of the ‘centrifugal forces’ (as Hooper calls them) in modern Spain, the separatist movements in the Basque country and Catalonia.

It is useful to compare this book (as David does) with Giles Tremlett’s Ghosts of Spain. The books are, at first glance, quite similar: they are both about modern Spain, both were published in 2006, both are by British journalists who have spent much time living here, and, most importantly, both have yellow covers. But the approaches taken by the two authors differ considerably. Tremlett is personal and immediate; he is married to a Spaniard, has children in Spanish schools, and thus has a lot invested in the future of Spain. His book is thus more anecdotal; he frequently writes in the first person, telling us of his travels throughout the country, the people he meets, the food he tastes, trying to convey some sense of what it’s like to actually live here.

Hooper, by contrast, although he spent many years here, is now living elsewhere. Perhaps as a consequence of this, his tone is much more detached and (as much as possible in a book of this sort) objective. His writing gets straight to the point; he keeps the reader’s interest, not through storytelling or flashy prose, but simply by presenting insightful information clearly and succinctly. Thus, although somewhat dry, I often found the book hard to put down, as it is a veritable feast of facts, figures, particulars, and generalities. So I am heartily grateful, both to Hooper and to Tremlett, for now I feel fairly knowledgeable about my new home.

And what a fascinating place to call home. I’m somewhat ashamed that I had so little interest in Spain before I came here, for it is a country well worth knowing. As many Spaniards like to point out, Spain is “different.” Just the other day, someone remarked to me that “Europe begins at the Pyrenees,” which is a saying here. There is, apparently, a widespread notion among Spaniards that Spain is quite unlike other European countries. Perhaps this is because Spain didn’t fight in either World War I or World War II, and lingered under a repressive regime until the mid 1970s, more or less isolated from the anxieties of the Cold War.

But Spain is changing quickly. Arguably, the theme of both Hooper’s book and Tremlett’s is “change.” Justifiably so, when you consider that Spain went from a Catholic society where divorce was nigh impossible to one of the first countries to legalize gay marriage. And perhaps because many Spaniards think that their country lags behind, they have fully and enthusiastically embraced modernity. According to Hooper, moderno has unambiguously positive connotations here (something which I haven’t had enough time to verify yet). But one only has to skim the history of modern Spain to be convinced that, in the last forty years, Spaniards have thrown themselves into the future. Indeed, Hooper begins this book with the results of an international survey which found that, in Spain, there exists the biggest difference in basic values between the young and the old.

Though, of course, some things change and some remain the same. The Spanish attitude to work is, as far as I can tell, still quite different from both the United States and the northern European countries. After witnessing how much people work in New York, a Spanish friend of mine, with a worried look on his face, told me “Work is good, but there are other things in life.” Simply by walking around Madrid, which I’ve heard is one of the most hardworking parts of Spain, I notice a big difference. In New York, at rush hour, the streets are filled with legions of men and women dressed for work, cramming into the subway, all with vaguely worried looks on their faces. Yet here, rush hour is not very noticeable; in fact, it took a few weeks for me to notice it at all. True, at certain times of the day, the metro is likely to be more full of nicely dressed people; but never is it packed, and nobody runs for the train or tramples you on their way out the door.

The cultural attitude that has been programmed into me since birth is that work is a duty, and the more and the better work you do, the more worthy you are. The money earned is a marker of personal value; and the more accumulated, the better. Indeed, I know people who are tremendously successful and who make a great deal of money, but who are loathe to spend even chump change. The attitude here is quite the opposite. Spaniards seem to regard work as a necessary evil. This is not to say that they can’t or don’t work hard—during the recession, many worked themselves to the bone, and still do—but the idea that one’s productivity is a measure of one’s dignity, and the sort of perverse pride some people in the States take in staying long hours at the office, eating at their desks, and hardly sleeping or spending time with friends—this seems to be largely absent here. And while most people I know in the States think of enjoying oneself as a privilege to be earned through work, in Spain enjoyment is regarded as a right. Thus, while the rush hour here is easy to overlook, the crush of women wearing high heels and make up, and men with gelled up hair and collared shirts, is noticeable every night of the week.

