2024 in Books

2024 on Goodreads by Various

My rating: 4 of 5 stars


I seem to be slowing down in my old age. About a decade ago, I was reading well over 100 books a year. Since then, my total book count has steadily gone downward, a dismal sign of adult responsibilities encroaching on my free time. But I still managed to finish some excellent books.

In election years, I tend to get swept up in the frantic political mood, but this year somehow I managed to maintain calm. My big election read was What It Takes, Richard Ben Cramer’s monumental account of the 1988 election. It was a thorough reminder of how much American politics have decayed during my lifetime. This was complemented by Robert Caro’s Master of the Senate, a monumental exploration of how power operates on a national scale. The attempted Trump assassination also prompted me to read the Warren Commission Report and to finally learn all of the gory and suspicious details of the JFK assassination.

But the major theme of the year was, broadly speaking, the 1920s, 30s, and 40s in America. I’m fascinated by this period because it seems to separate the past from the present—a historical crisis that birthed the modern world. The best general overview of the period I know is David M. Kennedy’s Freedom From Fear, but I supplemented this with Studs Terkel’s books on the Great Depression and World War II, Frederick Lewis Allen’s books on the 1920s and 30s, two volumes of Churchill’s WWII memoirs, and two books on the Dust Bowl. I admit that it was reassuring to be reminded that the United States has already survived crises of extraordinary proportions as we face a second Trump term.

But many other valuable books just came my way. Among these were Mozart’s letters—a thoroughly charming self-portrait—and Bianca Bosker’s wonderful book on the contemporary art scene, which illuminated a world that had previously been a complete conundrum to me. This also included Jon Krakauer’s two most famous books—about Chris McCandless and the 1996 Mount Everest Disaster—which deserve their fame. Sei Shonagan’s classic of Heian Japan, The Pillow Book, made a lasting impression on me; but the most unexpectedly good read was The Ethical Slut, a manual of polyamory which has much to teach prudes such as myself.

Like last year, this one has been rather light on literature. I read some good plays—a couple of Brecht plays, and Tom Stoppard’s postmodern Shakespeare sendup—and two novels by Sinclair Lewis. Yet the most beautiful piece of writing I encountered was James Agee’s sui generis Let Us Now Praise Famous Men, a book worth reading for the quality of the prose alone.

As always, I heartily thank the Goodreads community for allowing me to express my thoughts and to learn from yours. In the new world of AI, this platform seems to be stuck in time, and I’m not complaining.



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