Doubtless, what I’ve just written is a stereotype, lacking in depth or nuance. But if you want something more insightful, you’ll just have to read this book. It is a sweeping and penetrating look at modern Spain, written with authority and rigor. Indeed, it is a bit hard for me to believe that Hooper is a journalist, for this book lacks that characteristic myopia of most journalism, which concentrates exclusively on the present moment. Hooper, by contrast, is scholarly and maintains a historical perspective throughout. In short, I recommend this book heartily; and I hope that it inspires you as much as it has me to ponder modern Spain.

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2015 on Goodreads

2015 on Goodreads2015 on Goodreads by Various
My rating: 5 of 5 stars

As I set out to review my year on Goodreads, I find myself thinking about what a wonderful place this site is. Really, compared to so much of the internet—which so often seems to be the digitized version of a very dim teenager’s brain—Goodreads is almost miraculous. How else can you have intelligent discussion with people all over the world about subjects ranging from quantum physics to Medieval love poetry, from political philosophy to Babylonian astronomy? Every time you find yourself thinking about how technology is ruining our culture and impoverishing thought, remind yourself of Goodreads. So to all of the people who read my reviews or who write great reviews for me to read, I’d like to say, Thanks!

This year I had resolved to read bigger books. In 2014 I managed to make it through 172 books, but the majority of those were rather short. So this year, I decided that I would read a smaller number of heftier tomes. I don’t think I’ll even make it to my goal of 120 books this year, but that’s just as well. In fairness, probably I would have reached this goal had I not moved to Spain, which upset my carefully worked-out reading schedule I had developed in New York—not that I’m complaining.

One of the most persistent feelings of my past few years has been the nagging sense that I am hopelessly ignorant. This led me to read mostly science and history, as I attempted to banish this self-doubt. But unfortunately this venture feels an awful lot like trying to fill the Grand Canyon one pebble at a time. There’s just too much I don’t know; and every new fact or new theory just makes me more acutely aware of how much further I have to go. But I suppose I should be thankful for this. Learning, after all, is one of the most wonderful feelings there is; and life would be intolerably dull if there wasn’t more out there to wrap my mind around, or at least to try.

In this spirit, I managed to slog my way through three textbooks this year: Fundamentals of Physics by R. Shankar, Economics by Paul A. Samuelson, and General Chemistry by Linus Pauling. I didn’t put in enough effort to master any of the books, though I think some knowledge nonetheless managed to sink in. One can only hope. The best of the lot was easily Samuelson’s book, which I read in the original 1948 edition.

With more hope than success, I also tried to teach myself something about the mathematics behind quantum mechanics and relativity. This led me to read Leonard Susskind’s Theoretical Minimum book on quantum mechanics, and Peter Collier’s A Most Incomprehensible Thing, a self-published book about general relativity. Both books were designed to teach neophytes like me something about the mathematics behind the ideas. Susskind’s was certainly the better book, since he has a much deeper understanding of the subject matter. Whether some of his understanding rubbed off on me is an open question.

But the real hero of my science reading this year has been Richard Feynman. I made my way through six of his books, all of them excellent. First were his Six Easy Pieces and Six Not-So-Easy Pieces, excerpts from his landmark Lectures in Physics. The latter was especially good, giving a fantastic account of special relativity. I followed this up with The Character of Physical Law, another slim book where we see Feynman at his most philosophical. But the real gem of the lot was QED, the best work of popular physics I’ve ever read; it’s a masterpiece.

And this is not to mention the two volumes of Feynman’s quasi-autobiography I read, Surely You’re Joking and Why Do You Care What Other People Think? Though the second was good, I loved the first. Feynman had a personality of Dickensian proportions; and even now I often hear his voice in my head, among the chorus of authors who occasionally give me advice. (Doesn’t this happen to you?) I made my girlfriend and my brother read it, and I’d make you read it if I could.

The second star of my year in reading has been Will Durant, from whose pen I consumed six books. I feel much more ambivalent about Durant than about Feynman. As a thinker and a writer, he has many faults; and of his six books, I gave bad reviews to three of them. But his Story of Civilization series is simply splendid. I’m rather addicted, in truth. This year I read his books on Greece, Rome, and the Middle Ages, and I just started his book on the Renaissance. I plan on continuing through the entire series; and considering that each volume is at least 700 pages long, this is no small compliment to pay to an author.

To supplement my reading in science and my reading in history, I tackled a few books about the history of science. I began early on with Darwin’s Voyage of the Beagle, a book part botany, part geology, and part adventure story; don’t miss it. Galileo came next, whose Dialogue Concerning the Two Chief World Systems combines sharp thinking with sharp prose. After I was done pondering the earth’s orbit, Newton showed me some of his experiments and theories on light in his Opticks. And Otto Neugebauer, a frightening mix of intelligence and erudition, then lectured me on Babylonian astronomy and Egyptian mathematics in his Exact Sciences of Antiquity, a great little book which Manny recommended to me. In this category I might also mention Richard Oerter’s The Theory of Almost Everything, a book which managed to compress both a history and an explanation of the Standard Model of physics into 300 pages.

A mini-project I engaged in was to read more drama. I began with Molière, who quickly became one of my favorite authors. His plays are laughter on paper; few experiences are so effortlessly joyful. Ibsen was next, a much darker sort of master; and then came Shaw, who is not worth describing if you haven’t already read him. Ben Jonson, Christopher Marlowe, and William Congreve also made brief but memorable appearances, and I hope the future brings us together again. A second mini-project was to read more poetry. To this effect, I read John Donne, William Blake, William Wordsworth, and Samuel Taylor Coleridge. But for all this, I remain an uncultured buffoon.

One more project was to educate myself about the political and intellectual history of the United States. This first led me to Montesquieu, whose Spirit of the Laws effectively laid out the basic plan of the U.S. constitution; then I was led naturally to The Federalist Papers, and finally to Alexis de Tocqueville’s Democracy in America. I found the first two, if informative and interesting, a bit of a slog to get through. But Tocqueville’s was perhaps the best book I read all year. Read and be amazed; it’s magnificent. In the literary realm of Americana, I read Ralph Waldo Emerson and Henry Adams. The first is an extraordinary writer, but not much of a thinker; and the second is not much of either.

My readings in philosophy have been a bit light. I began with George Santayana, whose Life of Reason ushered me into 2015. I loved the book, though I’m still unsure whether it was great philosophy or just great writing. Heidegger made another appearance into my reading life this year, after Being and Time defeated me in 2014, though this time I think I understood him better; and then came Plotinus, who was equally as mystical. Oh, and I shouldn’t neglect to mention Ayer, Kripke, and Russell. The philosophic highlight of the year, however, was definitely St. Thomas Aquinas and St. Augustine. I read both of their major works, though in abridged versions, and I found both to be richly rewarding.

In the realm of literature, I also managed to cross some big names off my list. I read and fell in love with David Copperfield; and then I did the same with Tom Jones. Both Dickens and Fielding are filled with such exuberance and good will that I smiled constantly through their books. Lawrence Sterne and Rabelais then exploded into my reading life, in the form of Tristram Shandy and Gargantua and Pantagruel, leaving the inside of my skull dripping with ink and littered with allusions and puns. I recommend each of them with all my heart.

The book which has most affected my life outside of Goodreads has been David Burns’s Feeling Good, a self-help book which, indeed, helped me help myself. I was feeling rather depressed and anxious for a while, and Burns helped me get out of it. The change in my mood was almost immediate; and I’ve been feeling good ever since. Also in this category might be placed the books I’ve read on the history and culture of Spain, which helped me to get accommodated in my new environment. The New Spaniards was the best of this lot, though Ghosts of Spain was close.

This “review” has already grown monstrously long and dreadfully dull; and still I have passed over most of the wonderful books who were my companions through the passing days and months of another year. Yes, another year has gone, and hopefully I have grown that much more knowledgeable and perhaps just an iota more wise. What is beyond doubt is that I have grown happier, partly thanks to these books, and also thanks to you, who serve as a constant reminder to me that, despite all the ugliness and stupidity we so often meet with, the world is full of thoughtful, intelligent, and kind people. If 2016 is as good as this year has been, I will count myself enormously lucky.

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Review: Homage to Catalonia

Review: <i>Homage to Catalonia</i>

Homage to CataloniaHomage to Catalonia by George Orwell

My rating: 4 of 5 stars

I have the most evil memories of Spain, but I have very few bad memories of Spaniards. I only twice remember even being seriously angry with a Spaniard, and on each occasion, when I look back, I believe I was in the wrong myself.

Autobiographies and memoirs are, I think, the best books to read on vacation. Not only are they light, easy, and entertaining, but they’re usually not hard to put down. This is important because, if you’re like me, you may end up spending your whole vacation with your head buried in a book. Most valuable, however, is simply seeing how an excellent writer transforms their experiences into stories. The vague emotions of daily life, the interesting characters we encounter, the sights and sounds and smells of new places—good autobiographies direct our attention to these little details.

In this spirit I picked up Orwell’s Homage to Catalonia to read during my trip to Seville. It was an excellent choice. It’s been a while since I’ve read Orwell, and I’d nearly forgotten what a fine writer he is. In fact, perhaps the most conspicuous quality of this book is the caliber of the prose. It is written with such grace, clarity, and ease, that I couldn’t help being constantly impressed and, I admit, extremely envious at times. The writing is direct but never blunt; the tone is personal and natural, but not chummy. The book may have been a bit too readable, actually, since I had a hard time prying myself away to go explore Seville (and a book has to be very good indeed to compete with Seville).

There seems to be a bit of confusion about this book. Specifically, some people seem to come to it expecting to learn about the Spanish Civil War. This is a mistake; Orwell only experienced a sliver of the war, and his understanding of the political situation was limited to the infighting between various leftist groups. The events and conflicts that led up to the war, and the progress of the war itself, are for the most part unexplained. This book is, rather, a deeply personal record of his time in the Spanish militia. We learn more about Orwell’s military routine than about any battles between fascist and government forces. More light is shed on Orwell’s own political opinions than the political situation in Spain.

If you come to the book with this in mind, it will not disappoint. His time in Spain made a deep impression on Orwell; he writes of it in a wistful and nostalgic tone, as if everything that happened occurred in a dreamy, timeless, mist-filled landscape, disconnected from the rest of his life. Characters come and go, soldiers are introduced, arrested, or killed in action; but we do not get acquainted with anyone save Orwell himself. The mood is introspective and pensive, as if it all took place in another life. Even when he is describing his friends’ imprisonment, or his experience getting shot in the neck and hospitalized, he manages to sound dispassionate and serene.

Two chapters, however, do not fit into this characterization. These are Orwell’s analyses of the political situation in Barcelona during this time. In some books, they are published as appendices—which I think is a good choice, actually, since they interrupt the flow of the book quite a bit. Despite the abrupt change in tone and subject-matter, however, they make for valuable reading. The machinations and petty political squabbles that went on during this time are astounding. One would think that having a common enemy in Franco would be enough to unite the various factions on the Left, at least for the duration of the war. Instead, the anti-revolutionary communist party ended up declaring the pro-revolutionary communist party (of which Orwell was a member, entirely by chance) to be a fascist conspiracy, resulting in hundreds of people—people who had spent months fighting at the front—being thrown in secret prisons. Orwell himself narrowly escaped.

Nevertheless, I think that Orwell’s analyses of the general situation in Spain should be taken with copious salt. He understands nearly everything through a quasi-Marxist lens of class-warfare, which I think fails to do justice to the complex political and cultural history of the conflict. Added to this, one gets the impression that Orwell’s command of Spanish was fairly rudimentary, which I think greatly limited his ability to understand the war. To his credit, though, Orwell does warn us about his limitations:

In case I have not said this somewhere earlier in the book I will say it now: beware of my partisanship, my mistakes of fact, and the distortion inevitably caused by my having seen only one corner of events. And beware of exactly the same things when you read any other book on this period of the Spanish war.

But these are minor complaints of a book which I found to be supremely well-written and absolutely fascinating. His accounts of life at the front were possibly the best descriptions of war that I’ve ever read, with the exception of those in Tolstoy’s War and Peace. This is not because Orwell saw very much fighting; quite the opposite. Rather, he conveys a sense of the crushing boredom and the sense of futility that many soldiers must feel during a long, draw-out war. Also superb was his portrayal of political oppression, the climate of fear and backstabbing that arose during the party conflicts in Barcelona.

Perhaps most impressive, though, is that, despite all of the hardships Orwell endured, and despite the obvious injustices inflicted on both himself and his friends, he does not come across as bitter or resentful. I leave you with his words:

When you have had a glimpse of such a disaster as this—and however it ends the Spanish war will turn out to have been an appalling disaster, quite apart from the slaughter and physical suffering—the result is not necessarily disillusionment and cynicism. Curiously enough the whole experience has left me with not less but more belief in the decency of human beings.

 

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